Call for Papers:
2015 Midwest Popular Culture Association Conference
Thursday-Sunday, 1-4 October 2015
Hilton Cincinnati Netherland Plaza
35 West Fifth Street, Cincinnati, OH, 45202
Deadline: April 30 2015
Call for Papers:
Sigma Tau Delta Southern Conference: Discovering the World in a Word
St. Augustine, FL @ Flagler College
October 2-3, 2015
This year, 2015, St. Augustine, Florida celebrates its 450th year. It's a milestone that invites reflection on the city as well as on the process of discovery. Discovery often requires a vision, a destination, and dedication. In keeping with the city's celebration of discovery, the Alpha Epsilon Omega chapter of Sigma Tau Delta at Flagler College will hold an undergraduate research conference for the Southern region: "Discovering the World in a Word." Flagler College's chapter of Sigma Tau Delta invites eligible members to send proposals for papers, creative works, and panels on "Discovery" and related topics.
Personhood, personality, impersonation, personification in literature and law: Can literary persons provide insight into corporate personhood and other forms of artificial legal personality? How can legal fictions of personhood inform discussions of personhood in literary fictions?
**Short Notice* Conference takes place on the 10th of April 2015*
ULAB'S Department of English, in partnership with the US Embassy, Dhaka, is organizing a two-day interdisciplinary
conference which seeks to examine the relationship between language and literature within the frame of English studies,
and its impact on community.
Papers are invited on (but not limited to) the following topics:
* Gender Studies Technology & Community
* Eco-criticism Writing from the Diaspora
* English Studies Media & Film Studies
* Cultural Studies Language & Applied Linguistics
Abstracts should be 150-250 words long and accompanied by a short author bio (50 words).
Papers should be suitable for a 20-minute presentation, including Q&A.
Undergraduate and graduate students are encouraged to submit presentations for a conference that explores, challenges, and re-imagines the concept of identity.
This conference will allow students to present on a variety of issues and themes related to identity. Identity, in this context, can refer to an individual or group and comprises various registers—including race, ethnicity, gender, sex, sexuality, nationality, ability, religion, political affiliation, etc. Also, identity can be explored in multiplicity: considering how certain identities impact others.
The intersection of the literary and the visual is fraught with questions pertaining to time. As Walter Benjamin and Mikhail Bahktin argue, technological advances that fragment or preserve time, like photography and cinema, have altered our modes of interaction with lived experience. Similarly, Nicholas Mirzeoff argues that visuality is contingent on the prevalence or rupture of temporal and spatial configurations. Mirzeoff, like Paul Gilroy, specifically emphasizes the concept of the chronotope, a conflation of time and space, as a means of communicating and deciphering lived experience in narrative structures. This panel welcomes papers on the concept of time vis-à-vis visuality in Modern and Contemporary American literature.
Special Session CFP: Reevaluating relationships between racial politics, aesthetics, and (non)canonicity in African American women's poetry from Reconstruction to the Harlem Renaissance. Topics might include, but are not limited to: thematic or aesthetic divisions within a poet's oeuvre and/or in contemporary scholarship, negotiations of audience and/or publishing venues, poetry of social protest, etc.
Please send a 250-word abstract and short bio to Heidi Morse (email@example.com) by March 15, 2015 (extended deadline). The 2016 MLA will take place in Austin, TX from January 7-10.
MSA 17: The Modernism of Politics
The modernist period, as the theme of this year's conference suggests, was a period marked by revolutions of various stripes: aesthetic, social, cultural, and political. Among these, political revolutions often occupied center stage, both in terms of public awareness but also in terms of modernist praxis. Many modernists participated in radical political actions even as they experimented or facilitated experimentation with radical aesthetics.
When underground comix emerged in America in the 1970s, they were connected with the counter culture movement and rife with anti-establishment content. These comics participated in and addressed counterpublics, which queer theorist Michael Warner defines as "formed by their conflict with the norms and contexts of their cultural environment." Yet much of the scholarship of the underground comix movement has centered on straight white men located in San Francisco (e.g. R. Crumb, S. Clay Wilson).