The Literature Under the Press: Bibliography, Book History and Philological-Literary Studies - edited by Flavia Bruni, Matteo Fadini, Chiara Lastraioli
bibliography and history of the book
CALL FOR PAPERS—EXTENDED DEADLINE
International Symposium on Early Modern Songscapes
8-9 February 2019
University of Toronto
Proposals are invited for a two-day international symposium coinciding with the launch of the digital platform “Early Modern Songscapes” to be held 8-9 February 2019 at the University of Toronto’s Centre for Reformation and Renaissance Studies in Toronto, Canada.
Friday, 14 September 2018, 9.30am - 6.30pm, Gordon Room, Senate House
This special issue will focus on ideas of reuse and recombination. How were bits and scraps of materials, textual and otherwise, reassembled into new forms in the nineteenth century? To what ends? Essays might consider these issues in relation to images, fabrics, texts, and more. Possible topics could include scrapbooks, patchwork, quotation, citation, illustration, and any and all forms of recombination. Approaches from all disciplines, including literature, art history, history, music, and the history of science and the social sciences, are welcome, as are submissions that cross national boundaries and/or range across the nineteenth century.
Papers are invited for the SHARP affiliate session at the 2018 South Atlantic Modern Language Association (SAMLA) Convention. Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers' archives, production, circulation, and reception. Papers addressing this year's convention theme, "Fighters from the Margins: Social-Political Activists and Their Allies," are especially welcome. What connections can be made between print culture/book history and ideas of activism? How have books pushed the boundaries of technology, form, artistic expression, and subject matter? What are the connections between printing and social justice, activism and print culture?
Call for Chapters:
Access, Control, and Dissemination in Digital Humanities
(Edited book for Routledge)
Monsters and Medievalism
Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture for the Medieval & Renaissance Area of the Mid-Atlantic Popular & American Culture Association
29th Annual Conference of the Mid-Atlantic Popular & American Culture Association
Lord Baltimore Hotel, Baltimore, Maryland
8-10 November 2018
Proposals due by 30 June 2018
2019 marks the 300th anniversary of the publication of Love in Excess, the still-popular work of fiction that launched the print career of one of the most important authors of the entire eighteenth century. The Early Atlantic Reading Group at Purdue University therefore calls for papers and non-fatal enquiries in celebration of all aspects of Eliza Haywood’s work, career, and world (such expansive topics might include bibliography, women’s book history, theatricals, the Hillarians, or even Haywood and Crusoe—which also marks its 300th birthday in 2019). Please send abstracts of approximately 250 words to Manushag N. Powell (email@example.com) on or before August 20, 2018.
In his recent polemical piece, noted academic and cultural critic, Timothy Brennan calls Digital Humanities, a “bust” and declares: “[a]fter a decade of investment and hype, what has the field accomplished? Not much.” Brennan’s critique of DH, amongst others, is that “[DH] promises to break the book format without explaining why one might want to — even as books, against all predictions, doggedly persist, filling the airplane hangar- sized warehouses of Amazon.com.” What remains potently interesting is that Brennan’s questioning of DH and its machine-oriented methodology[ies] is itself rooted in an Anglo-American episteme: one that has continuously promoted the “print medium” as the only legitimate paradigm for advancing worthwhile humanistic inquiry.
What is the future of medieval manuscripts? Scholars have for decades been interested in the history of their production and the social environments, institutions, and mechanics of their production; these concerns have constituted what we all consider the “history” of the book. Yet, how do we imagine our futures of conserving and interacting with these materials? Much like monks who spent hours consuming their texts through the practice of lectio divina, we now also consume these materials in the act of studying them. Only, holy reading positioned the reader to focus on his present, where we interact with old books to discover as much as we can about their past.