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cultural studies and historical approaches

Digital Humanities and Narratives of Science, Technology, and Medicine

updated: 
Monday, August 13, 2018 - 2:28pm
Northeast Modern Language Association Conference
deadline for submissions: 
Sunday, September 30, 2018

Digital Humanities and Narratives of Science, Technology, and MedicineNeMLA 50th Anniversary Convention in Washington DC (March 21-24, 2019)

[SCMS 2019] Up to and Including Its Limits: Rethinking Experimental Cinema(s)

updated: 
Monday, August 13, 2018 - 2:27pm
Swagato Chakravorty / Yale University
deadline for submissions: 
Saturday, August 25, 2018

This panel invites new positions from which to conceptualize postwar moving-image art, extending into the contemporary moment. Anglo-American and European scholarship on moving-image art through the 1960s and 70s has largely privileged formalist thinking. There is, as Jonathan Walley has written, a “general agreement…that avant-garde filmmakers of this period followed the trend within modernist art toward medium-specific purification: the reduction of the art object to the essential physical or material components of its medium.”[1] In recent years, however, we have witnessed a number of crucial revisionist interventions.

Complications of Eating: Investigating (In)digestion in Literature and Film

updated: 
Monday, August 13, 2018 - 1:03pm
Niki Kiviat
deadline for submissions: 
Wednesday, September 5, 2018

As recent literary and cultural critics have shown, food, and its presence in literature and film, is not solely linked to corporeal survival. The relationship between food and the body is also one of chemical and physical processes, and of tolerance and rejection (both individual and societal). Food—eating, preparation, choice—therefore also embodies social and cultural nuances and, in their evolution, processes of change. What is more, in the acts of consumption and digestion, food can re-emerge in various, and often socially taboo, ways and, in so doing, highlight sociocultural boundaries and normativities. In other words, food not only reflects on individual biological needs, but it also exposes larger social ontologies.

NeMLA Panel on James Baldwin's Global Legacy

updated: 
Monday, August 13, 2018 - 12:24pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

NeMLA; Washington DC; March 21-24, 2019

 

Disillusioned by the racial issues in America, James Baldwin moved to France in 1948. Nine years later, however, he was drawn back after seeing a photograph of Dorothy Counts, a young black girl in Charlotte, North Carolina being harassed by a white mob as she entered an all-white high school. They threw rocks, spat on her, and told her to go back to where she came from. The image and situation were significant for Baldwin for various reasons. First, despite his attempts to avoid American racism, it had found him in Paris. Second, it was as if the taunts of "go back to where you came from" to Dorothy Counts drew Baldwin back "home" to document and confront American racism head on.

Nemla 2019 Seminar "Queer Women: Reading and Writing in 19th & 20th Peninsular Spanish Literature"

updated: 
Monday, August 13, 2018 - 12:28pm
Ana Isabel Simón-Alegre / Adelphi University
deadline for submissions: 
Sunday, September 30, 2018

The topic of this seminar is the presence of the “chicas raras” in Modern Spanish literature, also known as “queer women” in English. Queer is the perfect conceptual framework to think about how Spanish authors explore feminist themes, such as discrimination or inequality using their narratives as a tool to examine tensions in female subjectivity. The concept queer includes the idea of gender dissidence that encompasses how female intellectuals experience sex, sexuality and, gender. Even if oftentimes these writers have difficulties conceptualizing these notions, they are perceptible in women narratives, especially through specific genres: autobiography, memoir, romance fiction and letters.

Memory Machines and State Work

updated: 
Monday, August 13, 2018 - 12:23pm
NeMLA
deadline for submissions: 
Sunday, September 30, 2018

This call is for an accepted session at the 50th Northeast Modern Language Association convention in Washington DC, March 21-24, 2019.  

Chair: Nathan Douglas / Indiana University, Dept. of Spanish & Portuguese

Call for Special Issue Proposals (Open Topic)

updated: 
Monday, August 13, 2018 - 3:08pm
English Language Notes
deadline for submissions: 
Monday, October 15, 2018

Call for Special Issue Proposals (Open Topic)

English Language Notes

NeMLA 2019 panel: The Use of Audacity and Candor in Women's Literature (Panel)

updated: 
Monday, August 13, 2018 - 1:01pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

“Audacity” is having a moment in the women’s movement. Festivals, conferences and training sessions have used the term as shorthand for women speaking their truth and owning the power to direct the outcomes of their lives. (The Audacious Women Festival in Scotland and the Audacious Women’s Network in South Africa are two examples.)

Yet audacity is not new. Throughout history, outspoken women writers of fiction, poetry, and plays have positioned themselves in the vanguard of audacity, defying public censure and personal isolation to write candidly about their world. Transgression is a disruptor of patriarchal norms. Candor is transformational when it is deployed to pose questions, shatter stereotypes, and incite change.

NEMLA 2019: Decolonial Approaches to Literature, Film and Visual Arts

updated: 
Monday, August 13, 2018 - 12:39pm
Badreddine Ben Othman and Danielle Schwartz (Binghamton University SUNY)
deadline for submissions: 
Sunday, September 30, 2018

According to Walter Mignolo (2013, 2007), the triumphal narrative of modernity is inseparable from coloniality, or the logic of domination, exploitation, and oppression. While modernity builds itself on a triumphal narrative of civilization, progress, and development, modernity hides its darker side, “coloniality.” “Modernity/coloniality” shows that while modernity materializes in the rhetoric of salvation, modernity, capitalism, and coloniality are inseparable aspects yoked to authority and the control of economy. The first conceptualizations of modernity/coloniality/decoloniality, launched by Quijano (2007), focus on economic-political dimensions and the question of knowledge and racism.

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