DEADLINE EXTENDED UNTIL JUNE 30
Mid-Atlantic Popular & American Culture Association (MAPACA) -- 25th Annual Conference – Baltimore, MD – Nov. 6-8, 2014
Mid-Atlantic Popular & American Culture Association (MAPACA)
25th Annual Conference
November 6-8, 2014
Baltimore, MD - Lord Baltimore Hotel
Call for papers:
Proposals are welcome on all aspects of popular and American culture for inclusion in the 2014 Mid-Atlantic Popular & American Culture Association conference in Baltimore, MD. Single papers, panels, roundtables, and alternative formats are welcome.
"Money is the root form of representation in bourgeois society." So T. J. Clark put it in 1999. Almost aphoristic in its phrasing, the sentence turns on the set of questions it raises – about markets and money flows, about value and abstraction, about whom money belongs to, about the "social reality of the Sign" and the effect money has on artmaking. Money becomes a central form – maybe the central form – of life, inescapable and intractable. The conditions that shape our present and the failure of the Left to devise a practicable response have only intensified the urgency of the proposition and the questions that ground its pivot.
Call for Chapters
Guantánamo and the Empire of Freedom, an edited volume
America's "founding father" Thomas Jefferson championed a vision of economic prosperity and moral virtue that was dependent upon an expansive "Empire of Liberty" with Guantánamo, Cuba as one of its key sites. The haunting paradox of his words alludes to the many layers and contradictions that cluster around the Caribbean site known today as the Guantánamo Bay Naval Station.
Where do race and technology meet? Since its emergence cinema has been but one technology to repeatedly build its status on the raced bodies of its subjects. As scholars such as Michael Rogin have argued cinema required black bodies to establish its own identity as an artistic medium. While the transition from moving pictures to talkies was seen to inaugurate a new mode that would open up possibilities for the 'black voice' this was just one moment in the history of media technologies. As the Jazz Singer (1927) traded on blackface, Gone With the Wind (1939) used emerging color technologies to revive both an antebellum era and mark a false fault line with the past.
University of Bristol, Friday, September 5, 2014
Call for papers
International conference in French & English
The Cinema of Jim Jarmusch
8-9 April 2015, University of Artois, Arras (Pas-de-Calais), France
Organizer : Esther Heboyan
Scientific committee :
Sylvie Blum-Reid (University of Florida, Gainesville, FL, U.S.A.), Esther Heboyan (University of Artois, Arras, France) & Céline Murillo (University Paris 13 – Sorbonne Paris City, France)
Waste Matters: Environmental Pollution and Materiality (ASLE Session)
46th Annual Convention, Northeast Modern Language Association (NeMLA)
April 30-May 3, 2015
This roundtable discussion will discuss the ways in which literature by African-American women in the nineteenth century discusses motherhood, slavery, madness, spirituality, challenges to patriarchy and sexuality. In particular, how do African-American women's voices in nineteenth-century American culture situate themselves within the cults of womanhood and domesticity in the midst of tremendous adversary? How, then, did these women struggle to establish, cultivate, and protect a sense of home even if it was merely 'home' within the individual self?
I invite proposals for the formation of a panel on Adrienne Rich for the upcoming American Literature Association Symposium on American Poetry in October 2014 in Savannah, Georgia, October 23-25th.
Essay proposals are invited for a volume in the MLA's Options for Teaching series entitled Teaching Modern British and American Satire to be edited by Evan Davis (Hampden-Sydney College) and Nicholas D. Nace (Binghamton University, SUNY). The aim of this collection of essays is to gather in one volume a variety of resources for the teaching of satire and satirical texts in order to assist teachers across a variety of different educational levels and settings.
Interest in the fields of food and sustainability studies within the humanities is rapidly growing, in part due to their ability to investigate our perceived relationship with ecology. Food is a text that conveys identity, reflecting historically grounded or socially constructed attitudes through what is produced and consumed, both gastronomic and printed. Likewise, the connection between nature and culture as manifested in narratives allow us to recognize the discourse and disconnect between society and our environment, marking us through this relationship. Central to both fields is the interplay of humanity and environment, depicted in rural and urban ecologies, e.g. food deserts versus urban food jungles.
Since the early 2000s, there has been a rise in scholarship about the religious and ethical dimensions of American postwar fiction. The literary historian Amy Hungerford investigates how intense religious experiences can coexist with pluralism by reading postwar authors such as James Baldwin, Flannery O'Connor, J.D. Salinger, Cormac McCarty, and Marilynne Robinson. She suggests that writers often turn to the nonsemantic aspects of language to depict a religious experience that is not doctrine specific. Similarly, John McClure's Partial Faiths uses the framework of post-secularism to argue for the emergence of a partial, hybrid, and weak theology in postwar fiction.
Magazine Americana seeks Americana Studies articles in the area of sports.
All publications of Americana: The Institute for the Study of American Popular Culture, 1900 to present, are subject to peer and editorial review.
Articles should be written in journalistic, magazine style - citations included in the prose itself - no parenthetical citations, notes, or bibliography.
Email queries and submissions to firstname.lastname@example.org
Visit Magazine Americana at http://www.americanpopularculture.com if you would like to see samples of the kind of material we publish.
The theme for the 36th annual SWPACA conference is "Many Faces, Many Voices: Intersecting Borders in Popular and American Culture." We invite proposals for individual or panel presentations that consider the theme as it relates to rhetoric and technical communication. We're excited to hear about the ways in which popular and American culture inform the pedagogical, theoretical, and practical work of rhetoric and technical communication. Feel free to interpret the conference theme broadly.
Proposals for individual presentations should not exceed 250 words. Multi-paper panel proposals must include separate abstracts and titles for each individual proposed paper.
Submission deadline: 1 November 2014