Given their contribution to the historical development of the coastal south and the Americas in general, pirates are relatively absent in the present southern literary canon and its criticisms. As the Companion to Southern Literature mentions with some surprise, “southern writers…seem not to have cared much about pirates…[particularly] given the fact that some of the most notorious pirates worked the coastal regions of the Southeast.” And yet, nineteenth-century fiction about the American South was flooded with pirates.
2018 MPCA/ACA Conference: Animation and Anime
Call for Papers. The Midwest Popular Culture Association/Midwest American Culture Association seeks proposals for papers and panels both on Western animation and on anime for its 2018 Conference, to be held Thursday-Sunday, 4-7 October 2018 at the Hyatt Regency Indianapolis in Indianapolis, IN. As animation and anime cover all kinds of storytelling, topics may include but are not limited to the following suggestions:
Call for submissions to a collection which critically examines programs that prominently feature children in international (i.e. non-American) television. Programs may include those targeted to children, or those programs targeted to adults but contain child characters. We invite submissions on programs from Canada, the UK, Continental Europe, Australasia, Africa, Asia, Central and South America, and the Middle East. These essays will explore how international television has been a significant conduit for the public consumption of changing ideas about children and childhood, and will connect relevant events, attitudes, or anxieties within their respective countries of origin to an analysis of children or childhood in international programs.
Critics such as James Kincaid, Kathryn Bond Stockton, Michelle Martin, Philippe Ariès, and Suzanne Linn have written about childhood and adolescence as something we consume, criticize, and commercialize, whilst simultaneously romanticizing and desiring. In Consuming Kids (2004), Suzanne Linn suggests consumerist culture is conducting a “hostile takeover” of childhood and adolescence. While cultural consumption of childhood and adolescence has increased, these spheres are likewise being offered up as commercial commodities across medias. We seek papers that explore all aspects of Children’s and Young Adult Literature, as well as those addressing the conference theme of consuming cultures.
Transatlantic Girlhood in Nineteenth-Century Literature Collection
Call for Papers
Modern Language Association Convention
January 3-6, 2019
Editing and Engineering Children’s Literature
MARIA EDGEWORTH 250
6-8 December 2018, Long Room Hub, Trinity College Dublin
Call for Papers
Miss Edgeworth is at Abbotsford, and has been for some time; a little, dark, bearded, sharp, withered, active, laughing, talking, impudent, fearless, outspoken, honest, Whiggish, unchristian, good-tempered, kindly, ultra-Irish body. I like her one day, and damn her to perdition the next. She is a very queer character; particulars some other time.
John Gibson Lockhart, quoted in Christopher North: A Memoir of John Wilson.
THE SOCIAL JUSTICE INTERVENTIONS OF #WENEEDDIVERSEBOOKS
Submissions are being accepted on an ongoing basis for upcoming issues of Catholic Library World.
Catholic Library World is the official journal of the Catholic Library Association. Established in 1929, CLW is a peer reviewed association journal. CLW publishes articles focusing on all aspects of librarianship, especially as it relates to Catholic Studies and Catholicism. CLW articles are intended for an audience that is interested in the broad role and impact of various types of libraries, including, but not limited to academic, public, theological, parish and church libraries, and school libraries.
In his introduction to J.R.R. Tolkien: Author of the Century, Tom Shippey argues that “The Lord of the Rings has established itself as a lasting classic, without the help and against the active hostility of the professionals of taste; and has furthermore largely created the expectations and established the conventions of a new and flourishing genre.” The impact Tolkien has made on not only high fantasy, but also on the importance of language and mythology studies is undeniable. The influences of World War I, modern industrialization, and more are evident in his works as socio-political commentary, despite his personal dislike of allegory. Tolkien studies reflects a thriving culture in and outside the university.