Call for Proposals
Society for Cinema and Media Studies (SCMS)
March 25-29, 2015 in Montreal, Canada
Call for Proposals
The Society for Contemporary Literature, a group dedicated to the study of literature of the last 25 years, invites 300-word abstracts for a proposed panel at the God & the American Writer Symposium of the American Literature Assoc. We encourage scholars to think broadly about the environment and its relationship to the divine in contemporary literature. Recent writing occupies various points on a spectrum of approaches to that relationship—examples include the acceptance of the degradation of the environment as a sign of the Second Coming in the apocalyptic tenor of popular "rapture fiction," the opposition of evangelical preaching to sociobiology and science in E.O.
Call for proposals for edited anthology
Convention and Contravention: Vexing Gender in Nineteenth-Century American Women's Writing
Editor: Mary Ellen Iatropoulos
CFP Deadline: 9/12/14
Concussions, Commotions, and Other Aesthetic Disorders
Annual Graduate Conference of the Department of English at the University of Chicago, November 20-21, 2014
Keynote Speaker: Claudia Rankine, Henry G. Lee Professor of English, Pomona College
With a public discussion conducted by Lauren Berlant, George M. Pullman Distinguished Service Professor of English, University of Chicago
Proposal submission deadline: July 25th, 2014
Recent publications, such as Amy Villarejo's _Ethereal Queer: Television, Historicity, Desire_ (Duke, 2014) and Jason Mittell's _Complex Television: The Poetics of Contemporary Television Storytelling_ (MediaCommons Press, 2012-13), among others, herald a paradigm shift in television theory and historiography, one that deepens and expands the current critical language of TV studies. This panel seeks to pursue this shift in critical and theoretical approaches to television studies, inviting papers that situate television in broader questions of narrativity, historicity, critical theory, and continental philosophy.
the quint's twenty fourth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books, music, and films. The deadline for this call is 15th August 2014—but please note that we accept manu/digi-scripts at any time.
All contributions accompanied by a short biography will be forwarded to a member of the editorial board. Manuscripts must not be previously published or submitted for publication elsewhere while being reviewed by the quint's editors or outside readers.
Call for Papers
ICONOGPRAHY AND ARCHETYPES IN WESTERN FILM AND TELEVISION
Eds. Sue Matheson and Andrew Patrick Nelson
We are currently soliciting abstracts of 100 words for essays to be included the first book to examine the richness and complexity of the film and television Western through its iconography and archetypes, foregrounding the significant contributions made to our understanding of America's narratives of land, nation and cultural identity by the recurrent symbols and artifacts of Hollywood's wild west.
Since its initial publication in 1974, the iconic role-playing game (RPG) Dungeons & Dragons (D&D) has spawned hundreds of other analog and digital RPGs, as well as an entirely new industry and subculture. In the last decade, scholars from across the disciplinary spectrum have explored the origins, characteristics, cultures, and player experiences of RPGs. Yet, little scholarly attention has been devoted to the meaningful ways RPGs have shaped and transformed society at large over the past forty years.
What are the literary legacies of Malcolm X's life and death? In 1965, after Malcolm X's life came to an end, The Autobiography of Malcolm X cemented his status as icon. Malcolm's death galvanized a nascent Black Arts Movement, inspiring the generation of black nationalist artists that Amiri Baraka termed 'Malcolm's sons and daughters.' This panel invites papers that engage with the enduring resonance of Malcolm X's life and death for literary and black studies.
Theme: Translation, Cosmopolitanism & Resistance
Coordination: Maria Alexandra Lopes
Deadline for submission of original articles: 31st December 2014
I'm writing to invite you to submit proposals for a collection of essays that is tentatively titled The Good Life and the Greater Good in a Global Context. Please take a look at the brief description of the topic and the research questions below. Feel free to add any other comments and questions and let me know if you are interested in contributing. My own essay examines the transnational dimensions of "that moral-intimate-economic thing called 'the good life'" (Berlant 2) as theorized by cultural critic Lauren Berlant and imagined by Pakistani novelist Mohsin Hamid in his latest novel, How to Get Filthy Rich in Rising Asia (2012).
Blank Fiction is looking to start publishing quality short stories of no more than 2,000 words on our blog. We're looking for quality writing of any genre.
Please visit the site to familiarize yourself with the project and see if you would be interested in working with us. We're looking forward to it.
In light of Maya Angelou's most recent passing, I am inviting chapter essays that provide 21st century criticisms of Angelou's autobiographies, creative non-fiction, and poetry—preferably beyond I Know Why The Caged Bird Sings, "Phenomenal Woman," and "Still I Rise." While there are some criticisms of Angelou's work (Myra K. McMurry, 1976; Carol E. Neubauer, 1983; Francoise Lionnet, 1989; Mary J. Lupton, 1990; Harold Bloom, 1995; Pierre Walker, 1995; Joanne Braxton, 1999) they precede the 21st century. Others (Terrasita A. Cuffie, 1999; Judith E. Harper, 1999; Patricia Kite, 1999; Pamela Loos, 1999; Corrine J. Naden, 2005; Vicki Cox & Miles Shapiro, 2006) are basically biographies; and many of them are for juvenile readers.
Annual Siegel/McDaniel Award for Graduate Student Research
Sponsored by the Philip Roth Society
Call for Papers: Summer 2014
The Siegel/McDaniel Award recognizes high-quality work of graduate students written on any aspect of Philip Roth's fiction in the past year (ending June 1, 2014).
We recommend that faculty urge strong students to submit papers and welcome submissions from members and non-members alike.
Eligible graduate students should submit a clean copy of their 10-15 page essay, double-spaced, with 12 point Times New Roman font to David Gooblar, Philip Roth Society Program Chair, at email@example.com.
The annual deadline is September 15.
CFP – Panel on Narrative, Intimacy, and the Sexual Revolution – SEPT 1st.
2015 International Conference on Narrative – March 5 – 8 2015, Chicago Illinois.