In a world where the data traces or 'life patterns' of human beings are thought to yield new forms of knowledge and novel ways of knowing future threats, the algorithm appears to afford a renewed capacity to secure. As Edward Snowden's 2013 disclosure of the analysis of bulk data by the NSA and GCHQ revealed, the sifting, sorting and triage of vast streams of digital data has become possible because of algorithmic techniques such as knowledge discovery and the querying of distributed databases. As online data streams become read by text analytics that promise to discover incipient sentiment and human affects, algorithms exhibit a capacity for action beyond the threshold of human perceptibility.
WSQ, Call for Papers: Special Issue
Amin Ghaziani, Associate Professor of Sociology, University of British Columbia
Matt Brim, Associate Professor of Queer Studies, College of Staten Island, CUNY
Queer Studies is experiencing a methodological renaissance. In both the humanities and the social sciences, scholars have begun to identify research protocols and practices that have been largely overshadowed by advances in queer theory. The fall 2013 "Queer Method" conference organized by Heather Love at the University of Pennsylvania indexed this shift toward methods by reframing the question "what is queer theory?" to "how is the work of queer theory done?"
Despite the ubiquity of the peripatetic figure in the modernist text, the early twentieth century is marked by persistent tensions on the traveller: as technological innovations granted the individual greater mobility, the state moved to restrict motion. By the 1880s, transatlantic steamship crossing, once a weeks-long affair, could be completed in a mere five days, yet the introduction of mandatory passports in the West about 1914 meant the global traveler faced increasing juridical restrictions on their movement. These forces share a common thread: they are structured and made possible by paperwork.
For all its many urban topographies, the literary landscape of modernism contains a startling array of greens, from public and national parks to vacant lots, suburban gardens, and botanic displays. In drawing from recent interactions between environmental criticism and modernist studies, we propose that thinking with and through planned greens leads to a more complex understanding of modernismâs tangled engagements with arts, social protest, material culture, bodies, and the nature-culture divide. What new haptic, scopic or visual modes of experience were enabled when modernism entered the green? How were gendered and sexualized bodies redistributed? How was imperial ideology grafted together with colonial aspirations?
Here is the link to our electronic journal page: http://thesefragilelilacs.wix.com/poetryjournal
The deadine for submissions for our inaugural volume is May 31, 2015.
Send submissions to email@example.com .
Please do *not* include any attachments; instead, paste the poems you would like to be submitted directly into your email. You may submit up to five poems per submission cycle.
Include a short (2 to 3 sentence) biography with your submission.
DEADLINE EXTENDED to 6 April 2015
- Call for papers for an interdisciplinary conference
AFFECT: MEMORY, AESTHETICS, AND ETHICS
18-20 September 2015, The Fort Garry Hotel, Winnipeg, Manitoba
Lauren Berlant, George M. Pullman Distinguished Service Professor, Department of English,
University of Chicago
John T. Cacioppo, Tiffany and Margaret Blake Distinguished Service Professor, Department of
Psychology and Department of Psychiatry and Behavioural Neuroscience, University of
Ronald de Sousa, Emeritus Professor, Department of Philosophy, University of Toronto
Seeking good scholarly articles (20pp plus) on Adrienne Rich or Jayne Cortez for a volume in progress with a feminist and/or cultural-studies approach to these two poets.
Issues might concern: poetics, feminist politics, influence, performance. The manuscript is well underway. Please respond ASAP if you'd like to submit material for consideration.
JSR: Journal for the Study of Radicalism—a print academic journal published by Michigan State University Press—announces a call for articles and reviews for our tenth year of issues. We are interested in articles on radicalism in a wide range of contexts and areas, and encourage articles from humanities and social science perspectives. The Journal for the Study of Radicalism engages in serious, scholarly exploration of the forms, representations, meanings, and historical influences of radical social movements.
According to Marx, man's aesthetic sense is socially acquired, rather than innate. As cultural producers, artists must labor in the system for the benefit of the market as well as be committed to the working-class cause. In keeping with the theme of SAMLA87, this panel will seek to explore the ways that social constructs can influence all mediums of art. Papers dealing with any aspect of Marxism will be considered as well. Please send abstracts, A/V requirements, and a brief bio to Emma Baughman, Georgia State University, at firstname.lastname@example.org Deadline is 10 June 2015.
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