After receiving an astounding feedback for the first issue of Elenchus Law Review (Elen.L.R), it is with pride and privilege that we call forth papers for the December issue (2nd issue of Volume I) of the journal.
CALL FOR BOOK PROPOSALS
New series from Bloomsbury:
GLOBAL EXPLOITATION CINEMAS
Dr Johnny Walker (Northumbria, UK) / Dr Austin Fisher (Bournemouth, UK)
Global Exploitation Cinemas is a new book series from Bloomsbury Academic which publishes original monographs and edited volumes of around 80-100,000 words that explore the highly dynamic area of international "exploitation" film production. Encompassing a broad range of contexts, from industry to audiences to cultural history, it considers filmic trends and traditions, the work of specific directors, producers, stars and audiences.
A twenty-chapter collection of essays on confessionality (self-referencing, first-person and/or autobiographical stories, testimonies or performances) around sexual identity, desire and practices in moving image media over the last quarter-century, principally in the Global North.
The Arkansas Review: A Journal of Delta Studies is an interdisciplinary journal that focuses on the seven states of the Mississippi River Delta, from St. Louis to the Gulf of Mexico. We are currently seeking reviewers for books on the Delta region.
Some of these titles include
Apocalyptic Sentamentalism by Kevin Pelletier
Catfish by Paul and Angela Knipple
Celestial Navigator (a poetry anthology) by Heather Ross Miller
Race and Meaning: The African-American Experience in Missouri by Gary P. Kremer
Vicksburg 1863: The Deepest Wound by Stephen Nathaniel Dossman
Womanpower Unlimited and the Black Freedom Struggle in Mississippi by Tiyi M. Morris
In the spirit of ChLA 2016's theme of Animation, I was hoping to put together a panel on Animators as Authors/Auteurs. My own paper will focus on Don Bluth, but I'm interested in finding others working on key figures for discussing authorship, animation, and children's and youth media: Lotte Reiniger, Walt Disney, Ub Iwerks, the Nine Old Men, Mary Blair, Chuck Jones, Tex Avery, Ray Harryhausen, Rankin-Bass, Dianne Jackson, Hanna-Barbera, Floyd Norman, Glen Keane, Ralph Bakshi [more The Lord of the Rings than Fritz the Cat... :)], Hayao Miyazaki, Matt Groening, Sylvain Chomet, Gábor Csupó, Bruce W. Smith, Stephen Hillenburg, John Lasseter, Brad Bird, among others.
The E. E. Cummings Society and the Society's journal, Spring, invites abstracts for 20-minute papers for the 44th annual Louisville Conference on Literature and Culture since 1900, February 18-20, 2016, at the University of Louisville (http://www.thelouisvilleconference.com). This session explores dimensions of Cummings' modernist aesthetics through aural, visual, and verbal media as a response to the visual culture of the twentieth century. To what extent is Cummings' radicalism in language, genre, poetic devices, and typography motivated by the new avant-garde art?
The Leon Edel Prize is awarded annually for the best essay on Henry James by a beginning scholar. The prize carries with it an award of $150, and the prize-winning essay will be published in HJR.
The competition is open to applicants who have not held a full-time academic appointment for more than four years. Independent scholars and graduate students are encouraged to apply.
Essays should be 20-30 pages (including notes), original, and not under submission elsewhere or previously published.
Send submissions to: email@example.com
Author's name should not appear on the manuscript.
In "Refugee Memories and Asian American Critique," Viet Thanh Nguyen suggests that a category of refugee literatures outside of disciplinary borders of national literatures "allow[s] a different set of connections across time and space that point somewhere else besides assimilation into the nation and to affiliations with other people besides US citizens" (934). What connections are necessary to make, and what kinds of borders do we have to cross, in the teaching of refugee literatures? With Nguyen's words in mind, this roundtable session aims to explore our encounters with literatures of refugee experience in the classroom.
One hundred twenty years after the Lumiere Brothers' Arrival of a Train at Ciotat Station / L'arrivée d'un train en gare de La Ciotat and about 60 years after the insinuation of television...into living rooms across the industrialized world, contemporary societies are saturated with audiovisual culture. More recently, the rise of widely affordable techno-substrates for production (digital photography) and exhibition (youtube, proliferating film festivals) are clearly enabling toward the "democratization" of audiovisual sophistication, such that the committed college sophomore can readily produce polished short films. In other words, there is much to celebrate!
Mark Twain was a prolific writer whose career spanned a tumultuous time in American history. Beyond being prolific, Twain was also comfortable experimenting with a variety of genres of writing from fiction to non-fiction travel essays and humorous sketches that blur the boundaries between fact and fiction. This panel would look at a variety of works and ask questions such as: How did Twain treat themes like race, gender, the environment and income inequality? Also, in what ways was Twain a product of his time, how were his works shaped by the world around him and how do they resonate today?
This panel will take place at NeMLA's 2016 convention in Hartford, CT between March 17 and March 20.