In honor of Walker Percy’s 100th Birthday Anniversary, proposals addressing any topic or area celebrating Walker Percy’s life, his fiction, or his non-fiction are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr. Karey Perkins, University of South Carolina - Beaufort, at both firstname.lastname@example.org and email@example.com by June 7.
Alternately celebrated and pilloried, mother figures have been assigned contradictory roles throughout the histories of English-speaking societies. Reflecting the power structures and conflicts of their times, they have been portrayed as pillars of society, providing material and emotional security, and models of sacrifice, or vilified for failing to perpetuate the expected values of individual responsibility and self-control. Nearly a century after winning political emancipation and almost half a century after the historic struggles for sexual emancipation—which yielded unequal results from one country to another—, women in all segments of society in the USA, the Republic of Ireland, the United Kingdom and the Commonwealth are still regard
In the final week of January, 1977, the ABC miniseries Roots became the most-watched television program of all time. To the surprise of the show’s producers, Roots became not only a ratings windfall, but a cultural phenomenon, articulating an African-American counter-narrative of American history, provoking a dialogue about the legacy of slavery, and presenting African-American characters with a dignity and integrity that differed sharply from the caricatured representations common to television up to that time. In many ways, the response to the show by the media and the general public constitutes the first of many “conversations about race” that have punctuated the Post-Civil Rights era.
TONI MORRISON SOCIETY
SEVENTH BIENNIAL CONFERENCE:
TONI MORRISON AND HER ROLE AS EDITOR
JULY 21-24, 2016, The Roosevelt HotelNew York, New York–CONFERENCE HIGHLIGHTS–
Now in its ninth year, the AUM Southern Studies Conference invites panel and paper proposals on any aspect of Southern literature. The conference will be held 10-11 February 2017. Topics may include but are not limited to:
"Trojan Horse" Pedagogy: Southern Studies in a Terrain of Struggle
SSSL'S Emerging Scholars Organization
SAMLA 88 - Jacksonville, FL - November 4 - 6, 2016)
THE EUDORA WELTY SOCIETY
The Eudora Welty Society welcomes a range of papers, but proposals addressing Welty and the SAMLA 88 theme of "Utopia/Dystopia: Whose Paradise Is It?" are especially welcome. We also are interested in work that investigates how Welty's fiction, essays, or photography interact with politics, jazz, the blues, newspapers, magazines, television, film, and other texts. Consider also how Welty's work has been reimagined by other artists, such as Claire Holley's song "Pleasant Dreams" inspired by "The Whistle." By June 1, 2016, please send a 300-500 word abstract, a brief bio, and any A/V requirements to William Murray at firstname.lastname@example.org.
Our initial deadline has passed but we still have room for one-three more chapters on PTSD and trauma in Clint Eastwood's directorial efforts.
March 6, 2016
[Inter]sections is an online annual peer-reviewed journal of American studies. We are currently accepting submissions for issue 19 (2016) by September 1, 2016.
We publish academic papers, as well as relevant reviews and interviews. Papers should be between 3,000 and 8,000 words, and written in accordance with the 2009 MLA citation style. All submissions should also include an 100-word abstract and a list of 5-7 keywords, a short bio, and an abstract. Alternately, you may wish to fill in the following submission form:
Bio (no more than 100 words):
Victorian Ecocriticism: The Politics of Place and Early Environmental Justice
Dewey W. Hall, Editor
California State Polytechnic University, Pomona
Call for Papers
Zero K is Don DeLillo’s 16th novel and deals with cryogenics -- the freezing of the dead body for a subsequent scientifically-fueled resurrection. Keeping in mind SAMLA’s theme, Utopia/Dystopia: Whose Paradise is It?, we seek papers that explore DeLillo’s themes, conflicts, characterization, and/or science. (SAMLA 88 * November 4-6, 2016 * Hyatt Regency Jacksonville Riverfront * Jacksonville, FL.) Please send your 250 word abstract to Jacqueline Zubeck (email@example.com) by June 5, 2016.
I am chairing a panel titled "Normalcy as Dystopica: Disability Studies Perspectives" as part of the the SAMLA (South Atlantic Modern Language Association) annual conference this coming November 4-6 in Jacksonville, Florida. Conference participants must join SAMLA.
This panel seeks abstracts exploring Ezra Pound's vision of paradise as presented in The Cantos. By June 2, please send a 300-word abstracts, brief bio, and A/V requiremetns to Jeff Grieneisen, State College of Florida, at firstname.lastname@example.org.
Papers might also explore the utopian and/or dystopian elements of the epic poem, as the conference theme is "Utopia/Dystopia: Whose Paradise Is It?" The SAMLA conference will be held Nov. 4-6, 2016 in Jacksonvill, FL.
In keeping with this year’s SAMLA theme of utopia and dystopia, this panel will investigate the ways in which work, class, and labor have been represented throughout these traditions in American literature and culture. From utopia texts from authors like Edward Bellamy and Ignatius Donnelly to dystopian films like The Hunger Games and Divergent, utopian and dystopian representations have had a lot to say about work, class, and labor. In this panel, the questions we are interested in posing in this session are these: how are utopias/dystopias important for thinking about social class and labor? What can these representations tell us about popular and theoretical understandings of social class and labor?