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Traveling Domestic—Proposed Panel for MSA 17 (November 19- 22, 2015)

Wednesday, March 4, 2015 - 3:30pm
Modernist Studies Association

Guiliana Bruno's Atlas of Emotion: Journeys in Art, Architecture and Film (2002), introduces the idea of "traveling domestic" in art and film. For Bruno, "traveling domestic" involves seeing and representing the home not as the static antithesis of travel but as a space that itself engenders voyage and invites exploration; to "travel domestic" is to approach the home as curious and risky rather than banal and safe. This type of travel holds special significance for considerations of gender both because it is staged within a stereotypically feminine sphere and because it unsettles the home's ability to function as a bulwark against turbulent public space.

Literature and Tourisms of the Long Nineteenth Century

Wednesday, March 4, 2015 - 9:56am
_LIT: Literature Interpretation Theory_

Call for Papers

_LIT: Literature Interpretation Theory_ Special Issue cfp

Literature and Tourisms of the Long Nineteenth Century

Deadline: June 3, 2015

[UPDATE] ARTICLE DEADLINE EXTENDED - Irish Journal of Gothic and Horror Studies

Wednesday, March 4, 2015 - 7:53am
Irish Journal of Gothic and Horror Studies

The Irish Journal of Gothic and Horror Studies have extended the deadline for submission of articles for Issue #14 until 1st April 2015.

The journal publishes scholarly articles and reviews on all aspects of the gothic and horror across literature, film, new media, television and beyond.

Please see for further details.

[UPDATE] Call for Editors: Rising Dragon, new journal of Pacific Rim culture and media studies

Tuesday, March 3, 2015 - 11:45pm
The Rising Dragon

Call for Editors
We are pleased to present a call for editors for a proposed new publication, The Rising Dragon, a journal of Pacific Rim culture and media studies. We will cover topics ranging from copyright to ritual, fandom to technology, and many more besides. We take a broad view of what our mandate includes and encourage instructors and professionals from diverse fields to apply for a position as an associate editor of our new journal. The projected date for the first publication is Spring 2016.
• Fluency in Japanese and/or English. Spanish, Chinese, Korean, or any other Pacific Rim language fluency is desirable but not required.

[UPDATE] CFP: Fandom and Neomedia Studies (FANS) Conference

Tuesday, March 3, 2015 - 11:41pm
Fandom and Neomedia Studies Association

We are pleased to announce a CFP for submissions to the Third Annual Fandom and Neomedia Studies (FANS) Conference in Dallas, TX, on 6 and 7 June 2015.

Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one's own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media.

Toni Morrison and Mothering/Motherhood - CFP for Edited Collection

Tuesday, March 3, 2015 - 9:54pm
Lee Baxter and Martha Satz / Demeter Press

We are seeking and welcome perspectives from a variety of disciplines, historical, comparative, and cross-cultural, for a collection of essays entitled Toni Morrison and Mothering/Motherhood. In her vast body of work, fiction and non-fiction, Toni Morrison explores and critiques American/African American culture. While Morrison's novels examine multiple topics such as race, slavery, trauma, and identity, the theme Morrison continually returns to in her work is motherhood. Her most well-known work, for example, Beloved, is a relentless exploration of the dilemmas of motherhood under slavery. Motherhood, however, is a problematic term as it is a social construction dominated by patriarchy and in the case of African-American motherhood, racism.

MLA Conference Special Session: "Missed Connections: Satire and Its Publics" (Jan. 7-10, 2016) CFP Due Mar. 15

Tuesday, March 3, 2015 - 8:46pm
Janessa Toro

This panel welcomes papers concerning the intersections of satire, political art, and other forms of subversive humor with various audiences during any time period. A discussion of any medium or combination of media is welcome. How does political art and satire affect various audiences/publics? How has this effect changed through time? What does this effect look like in the present? And finally, how has the changing nature of "audience" concomitantly affected forms of satire, political art, and/or subversive humor? Submit a 300 word abstract by March 15,2015 to Janessa Toro (