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bibliography and history of the book

BH&DH: Book History and Digital Humanities

updated: 
Monday, February 6, 2017 - 12:05pm
UW-Madison Center for the History of Print and Digital Culture
deadline for submissions: 
Saturday, April 15, 2017

BH and DH: Book History and Digital Humanities

September 22-24, 2017 | Madison, Wisconsin

 Call for Individual Papers and Complete/Partial Panels

Proposals due to printculture@slis.wisc.edu by April 15, 2017
Decision Notification by May 15, 2017

Organizers: Jonathan Senchyne, Heather Wacha, Mark Vareschi
Questions to: printculture@slis.wisc.edu

Keynote Lecture: Matthew Kirschenbaum, Professor of English at the University of Maryland and author of Mechanisms: New Media and the Forensic Imagination and Track Changes A Literary History of Word Processing.

 CFP:

MIND-READING 2017: Mental health and the Written Word

updated: 
Monday, February 6, 2017 - 12:06pm
Melissa Dickson, University of Oxford
deadline for submissions: 
Thursday, March 9, 2017

 

MIND-READING 2017: MENTAL HEALTH AND THE WRITTEN WORD

Venue: Studio Theatre, dlr LexIcon

10 March 2017

 

Conference Organisers:

Dr. Elizabeth Barrett (UCD) and Dr. Melissa Dickson (Oxford).

 

Keynote Speakers:

Prof. James V. Lucey (TCD),

Prof. Fergus Shanahan (UCC) and

Prof. Sally Shuttleworth (Oxford).

 

Critical Recursions

updated: 
Tuesday, March 21, 2017 - 3:11pm
UCLA Friends of English Southland Graduate Conference
deadline for submissions: 
Saturday, April 1, 2017

UCLA Friends of English Southland Graduate Conference - Extended Deadline: April 1st

Los Angeles, CA | June 9-10

Keynote Speakers: Jessica Pressman (San Diego State University) & Yogita Goyal (UCLA)

"Popular Print Culture"

updated: 
Monday, January 30, 2017 - 1:00pm
Society for the History of Authorship, Reading, and Publishing (SHARP)
deadline for submissions: 
Thursday, June 1, 2017

Papers are invited for the SHARP affiliate session at the 2017 South Atlantic Modern Language Association (SAMLA) Convention. Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers’ archives, production, circulation, and reception. Papers addressing this year’s convention theme,“High Art/Low Art Borders and Boundaries in Popular Culture,” are especially welcome. What connections can be made between print culture/book history and the diverse world of popular culture? How has print culture reflected popular taste from the early modern world to the present? 

Possible topics include:

Genre fiction

Sensation fiction

Science fiction

Gothic

Literary Archives in the Digital Age

updated: 
Monday, January 30, 2017 - 1:04pm
Trinity College Dublin, Ireland
deadline for submissions: 
Monday, March 20, 2017

In recent decades there has been a gradual yet dramatic shift in the means by which scholars engage with literary archives, as the widespread digitization of manuscript texts and the comprehensive shift to digital research tools has changed the nature of scholarly routes into archival material. There has also been a simultaneous shift within archives themselves, as the increasing prevalence of born-digital works necessitates radical changes in methods of curation and preservation.

Benign Fiesta

updated: 
Thursday, January 19, 2017 - 10:25am
School of English, University of Nottingham
deadline for submissions: 
Friday, March 31, 2017

Event Type: Academic Conference, 11-13 September, 2017
Location: University of Nottingham, Nottingham, UK
Organiser: Dr Nathan Waddell, University of Nottingham

From Digital to Print (Special Issue) -- Textshop Experiments

updated: 
Friday, January 13, 2017 - 2:41pm
K. A. Wisniewski / Textshop Experiments
deadline for submissions: 
Monday, May 1, 2017

At the 2005 annual meeting of the Conference on College Composition and Communication, Gregory L. Ulmer reminded conference-goers of the importance of understanding our relationships to writing and print, the apparatus from which our identities, perspectives, theories and practices emerge.  Over the course of thirty years and eight books, Ulmer has called for us not only to be aware of the emerging apparatus he dubbed “electracy” but also to help invent and shape it.

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