Proposed session for the annual convention of the American Studies Association (theme: “Pedagogies of Dissent”) in Chicago, Nov 9-12, 2017
CALL FOR PAPERS: THE MEDIEVAL IN AMERICAN POPULAR CULTURE
SESSION PROPOSED FOR 2017 ANNUAL CONFERENCE OF THE AMERICAN LITERATURE ASSOCIATION
TO BE HELD AT THE WESTIN COPLEY PLACE, BOSTON, MASSACHUSETTS FROM 25 TO 28 MAY 2017
PAPER PROPOSALS DUE BY 28 JANUARY 2017
The Medieval in American Popular Culture:
Reflections in Commemoration of the 80th Anniversary of Prince Valiant
Frankenstein and the American Dream?
Frankenstein and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and Science Fiction) Area of the Northeast Popular Culture/American Culture Association seeks proposals for a panel in commemoration of the endurance of Frankenstein and the Frankenstein tradition. The session is being submitted for the 2017 meeting of the American Literature Association to be held in Boston, Massachusetts, from 25-28 May 2017.
[A]nd so I left my fairy godmother, with both her hands on her crutch stick, standing in the midst of the dimly lighted room beside the rotten bride-cake that was hidden in cobwebs” (Great Expectations, 158).
The upcoming issue of Parlour will concentrate on food and consumption culture with an emphasis on the displeasing aspects of appetites: hunger, starvation, gluttony, and pica to name a few. We invite submissions that explore a wide range of approaches to the issue’s theme and the various ways consumption or depravation becomes a “haunting” and “horrible” aspect of humanity.
Comics and Monsters—Monsters and Comics
Canadian Society for the Study of Comics (May 11-12, Toronto)
“Speculative Visions” – Issue 27
For its twenty-seventh issue, InVisible Culture: An Electronic Journal for Visual Culture invites scholarly articles and creative works that address the complex and multiple meanings of speculative visions.
The last decade has seen a rise in popularity among science fiction, fantasy, and horror. These
genres encourage the capacity to imagine post-human bodies, extraordinary worlds,
techno-utopias, and claustrophobic spaces of violence. In their reliance upon the imagination,
these speculative visions provide a space to consider contradictions and a carnivalesque
interaction between popular culture and critical theory.
The publication of Ladybird books ‘for Grown-Ups’ in the UK in 2015 and 2016 was a phenomenon, with the books selling over 2 million copies collectively. Titles such as The Ladybird Book of the Hipster, How it Works: The Mum, and The Ladybird Book of The Meeting ostensibly offer a frivolous take upon a variety of popular subjects in an attractive format. However, in doing so they reveal a complex temporality that prompts the reader to consider how their memories of an adult life imagined in childhood measure up to a present filled with everyday frustrations. What can these books tell us about contemporary British culture and its relationship with personal memory, collective historical past, and once-imagined future?
CFP: Didactics and the Modern Robinsonade for Young Adults
In 2013, Bill de Blasio’s mayoral campaign ran on the theme of “A Tale of Two Cities.” The narrative that New York is a deeply divided city – one that is simultaneously the world’s capital of finance and culture and an unfortunate model of economic and social inequality – struck a chord with many voters. This panel will examine the ways in which children’s and young adult literature set in New York City expresses, reinforces, confronts and/or overlooks this image of the city as fractured and unequal. Papers may consider questions such as: how does children’s and young adult literature represent (or ignore) the diversity of New York City childhoods?
English: The Journal of the English Association invites contributions to a special issue on The Classroom of Literature
. . . . we moved together out of the clutch of the Fates, inhabitors of a world without doom; with a scratching, licking and chewing of pens, a whisper and passing of jokes, a titter of tickling, a grumble of labour, a vague stare at the wall in a dream. . . . (Laurie Lee, Cider with Rosie)