Following Foucault's description of sodomy as "that utterly confused category," literary scholars like Jonathan Goldberg and Alan Bray, among others, have continued to theorize the ways in which sodomy denotes no fixed set of bodily acts, but rather persists as a mobilizable category with social, political, and juridical valences. Sodomy necessarily persists, that is, in excess of the material bodily configurations it purports to police. Even so, much prevailing scholarship nonetheless returns to anal penetration as a presumptive and primary figuration in the discourse of sodomitical, disorderly, and/or illicit sexual acts.
D.W. Griffith released his epic film Intolerance in 1916 within a contemporary context of social reform, increasing immigration, perceived challenges to religious liberty, and concerns over the corruptive influence of motion pictures. Also (and especially following Birth of a Nation in 1915), Griffith's film may be read as a response to the controversies surrounding the art of the motion picture (as his essays "The Rise and Fall of Free Speech in America" and "A Plea for the Art of the Motion Picture" attest). This panel seeks to reassess Intolerance on the occasion of its centennial and consider its relevance in today's cultural / political / social climate. Topics might include (but are not limited to) the following:
Feminist Spaces invites undergraduate and graduate students to submit academic papers, creative writings, and artistic pieces that adhere to this issue's theme of feminist LGBTQ+ intersectionality. The Supreme Court's recent ruling regarding same-sex marriage equality and the media's growing interest in transgender men and women has re-initiated discussions of feminist intersectionality with regard to the LGBTQ+ movement. The feminist movement has been divided into various waves, each advancing a different majority opinion of LGBTQ inclusion or exclusion.
CFP—The Sixties—October 1 Deadline
Popular Culture Association/American Culture Association Annual National Conference
Monday, March 21 through Friday, March 25 2016
Sheraton Seattle Hotel
Submission Deadline: October 1, 2015
The Sixties Area of the Popular Culture Association welcomes submissions on any aspect of popular culture from this era. Topics of interest might include, but are not limited to:
Submissions in PROSE
Generally, we're looking for people who want to critically examine our society through their writing. This can be done in a variety of ways.
We accept op-eds, book reviews, film reviews, television reviews, memoir narratives, flash fiction, art reviews, and open letters.
Some current topics for consideration:
Working class rhetorics
The body as a site of radical change
Submissions can be 500-2,500 words. We welcome non-academic and even anti-academic writing.
In today's complex world religious discourse is especially crucial, considering that secularism is expanding around the globe. We seek contributions on the representation of the Virgin Mary in World Literature and Art. Comparative approaches are always welcome. Religious and cultural literacy is important for domestic and international politics, the practice of peace, harmony, justice, and social prosperity. Thus, this edited volume will help diminish religious illiteracy. Contributions are welcome from scholars in various disciplines in the humanities. Please send your proposals, along with your CV by July 31 to Elena Shabliy email@example.com
we are inviting submissions for
October 2015 issue of Literature Today. Theme of our October 2015
issue is 'Love'. You can send us poems, short stories and one act
plays on :
1. love at first sight
2. poem/story/one act play in memory of a loved one
3. love as an aesthetic experience
4. love and teenagers
5. love and romance as predestined event
6. love relationships and role of gods
7. love and marriage
8. love as illusion
9. love in the age of Internet
10. lovers as rebellions
11. platonic love
12. love and immortality
13. disappointment/deceit in love
14. lovers as saints
15 any other relevant theme related to love
Intégrité (pronounced IN tay gri tay) is a scholarly journal published twice a year by the Faith & Learning Committee and the Humanities Division of Missouri Baptist University, St. Louis, MO. Published both online (http://www.mobap.edu/integrite) and in print copy, it welcomes essays for a special issue (Spring 2016) on "Faith and Violence in Literature." Essays may explore the interaction between Christian faith and violence in individual works or writers, in issues concerning teaching such works and writers, and in the pedagogical tasks educators at faith-based institutions of higher learning face when discussing and reflecting on the use of violence.
From Jerry Lewis's nutty chemistry professor to Heinrich Hertz's experiments with sending and receiving radio waves, audiovisual media's technoscientific basis profoundly shapes its content and form. This panel investigates how scientific research and media arts mutually influence each other. Artists find new expressive tools via scientific innovation, whereas science, as Stephen Wilson observes in Information Arts, can be "as profitably analyzed for its subtexts, its association to more general cultural forces, and its implications" (3) as art.
The Progressive Era (1890-1920) occupies an unsettled place in Americanist literary studies, despite the period's claims to forward-looking progress. To some extent, this uneasy relationship to the discipline-- whose professional protocols, pedagogy, and scholarship often operates by means of century-based periodization-- reflects the period's own wildly unsettled nature.