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The Medieval Academy of America's Graduate Student Council is looking for a few more submissions to round out our panel for Leeds 2019 (1-4 July)
Our short abstrct is:
Call for Papers
Indigenous Obscenities & National Pornographies Panel
SHARP Annual Conference, Amherst, Massachusetts, USA
15 to 19 July 2019
Deadline for CFP: 10-31-2018
It is hard to exaggerate the novelty of English Treasurer Richard fitz Nigel’s Dialogue of the Exchequer, completed c. 1179. Often considered Europe’s first administrative manual, it required the invention of a new genre, the systematic thinking-through of collected bureaucratic knowledge and its categorization and organization. Successive generations of historians have mined this text for data about England’s taxation office and common law, but it has more to offer researchers of bureaucratic and institutional culture, medieval identity formation, and intertextuality.
Call for Special Issue Proposals (Open Topic)
English Language Notes
The Journal of New Librarianship (newlibs.org) invites submissions from
library scholars, practitioners, and students for its next issue. JNL welcomes
traditional and unestablished forms of scholarly and professional
communication related to any aspect of librarianship. We hope to see a wide
variety of content in terms of scope, length, and format, from lengthy
treatises on intersectionality and library practice, to video projects on the
contact email: ethifault@springfieldcollege.edu
Resources for American Literary Study, a peer-reviewed journal of archival and bibliographical scholarship, is inviting submissions for upcoming volumes 41.1 and 41.2 (2019). Covering all periods of American literature, Resources for American Literary Study welcomes both traditional and digital humanities approaches to archival discovery and bibliography. The journal also welcomes pedagogically focused submissions examining archival study in the classroom.
How does medieval war resonate beyond the battlefield? This roundtable session invites papers that consider the relationship between medieval literature and wartime. War punctuates our understanding of the Middle Ages, providing us with frameworks for comprehending and interpreting the events of history, and the corpus of literature created in response to these conditions is equally broad. In its most literal sense, wartime literature is the narration or memorialization of events on the battlefield, from the Battle of Maldon to the work of Jordan Fantosme and the poetry attributed to Laurence Minot. Wartime, however, is less a temporal or veridical marker than a loaded conceptual term. What counts as wartime? When does it begin and end?
The theory of Imitation was a central topic of discussion in the ‘Republic of Letters’. The European community of humanists, philosophers, poets and artists was engaged in the dispute over the models to refer to during the creative process. How to develop a normative canon as a reference point for artists and writers in the practice of Imitation? Which poets and artists to select as the examples of ‘bello stile’?
While the authority of ancient models was universally acknowledged, the building of a canon of modern masters was under discussion. One of the typical environments of this discussion were the Academies, where writers, artists, philosophers, antiquarians gathered around learned patrons.
Call for Papers
THE POLITICS OF FORM IN EARLY MODERN EUROPE
June 27-28, 2019
Université Paris-Est Créteil / Université Sorbonne Nouvelle-Paris 3
Digital Humanities: a cross-disciplinary approach to literature, language and education
Volume 12 of Iperstoria (www.iperstoria.it)
Editors:
Mauro Carassai (California State University Northridge, USA)
Annarita Taronna (University of Bari, Italy)