ASA 2015 CFP: Modes of misery, genres of grief: narrative forms of environmental suffering
We make assumptions based on bodies all the time: what bodies are
normative, strange, dangerous, fragile, familiar, foreign, and so on. The bodies we see are always-already constructed and commodified within various cultural marketplaces. Bodies function as currencies, some of which have more cultural capital than others. This cultural capital lends visibility to some bodies, while rendering others invisible.
Critical Insights: Harlem Renaissance
under contract with Salem Press
I am seeking fellow panelists to present on at the ALA on trauma--from psychological perspectives to literary trauma theory. The work that I aim to present is focused on vicarious trauma--a trauma transmitted but not experienced directly.
Submissions need not be more than 300-500 words and may be emailed to me directly, titled "ALA Boston Trauma Theory Panel."
I also have an excellent chair for the panel; a professor who has done a great deal of trauma theory in her dissertation.
Please feel free to contact me with further queries.
Some would argue that performance has always been social. The origins of Western performance are often charted through rituals, liturgy, mysteries, and morality plays, and Eastern performance through folklore, poetry, music, and dance. The popularity of plays by Kalidasa, Gao Ming, Shakespeare, Moliere, and others, in their times and beyond it, has depended in part on their ability to represent the social in ways that resonate for audiences today.
CONFIRMED KEYNOTE SPEAKERS:
Eric Schaefer (Emerson College, US)
author of Bold! Daring! Shocking! True! A History of Exploitation Films, 1919-1959 (Duke University Press, 1999) and editor of Sex Scene: Media and the Sexual Revolution (Duke University Press, 2014)
I. Q. Hunter (De Montfort University, UK)
author of British Trash Cinema (BFI, 2012) and Cult Film as a Guide to Life (Bloomsbury, 2015).
ChLA 2015 Conference, June 18-20, 2015: Depictions of Race in Young Adult Dystopian and Science Fiction
full name / name of organization:
Meghan Gilbert-Hickey & Miranda Green-Barteet/Children's Literature Association
Panel Proposal for 2015 Children's Literature Association Conference: Ambivalent Ambiguities: Depictions of Race in Young Adult
Dystopian and Science Fiction
The E. E. Cummings Society will co-sponsor one collaborative panel with the John Dos Passos Society at the American Literature Association conference in Boston on May 21-24, 2015. In addition, the Cummings Society will sponsor one to two sessions on E. E. Cummings.
Intersections of E.E. Cummings and John Dos Passos
This CFP is for the American Studies Association 2015 meeting (October 8-11) in Toronto, Canada.
NANO: New American Notes Online
Special Issue: Corporations and Culture
Power, in Case's world, meant corporate power. The zaibatsus, the multinationals that shape the course of human history, had transcended old barriers. Viewed as organisms, they had attained a kind of immortality. You couldn't kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder, assume the vacated position, access the vast banks of corporate memory. —William Gibson, Neuromancer (1984)