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cultural studies and historical approaches

Adolescence in Film and Television (April 17-20, 2019; Proposals due October 1, 2018)

updated: 
Monday, August 13, 2018 - 3:46pm
Kylo-Patrick R. Hart, Area Chair, Popular Culture Association
deadline for submissions: 
Monday, October 1, 2018

The Adolescence in Film and Television Area invites paper proposals for presentation at the annual Popular Culture Association Conference, to be held April 17-20, 2019 in Washington, D.C. The official deadline for online submission of presentation abstracts (see below for additional information) is October 1, 2018.

Submissions that explore noteworthy coverage patterns, representations, and themes pertaining to the portrayal of adolescence/adolescents in film and television, during any historical era, are desired from scholars, educators, and students at all levels. 

Graduate Journal aspeers Calls for Papers on "American Anger" by 28 Oct 2018

updated: 
Monday, August 13, 2018 - 3:44pm
aspeers: emerging voices in american studies
deadline for submissions: 
Sunday, October 28, 2018

"If you're not angry, you're not paying attention"—according to an Esquire/NBC News survey from 2016, "[h]alf of all Americans are angrier today than they were a year ago." Statements like this mirror a perceived cultural and societal change that transcends simplistic partisan divides and has been accompanied by political battles and heated discourse. Though there has been an increased focus on anger in American public life following the 2016 election season, the mobilization of anger has a history that reaches back much further than current debates might suggest.

Race and Versification in Anglophone Poetry

updated: 
Monday, August 13, 2018 - 3:51pm
NeMLA (March 21-24, 2019; Washington D.C.)
deadline for submissions: 
Sunday, September 30, 2018

Race and Versification in Anglophone Poetry

Studies of versification tend to be silent on race, and with some exceptions (such as Anthony Reed’s 2014 Freedom Time), studies of race and poetic form tend to turn away from the mechanics of versification. As Dorothy Wang argues in Thinking its Presence: Race and Subjectivity in Contemporary Asian American Poetry (2014), most accounts of poetic form revolve around the technical accomplishments of white poets, while minority figures are seen as more valuable for their poetry’s social or thematic content. What would happen if nonwhite poets were read for their proficiency with poetic forms, and were made the center of conversations about poetic technique? 

Quaring Childhood

updated: 
Monday, August 13, 2018 - 3:41pm
south: a scholarly journal
deadline for submissions: 
Thursday, November 1, 2018

CFP: Quaring Childhood

 

south: a scholarly journal invites submissions for “Quaring Childhood,” a special issue guest edited by Katherine Henninger, to be published in Spring 2019. This issue brings several fields that have developed substantially in the past two decades—childhood studies, critical race studies, queer theory, and new southern studies—into dialogue.

 

NeMLA Roundtable: "Animating Theory: Fashioning Theoretical Concepts from Studio Gainax-Trigger"

updated: 
Monday, August 13, 2018 - 11:55am
Dorin Smith (Brown University)
deadline for submissions: 
Saturday, September 29, 2018

Roundtable Description

This roundtable is looking for 5-10 minute long papers which reflect on the intersection of Theory/post-theory/weak-theory and the animated works of studios Gainax and Trigger. Participants are asked to select a moment (5-15 seconds) of a Gainax-Trigger anime and then to develop a concept which is legible but not beholden to a theoretical approach (e.g. how does FLCL theorize “mastery” to the side of psychoanalytic debates?). By thinking from these animated texts, this roundtable aims to reveal theoretical lines of flight which emerge when theorizing with a text and to show how this approach might animate forms of close reading.

 

Crafting, Crafters, and Craft Culture Area

updated: 
Monday, August 13, 2018 - 3:09pm
Southwest Popular and American Culture Association
deadline for submissions: 
Thursday, November 1, 2018

Call for Papers

Crafting, Crafters, and Craft Culture Area

Area Chair: Janet Brennan Croft

Southwest Popular / American Culture Association (SWPACA)

 

40th Annual Conference, February 20-23, 2019

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: November 1, 2018

 

On Criticism

updated: 
Monday, August 13, 2018 - 2:55pm
Platform Journal, Royal Holloway, University London and Royal Central School of Drama and Speech
deadline for submissions: 
Monday, September 10, 2018

Symposium: ‘On Criticism.’ Friday 23 November 2018, Royal Central School of Speech and Drama. Hosted by Platform Journal.

LCIR: Narratives of Displacement International Conference: "Navigating Borders: Immigration, Refugeeism and Citizenship"

updated: 
Monday, August 13, 2018 - 3:48pm
London Centre for Interdisciplenary Research
deadline for submissions: 
Monday, August 20, 2018

The conference seeks to explore the narratives of displacement and to demonstrate the validity of a cross-disciplinary approach which brings together the historical, cultural, social and literary expertise in the handling of text. The conference will particularly focus on time and space representations and on treatment of the theme of cultural ambivalence and identity conflict. The subject of displacement will be regarded as both a migration, voluntary or forced, and a sense of being socially or culturally “out of place”.

Papers are invited on topics related, but not limited, to:

NEMLA 2019: Conceptions of History and the Future in American Literature after 9/11

updated: 
Monday, August 13, 2018 - 12:27pm
Liliana M. Naydan, Penn State Abington
deadline for submissions: 
Sunday, September 30, 2018

When the 9/11 attacks occurred in New York City; Shanksville, Pennsylvania; and Washington, DC, many Americans had the sense that, to quote Don DeLillo, 9/11 had transformed “the world narrative, unquestionably” (Interview with David Ulin). In destroying the Twin Towers in New York City, they devastated icons of the American Century and they marked the start of what DeLillo has called the Age of Terror and hence the start of an unsettling and unfamiliar future. Yet in many ways, too, the 9/11 attacks, marked a return to historical ways of thinking and being.

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