cfp.english.upenn.edu

This year, we continue to explore various matters of the urban, but in particular, education and this city.

Critiquing Culture: The Cultural Studies Graduate Conference (21/9/13) at George Mason University is now accepting paper proposals.

This panel seeks to explore a wide range of research that engages the writings of N. Katherine Hayles, SAMLA 85 Critical Plenary Speaker.

From Science to Sensation: Art and Artifice in Wilkie Collins (MMLA November 7-10 2013)

How do representations and discourses of immigration draw upon or undermine conceptions of authenticity and artifice?

Call for contributions

Within the context of the controversial risk society concept, which seems to have played a pivotal role in his thinking on the reflexive modernity, Ulrich Beck more recently drew attention to the impa

Rituparno Ghosh-Call for Papers

PERSPECTIVES FROM ‘OTHER’ CULTURES TRANSLATING CULTURE

September 20-22, 2013
Goldsmiths, University of London

DEADLINE FOR PROPOSALS: July 12, 2013

I invite submissions for an edited collection of essays on contemporary uses of fairy tales in popular culture.

ADVANCED WRITING
Contemporary American Creative Nonfiction

Este panel pretende analizar la labor de aquellas mujeres que desde distintas perspectivas (la de la editora, la política, la escritora, la periodista, la artista etc.) han contribuido en los último

The 2013 Medieval English Studies Symposium (30th Nov - 1Dec) invites scholars and young researchers in the Middle Ages.

Senate House, University of London
12-13 September 2013

Plenary speakers include:

Call for Papers: "Borders and Landscapes in the works of Cormac Mccarthy"

Conference dates: July 24th – 25th, 2014

Deadline for Abstracts: October 15th 2013

Is there a Future for the Standard Edition?
Session 14120, NeMLA 2014 Convention, Harrisburg PA, April 3-6, 2014

Northeast Modern Language Association 2014 Convention
Harrisburg, PA
April 3-6, 2014

CFP: Urban Culture Area, MAPACA, 11/7-11/9/2013, Atlantic City, NJ (June 14th, 2013, deadline for proposals)

Quentin Tarantino’s movie *Django Unchained,* has been polarizing since its 2012 release.

[UPDATE] New Narratives of Disaster and Crisis: Reflecting on 9/11in the Obama Era -- Proposals Due 5/31/2013

full name / name of organization:

SAMLA Chairpersons

Synthesis Journal
Volume VIII (2014)
Living through the Interregnum: Democracy, the Polis and the Subject in Crisis
Maro Germanou & Mina Karavanta
Special Issue Editors

This panel will explore the variety of choices made in opera production in order to reflect on its connection with historical events, cultural backgrounds, moral questions, literary contents, staging

Pirandello’s influence can be detected in the evolution of modern drama as shown in the works of Sartre, Ionesco, Beckett, Borges and O’Neill.

Notorious for frequent terrorist attacks for both political and criminal reasons, the 1970s was a turbulent time for Italy.

Call for Papers
4th Annual Graduate Student Conference
Stony Brook University, The State University of New York
Cultural Analysis and Theory Department

Stony Brook Manhattan

DEADLINE EXTENDED to June 22!

3rd Annual Tufts Graduate Humanities Conference
Tufts University
October 18, 2013
Keynote: José Muñoz

trans*

Southern Humanities Council Conference
January 29-February 2, 2014 Crown Plaza Richmond Downtown Richmond, Virginia

“Memories, Histories, Fantasies”

El objetivo del curso es, por un lado, analizar los procesos de gestión de la diversidad cultural de la colonización española en Marruecos y Guinea Ecuatorial desde una perspectiva diacrónica que

This permanent section invites papers on any aspect of Canadian Literature.

In keeping with the theme of this year’s conference, we welcome papers that focus on the ways Irish identity, space, and memory are shaped through conventionally understood literary genres (poetry,

We are pleased to announce the rolling CFP for articles and reviews for our online peer-reviewed, open access journal, The Phoenix Papers (ISSN 2325-2316).

Proposals of 250 words are sought for an upcoming collection: ‘Marking and Re-marking: Tracing the Tattoo in Crime and Detective Narratives’, edited by Katharine Cox (Cardiff Metropolitan Universi

When existing conditions actively work to suppress women’s expression, how can the female subject assert herself?

I seek papers for a panel on auteurship in recent Hollywood cinema, especially films that have alternately been called the “New Sincerity” (Collins), “smart” (Sconce), “Mumblecore” (Masuna