Society for the Stuidy of American Women Writers (SSAWW) Triennial Conference
November 4-8, 2015
Sheraton Society Hill, Philadelphia, PA
Panel on: "Arab American Women: Representation, Reception and Subjectivity in Contemporary American Literature by Women"
This panel welcomes papers that examine how Arab American women are represented in women's writing and in particular how Arab American women authors subvert, negotiate or overturn ethnic and gender stereotypes.
The Edwidge Danticat Society invites papers for its inaugural panel at the 29th Annual MELUS Conference. In keeping with the theme of this year's conference, "Arrivals and Departures in U.S. Multi-Ethnic Literatures" we welcome papers that analyze Edwidge Danticat's work (activist, fiction, film, non-fiction) in relationship to immigration arrivals and departures, including presentations that seek to address, but are not limited to: citizenship rulings, detention, mobility, and transportation. The Edwidge Danticat Society invites proposals for 15 -minute presentations, possible topics include:
REMINDER/EXTENDED DEADLINE: Arts Practice Research: Scholarship, Pedagogy, and the Creative Process October 1-3 2015
International Conference: "A Language to Dwell In": James Baldwin, Paris, and International Visions
At The American University of Paris
26-28 May 2016
Call for Papers
The Executive Committee on Language Change at the Modern Language Association (MLA) is accepting papers for a session to be held at the annual conference in January 2016 in Austin. We seek papers that examine how language change relates to linguistic identity construction and crossing borderlands (geographical, political, ethnic, social, perceptual, historical, religious). Papers that address the theoretical and empirical relevance of the concept of border to research in language variation and change from interdisciplinary perspectives are especially welcome. Please send 300-word abstracts by March 15 to Tara Williams (email@example.com).
The MLA Forum on Language Change invites proposals for a panel on "Rethinking the 'L' in MLA." Papers might address questions like: What counts as a modern language? What value do linguistic issues and less-commonly taught languages have in the MLA? How can they inform literary studies?
The Modern Language Association convention will be held in Austin, TX on January 7-10, 2016. Please send 300-word abstracts to Tara Williams (firstname.lastname@example.org) by 15 March 2015.
Though the chick lit genre is most often cited as a location for the study of contemporary white women's experiences or perhaps to debate the genre's feminist credentials, it has in the last fifteen years emerged as a site where protagonists of many ethnicities negotiate their cultural identities and notions of national belonging. In novels such as Alisa Valdes Rodriguez's The Dirty Girls Social Club (2003) or Tara FT Sering's Amazing Grace (2008), Latina, African-American, South Asian-American, and Chinese-American protagonists redefine their relationship to the United States, their families, and their heritage while at the same time they attempt to achieve, in typical chick lit fashion, some measure of success.
Speculative fiction covers a broad range of narrative styles and genres. The cohesive element that pulls works together is that there is some "unrealistic" element, whether it's magical, supernatural, or even a futuristic, technological development: works that fall into the category stray from conventional realism in some way. For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from Gabriel García Márquez to H.P. Lovecraft to William Gibson. This panel aims to explore those unrealistic elements and all their varied implications about society, politics, economics, and more.