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Craft Critique Culture: Bridging Divides (April 8-9, 2016: Iowa City, Iowa)

updated: 
Monday, September 7, 2015 - 7:47pm
Kate Nesbit / Lydia Maunz-Breese / Heidi Renée Aijala (University of Iowa)

16th Annual Craft Critique Culture Graduate Conference
April 8-9, 2016
Bridging Divides
University of Iowa

CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing both within and beyond the academy. This year's conference will encourage an examination of the "inter" of interdisciplinary—as well as the construction and deconstruction of boundaries between and within academic, public, private, personal, critical, and creative discourses—through an inquiry into bridging divides.

Dollars and Desire: Capitalism, Oppression, and the Racial Other

updated: 
Monday, September 7, 2015 - 6:23pm
Northeast MLA (NeMLA)

The history of the commodification of Black bodies within a global context has been central to the Afro-diasporic experience. While in conversation with the Transatlantic Slave Trade and colonization; contemporary scholarship grapples with what it is to interrogate the consumption of Black bodies. Working from the perspective of Blackness and commodification in Black Looks: Race and Representation, bell hooks argues that the "contemporary commodification of Black culture by whites in no way challenges white supremacy when it takes the form of making Blackness the 'spice' that can liven up the dull dish that is mainstream white culture" (14).

Dollars and Desire: Capitalism, Oppression, and the Racial Other

updated: 
Monday, September 7, 2015 - 6:21pm
Northeast MLA (NeMLA)

The history of the commodification of Black bodies within a global context has been central to the Afro-diasporic experience. While in conversation with the Transatlantic Slave Trade and colonization; contemporary scholarship grapples with what it is to interrogate the consumption of Black bodies. Working from the perspective of Blackness and commodification in Black Looks: Race and Representation, bell hooks argues that the "contemporary commodification of Black culture by whites in no way challenges white supremacy when it takes the form of making Blackness the 'spice' that can liven up the dull dish that is mainstream white culture" (14).

Literature and Human Rights (ACLA 2016 CFP)

updated: 
Monday, September 7, 2015 - 5:22pm
Sonali Perera (Hunter College, CUNY) and Janice Ho (University of Colorado at Boulder)

This seminar will explore the historical and ideological conjunctions between literary forms and discourses of human rights. On the one hand, human rights have been celebrated for representing a shared vision for social justice and international law in a cultural relativist world of shifting norms and disconnected struggles. On the other hand, human rights have been criticized for charting a path towards "imperial internationalism" wherein the rhetoric of the civilizing mission of colonialism is sometimes reproduced in an age of military humanism and "just wars."

[UPDATE] NEMLA 2016 Panel Still Laughing: Ancient Comedy and Its Descendants Due 9/30

updated: 
Monday, September 7, 2015 - 2:31pm
Claire Sommers (the Graduate Center, CUNY) and Barry Spence (University of Massachusetts)

Aristotle in his Poetics outlines his theory of tragedy and gives readers a framework for assessing and understanding the genre; his treatise providing the equivalent analysis of comedy has sadly been lost, and as a result, it is difficult to find a unified theory of ancient comedy. Perhaps the closest we have is Democritus' statement that "Laughter is a complete conception of the world." Centuries later, Bakhtin would elaborate upon this sentiment by claiming that the carnivalesque comedy allows for dialogue between multiple genres and voices in order to create a world in which societal structures are upended.

Update: Gender and Class Representation in U.S. Culture, NeMLA, Hartford, 3/17-3/20

updated: 
Monday, September 7, 2015 - 1:01pm
47th Northeast Modern Language Association Convention

This panel investigates the contemporary meaning of gender and class in film and literature in the United States. While authors such as Sheryl Sandberg and Hannah Rosin focus on women in the professional ranks to argue for women's prominence in U.S. culture and stories of professional women dominate the media, few stories of working-class women have emerged to challenge the symbolic dominance of the white male worker and breadwinner. As work, families, and genders have changed, how has this symbolism been reinforced or challenged in literature and film?

Gastronomy, Culture, and the Arts: A Scholarly Exchange of Epic Portions (March 12-13, 2016), University of Toronto Mississauga

updated: 
Monday, September 7, 2015 - 12:42pm
Gastro Conference, Department of Language Studies

"Foodies consider food to be an art, on a level with painting or drama" (The Official Foodie Handbook, Paul Levy, Ann Barr, 1984).

From the kitchen to the classroom, the preeminence of food has brought gastronomy to the forefront of mainstream culture as well as academic conversation. Devoid of the irony that may have once infused the Handbook statement, food is, and has always been, indeed 'an art, on a level with painting or drama.'

We invite abstracts from all academic disciplines that address the following themes or other related areas:

UPDATE: ReFocus: A Series of Film/American Studies Anthologies

updated: 
Monday, September 7, 2015 - 10:18am
Edinburgh University Press

In 2015, the University of Edinburgh Press launched a multivolume series of scholarly, refereed anthologies entitled ReFocus. Edited by Robert Singer (CUNY Graduate Center, Liberal Studies) and Gary D. Rhodes (Queens University, Belfast), each book focuses on a critically overlooked American film director who worked in the studio system, independent cinema, experimental filmmaking, or documentary tradition. The volumes to be published this year focus on Preston Sturges, Amy Heckerling, Delmer Daves, Ida Lupino, and Budd Boetticher.

[UPDATE] AMSN3: Modernist Work

updated: 
Monday, September 7, 2015 - 5:14am
Australasian Modernist Studies Network (AMSN)

AMSN3: Modernist Work

The Third Biennial Conference of the Australasian Modernist Studies Network

Date: 29-31 March 2016
Venue: University of New South Wales, Sydney

Abstracts due: 1 October 2015
Notification of acceptance: 1 November 2015

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