Subscribe to RSS - cultural studies and historical approaches

cultural studies and historical approaches

Digital Resistance, October 19-21, 2017, Johns Hopkins U Campus, Baltimore

updated: 
Tuesday, March 28, 2017 - 1:16pm
Society for Comparative Literature and the Arts
deadline for submissions: 
Monday, May 15, 2017

CFP: Digital Resistance

2017 Meeting of the Society for Comparative Literature and the Arts

October 19-21

Johns Hopkins University Homewood Campus

Baltimore, Maryland

With participation from Project MUSE

 

CFP: POLEMIC! MIT 14 October 2017

updated: 
Tuesday, March 28, 2017 - 2:42pm
Massachusetts Institute of Technology
deadline for submissions: 
Thursday, June 1, 2017

Announcing a Call for Papers for the MIT History, Theory, and Criticism of Architecture + Art Graduate Student Conference to be held on October 14, 2017, featuring a keynote address by Dr. Julia Bryan-Wilson.

polemic… Polemic?  POLEMIC!

The American Recluse: Contesting Individualism in Narratives of Isolation and Withdrawal - ALA 2017

updated: 
Tuesday, March 28, 2017 - 2:42pm
Matthew Mosher
deadline for submissions: 
Friday, April 7, 2017

Additional proposals wanted for the panel “The American Recluse: Contesting Individualism in Narratives of Isolation and Withdrawal” to be presented at the 28th Annual Conference of the American Literature Association, May 25-28, 2017, Boston, MA. All periods and theoretical approaches welcome. Please send 250-word abstract to matthew.mosher@stonybrook.edu by April 7, 2017.

Immigration and Deportation 2017

updated: 
Tuesday, March 28, 2017 - 1:16pm
International Interface
deadline for submissions: 
Sunday, April 30, 2017

For thousands of people, violence and persecution drive them from their homeland, seeking safety and solace. Situations of fleeing from violence, political unrest, escaping poverty, seeking freedom, seeking opportunity, joining loved-ones, or environmental disaster (Heartland Alliance), may cause either sudden or planned upheaval. While the threat to life remains constant, the immigration process can take years. Most people take the legal route to move to a new country; others immigrate illegally.

 

Korean Dramatic Tradition and Contemporary Practices

updated: 
Tuesday, March 28, 2017 - 2:43pm
Kritika Kultura
deadline for submissions: 
Monday, July 31, 2017

Modern English Drama Association of Korea (MEDAK) invites contributions for a planned collaboration with Kritika Kultura on the Korean dramatic tradition.

As an Asian country, Korea has an Asian identity. It shares much of its historical experiences and cultural background with other Asian nations. However, it is reasonable to say that Korea has more deep-rooted relationships with China and Japan—all together referred to as “East Asia”—than with South-East Asian countries. It is because Korea was historically an isolated kingdom, probably almost never having gone beyond the neighborhood of North-East Asian region. Nevertheless, with globalization, in many ways, Korea has opened itself to the world.

Historical Dialogue

updated: 
Tuesday, March 28, 2017 - 2:43pm
Kritika Kultura
deadline for submissions: 
Friday, June 30, 2017

Historical dialogue is a growing field of scholarship and practice that engages with the legacy of historical violence and its ties to contemporary politics. It is informed by the recognition that many contemporary conflicts germinate from the memory of past violence, and it is particularly pertinent for the field of conflict transformation and prevention in conflict and post-conflict societies. By its very nature, then, historical dialogue is multidisciplinary, taking place within academic disciplines as well as (but not exclusively) with law, journalism, education, film, art, and literature.

“Reading World War I Literature 100 Years After” - Special Issue

updated: 
Tuesday, March 28, 2017 - 2:43pm
Alicante Journal of English Studies (University of Alicante, Spain)
deadline for submissions: 
Friday, May 26, 2017

“Reading World War I Literature 100 Years After” - Revista Alicantina de Estudios Ingleses - Special Issue (2018), No. 31

Editors: Nick Milne (University of Ottawa) & Sara Prieto (University of Alicante)

A hundred years after the Armistice of World War I, further review of the literature focused on and emanating from the conflict is needed. This special issue of Revista Alicantina de Estudios Ingleses (http://raei.ua.es) seeks to approach WWI from a multidisciplinary perspective, beyond the traditional canonical voices associated with the literature of the Great War.

CINEMA 9 CFP: ISLAM AND IMAGES

updated: 
Tuesday, March 28, 2017 - 2:51pm
Cinema - Journal of Philosophy and the Moving Image
deadline for submissions: 
Sunday, April 30, 2017

CINEMA 9 CFP: ISLAM AND IMAGES

edited by 
Patrícia Castello Branco (IFILNOVA)
Saeed Zeydabadi-Nejad (SOAS University of London) 
Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20) 

In recent times, due to significant political, mediatic and social, but also aesthetic and artistic factors, we have witnessed an awakening of interest in Islamic aesthetics and imagery.

Exploring Boundaries in Film and Television

updated: 
Tuesday, March 28, 2017 - 2:51pm
De Montfort University, Leicester, UK
deadline for submissions: 
Monday, April 3, 2017

Call for Papers

Exploring Boundaries in Film and Television

Wednesday 14 June 2017

Cinema and Television History (CATH) Research Centre, De Montfort University

Confirmed Keynote Speaker: Dr. Iain Smith, Lecturer at King’s College London

The Cinema and Television History (CATH) Research Centre, De Montfort University, invites postgraduates and early career researchers and to its sixth annual postgraduate conference.

The Artisan’s Pen: Writers of the Middling Sort in the 16th and 17th centuries.

updated: 
Tuesday, March 28, 2017 - 2:52pm
Scott Oldenburg/RSA 2018
deadline for submissions: 
Monday, May 15, 2017

The Artisan’s Pen: Writers of the Middling Sort in the 16th and 17th centuries.

 

We are seeking papers for a panel to be held at the annual meeting of the Renaissance Society of America in New Orleans, March 22-24, 2018.

Pages