We invite papers on 21st century American poets, poetics, and trends, including but not limited to poetic hybridity, unoriginality (found text, appropriation), socio-political engagement, the procedural, or neoconfessional. Please submit a 250-word abstract and brief bio by 5/9/14.
To mark the 45th anniversary of DeLillo's debut novel and his decades of influence, Orbit: Writing Around Pynchon, an open access, peer reviewed e-journal of scholarly work pertaining to the writings of Thomas Pynchon, related authors and adjacent fields, will publish a special issue dedicated to Don DeLillo in 2016.
2014 Midwest Popular Culture Association Conference
October 3-5, 2014
Indianapolis, IN, at the JW Marriott Indianapolis
Deadline: May 15, 2014
Papers and panel proposals focused around the cultural framing or representation (in comics, film, literature, religious and medical practices, etc.) of birth or the birthing process are welcome. I welcome any theoretical or critical approaches that address birth (understood broadly). Having said that, here is a particular issue of interest:
Looking for paper proposals for approved "Disney and its Worlds" session for the 2014 PAMLA Conference in Riverside, CA (October 31 - November 2, 2014). From the Frankfurt School to contemporary cultural studies, the social ramifications of Disney movies and theme parks, and their cultural penumbra, have long provided rich terrain for critical scholarly analysis. This panel explores the discursive, literary, filmic, and historical dimensions of the Disney phenomenon in both the twentieth and twenty-first centuries. Papers that draw upon the rich canon of scholarship on Disney and engage with its cultural effects through critical theory, spatial or historical analysis, Feminist methodologies, or close reading strategies are particularly encouraged.
"Laughter in the Digital Age"
Special Issue of Comedy Studies
Guest Editor: Peter C. Kunze, University at Albany, SUNY
Websites, social media platform, and YouTube and other video-sharing services make the dissemination of comedy easier than ever, and studies of the implications of new media on comedy and humor is only beginning. This issue examines how the Internet as well as new technologies radically change how humor and comedy are produced, exhibited, and distributed in the digital age. I invite papers, broadly conceived, that consider these issues through either theoretical discussions or case studies of specific artists, texts, platforms, or sub-genres. Potential articles may cover:
Call for Proposals:
2014 Midwest Popular Culture Association/
American Culture Association Conference
Proposal Submission Deadline: May 15, 2014
Friday-Sunday, October 3-5th, 2014
JW Marriott Indianapolis, 10 S. West St., Indianapolis, IN 46204, Phone: (317) 860-5800
The Subculture Area of the MPCA/MACA requests 150-250 word proposals for papers to be presented at the 2014 Midwest Popular Culture Association Conference. Proposals for co-authored papers, complete panels (3-4 presenters), or nontraditional formats such as workshops, roundtables, open forums, and/or visual/artistic/creative approaches are also welcomed.
The American road--the works are there, stretching from Whitman through Keroauc to Gudding. I am looking for scholarly articles that examine some aspect of American road literature. The pieces could deal with novels, poetry, or theory. They could be examinations of individual pieces, explorations of road theory, or research into the gendered nature of the road. Really, anything that relates to the American road would be considered.
I have not pitched this to a press yet, but I do not expect to have that much difficulty doing that if the articles are good. That said, I would like to use a university press for this book.
While there has been increasing attention to the senses more generally and to the 'lower' senses of smell, taste, and touch in recent years, it is pretty clear that most scholarship on modernism that focuses on sensation is visually (and to a lesser extent aurally) oriented. Attention to the visual in modernist scholarship has allowed us to ask important questions about surface and glamour, affect and image, the urban landscape and the commodity, race and sexuality. But our largely visual version of modernism has also, perhaps, not allowed us to conceptualize and encounter the other senses of modernism.
Keynote Speakers: Dr Bronwen Thomas (Bournemouth University), Dr Naomi Braithwaite (Nottingham Trent University)
28-29 November 2014 Institute of English Studies, Senate House, University of London
'I like to reinvent myself — it's part of my job.' – Karl Lagerfeld
In 2014, the 3rd annual Marginalised Mainstream conference will consider the varieties, motivations, and meanings of disguise. From secret identities to theatrical performances, from fictional fabrications to factual concealment, disguises of all sorts are part of mainstream culture. This event will explore various manifestations of disguise in popular fiction, media, and culture that have previously been academically marginalised.
Sidekicks and Underlings
Bordeaux - Oct. 3-4, 2014.
CLIMAS (Cultures et Littératures des Mondes Anglophones), the research group in Anglo-American Studies of Université Bordeaux-Montaigne, organizes a conference titled "Sidekicks and Underlings" to be held in Bordeaux on October 3-4, 2014.
We expect submissions from specialists of literature, arts, popular culture, history, politics in the English-speaking world.
Call for Papers:
NINETEENTH CENTURY POPULAR CULTURE
2014 Midwest Popular Culture Association / American Culture Association Conference
Friday-Sunday, October 3-5
JW Marriott Indianapolis
Deadline: April 30, 2014
Topics may include, but are not limited to, historical and literary treatments of women's and children's periodicals or books, international affairs, nineteenth century "fads" or trends, travel/tourism, technology, science and medicine, temperance, advertising, and slavery.
The television industry in the United States was born of the early military-corporate alliance that resulted in the formation of the Radio Corporation of America (RCA) in 1917. A quasi-private entity created at the behest of US Navy as a means of centralizing control over the emerging medium of radio, RCA was a major player in the development of television technologies and forms. Its broadcasting arm, the National Broadcasting Corporation (NBC), would be run for years by "General" David Sarnoff, a wireless wiz-kid who served on General Dwight D. Eisenhower's communications staff during WWII.
In recent years, there has been a revived interest in the work of Carson McCullers. For example, in 2001 the Library of America published a collection of her novels followed by a second print run in 2004. Also in 2004, talk show host Oprah Winfrey chose The Heart Is a Lonely Hunter as the selection for her popular book club, and soon after The Heart Is a Lonely Hunter became part of The Big Read, a program of the National Endowment for the Arts in partnership with Arts Midwest. More than 40 years after McCullers's death, the love, loneliness, and longing that haunt her stories still resonate with readers.
2014 Conference Theme: "The Data-Enriched Society"
Abstract Submission Deadline: 1st June, 2014
Registration Deadline: 1st September, 2014