Call for papers: The Robert Frost Review is currently accepting article submissions. Articles should address some aspect of Frost poems, history, or reception. Please send electronic attachments of manuscripts no longer than 5,000 words in MLA style to email@example.com by June 15, 2015 for consideration.
liquid blackness is undertaking a long term research project on the legendary yet seldom seen film: Larry Clark's 1977 Passing Through. Studying the potential of the arts and politics of the jazz ensemble, we are developing an experimental project of collective research that will unfold throughout the year, and culminate in a public screening and symposium in Fall 2015.
From Texas to Florida, the Dirty Coast shifts, contains, nurtures, kills. Abstracts on the ecologies, economies, or peoples making this coast dirty and beautiful, alluring and disgusting. Papers may discuss work in any medium--literature, film, biography, cultural history. By 10 March 2015.
Popular Music and Public Diplomacy
Technische Universität Dortmund, Germany
6-8 November 2015 (Deadline for submissions: 1 April 2015)
Call for Papers
This edited collection will contain critical, interdisciplinary essays addressing the complexity of multicultural identity-making, politics and practices in relation to transnational and transracial adoption. Our collection aims to undo the image of a 'monolithic' Western adoption experience by exploring the particularities and commonalities of diverse adoptive countries, cultures, and contexts. We encourage essays that focus on adoption issues in places with highly contested to under-explored approaches to multiculturalism—including Europe, the Americas and the Pacific.
EXTENSION OF DEADLINE for abstracts: 2 March 2015
We have been contacted by a number of interested speakers and will be happy to accept abstracts up until 2 March 2015.
Verge: Studies in Global Asias is a new journal that includes scholarship from scholars in both Asian and Asian American Studies. These two fields have traditionally defined themselves in opposition to one another, with the former focused on an area-studies, nationally and politically oriented approach, and the latter emphasizing epistemological categories, including ethnicity and citizenship, that drew mainly on the history of the United States. The past decade however has seen a series of rapprochements in which, for instance, categories "belonging" to Asian American Studies (ethnicity, race, diaspora) have been applied with increasing success to studies of Asia.
Invitation for paper proposals for a possible special session panel at the 2016 MLA Conference in Austin, TX, Jan. 7 - Jan. 10
Originating from old Latin se- ("apart") and cernere ("sift"), "secret" means "hidden, concealed, and private," thereby signifying the distinction between the true and the false, the light and the dark, the self and the other, and the private and the public. This definition has its history and origin, and yet it is questioned and challenged nowadays by post-modernism and post-structuralism, as when Derrida considers in "Literature in Secret," "Pardon for keeping the secret, and the secret of a secret . . . of not meaning at all." If the secret one keeps is a secret "of not meaning at all," unveiling the secret simply reveals its nothingness. And yet, without the endeavor to unveil the secret, how can one know that there is nothing behind it?
This conference aims to investigate ways in which comics explore the idea of "future." Its goal is to gather scholars from the field of comic studies and related fields, such as linguistics, philosophy, literary studies, cultural studies, sociology, anthropology, film studies as well as others that can discover a conceptual connection to the rigorous study of comics. Given our broad and yet specific purpose, we aim to discuss work on comics originating from all major traditions: French bande desineé, American and British comics, Italian fumetti, Japanese manga, and so on.