Flesh For Fantasy: The Specter of Sexual Consumption in American Literature
cultural studies and historical approaches
The Midwest Conference on British Studies is proud to announce that its 65th Annual Meeting will be hosted by the University of Kentucky in Lexington, KY, September 14-16, 2018. The keynote speaker will be Carolyn Malone of Ball State University, and the plenary address will be given by Matthew Giancarlo of the University of Kentucky.
The Atrium: A Journal of Academic Voices
Our spring 2018 CFP Theme:
The Differences That Bind Us:
Diversity in our classrooms
WRITING RENAISSANCE EXPERIENCE – EXPERIENCING RENAISSANCE WRITING
Johannes Gutenberg University
5-6 July 2018
Patrick Gill (Mainz)
Anja Müller-Wood (Mainz)
Tymon Adamczewski (Bydgoszcz)
In her still influential Fantasy and Mimesis: Responses to Reality in Western Literature (1984), Kathryn Hume defines the literary fantastic as any departure from consensus reality, believing that it holds an equally significant position in literary history as mimesis. Rather than being a recent and sometimes academically marginalized genre, fantasy, for Hume, is integral to almost all literature.
Writing in the English magazine The Poster in 1899, French critic Maurice Demeur declared: “In the course of my studies of pictorial placards, I have often had cause to deplore in the art magazines the almost entire absence of comment on mural decorative art in Spain. Hardly anything, it would seem, is written about Spanish posters and colour prints. What is the reason of this neglect of so characteristic and remarkable an impulse? . . . I am surprised to see that Boudet in his book Les Affiches Étrangères, Sponsel in his clever publication Das Moderne Plakat, and many other writers have entirely ignored the subject. Does this arise from lack of knowledge or negligence?
Fifty year after the assassination of Martin Luther King, the Civil Rights Movement of the 1960s is frequently memorialized as a moment of almost inevitable national redemption, when a call to the better angels of American consciousness brought the country together to overcome injustices that no longer plague the present. As historian Jeanne Theoharis argues in A More Beautiful and Terrible History: The Uses and Misuses of Civil Rights History (2018, this interpretative frame has frequently constructed a self-congratulatory discourse that whitewashes the immense obstacles and violence faced by the Civil Rights movement and its leaders, rather than soberly remember the “dikes of courage to hold back the flood of fear” that, in Dr.
Call for submissions to a collection which critically examines programs that prominently feature children in international (i.e. non-American) television. Programs may include those targeted to children, or those programs targeted to adults but contain child characters. We invite submissions on programs from Canada, the UK, Continental Europe, Australasia, Africa, Asia, Central and South America, and the Middle East. These essays will explore how international television has been a significant conduit for the public consumption of changing ideas about children and childhood, and will connect relevant events, attitudes, or anxieties within their respective countries of origin to an analysis of children or childhood in international programs.
Building off the 2018 MMLA themes of consumption and culture, this section invites papers that explore representations of food, its production, and/or its consumption in works of English literature before 1800. Possible questions to explore might include the following: