Settler Colonial Studies and The Western Genre
Submission Deadline: May 15, 2015
Settler Colonial Studies and The Western Genre
The comics and graphic narratives session of PAMLA 2015 invites your proposal on any theme or topic of study pertaining to comics and/or graphic narratives. Papers utilizing media specific analysis, and papers with a connection to this year theme of "Literature and Time" are highly encouraged. A visual component to the paper/presentation is also encouraged.
Submit proposals of roughly 500 words as well as a 50-word abstract by May 15, 2015. Proposals must be submitted through the PAMLA online system: http://www.pamla.org/2015/proposals.
Please join the Edith Wharton Society for its upcoming Conference in Washington, DC, June 2-4, 2016. The conference directors seek papers focusing on all aspects of Wharton's work. Papers might offer readings of any of Wharton's texts, including the short fiction, poetry, plays, essays, travel writing, and other nonfiction, in addition to the novels. While all topics are welcome, the location of the conference in the U. S. capital invites readings related to nationalism, cosmopolitanism, transatlanticism, seats of power, Americana, museum cultures in the 19th C, material cultures, and the work of preservation.
Classics and Early American Literature and Culture
Adam Goldwyn, North Dakota State University
Matthew Duques, North Dakota State University
Abstract: The literary and political culture of the early U.S. republic drew heavily from Greek and Roman models. This panel seeks to move beyond previous scholarship, which has focused on the influence of the Classics in North American political discourse, to a wider array of literary and non-literary texts and material cultures.
The "Linqua – International Journal of Linguistics, Literature and Culture" (Linqua- LLC) is a peer reviewed journal which accepts high quality research articles. It is a quarterly published international journal and is available to all researchers who are interested in publishing their scientific achievements. We welcome submissions focusing on theories, methods and applications in Linguistics, Literature and Culture, both articles and book reviews. All articles must be in English.
CALL FOR PAPERS
Unity and Division in the History of Art
41st Annual Cleveland Symposium
Friday, October 23, 2015
The Cleveland Museum of Art, Cleveland, Ohio
In what ways can the visual arts unite or divide humanity? How can their subjects and functions stir us to collaboration or lead to disagreement, apathy, or even war? How do objects themselves change when their relationships to one another, or to the viewer, are altered or rearranged?
Evolutionary Love: Relations and Identities in a Virtual World
Belonging and possession have long been treated as foundational to the missions and activities of museums and archives in how they connote, establish, explain, and demonstrate the ways collections belong to them; determine and express who possesses custody, ownership and control of artifacts; and, by extension, consider the knowledge surrounding objects, makers, places of origin and residence that they supply. Typically, museums and archives express their interests in possessing collections through practices of acquisition, loan, attribution, provenance, exhibition, scholarship, conservation, and rights and reproductions.
For its 2015 SAMLA panel, the Georgia and Carolinas College English Association seeks proposals that address the theme of carnivalization and the carnivalesque. As articulated by Mikhail Bakhtin, "carnival celebrated temporary liberation from prevailing truth and from established order; it marked the suspension of all hierarchical rank, privileges, norms, and prohibitions. Carnival was the true feast of time, the feast of becoming, change, and renewal. It was hostile to all that was immortalized and completed." Topics include but are not limited to:
• the liberating subversion of popular humor on the literary and cultural tradition
• the overturning of hierarchies in popular carnival
The Problem of Time in Contemporary Fiction is a panel that considers a wonderful challenge for both critics and writers: how time informs works of literature. In all fiction, the problem of time is a wonderful challenge: does imbuing a work and its characters with history add necessary depth or can it distract from the problems at hand? Can a writer ask readers to look beyond the final page? Do representations of 'real' time limit the inventiveness of works or are they necessary in allowing readers entry? In looking at both original stories by writers exploring innovative approaches to time as well as critical papers about already published works, this panel will consider the problem – if it's a problem at all – of time in contemporary fiction.