Fort Worth native Patricia Highsmith's works call for reconsideration in light of Žižek's philosophical readings and cinematic interpretations. Submit 300 word abstract and 1-page CV by 15 March 2015.
ISSO - INTERNATIONAL SUMMER SCHOOL IN ONTOLOGY
Monday 24 August - Saturday 29 August 2015
ISSO is a six days school which provides an unique insight into the contemporary debate on ontology. Six leading philosophers will address this classical philosophical question from different perspectives.
Paul M. Livingston
Marco Piasentier and Andrea Soardo
The Laboratorio studi mediterranei (Università della Svizzera italiana) announces the International Conference titled "New Configurations of the Mediterranean: the Role of Women", in honour of Vittorio Dan Segre and Luigiterzo Bosca, to be held in Lugano on 28-29 May 2015.
Call for Papers:
Soundscapes and Sonic Cultures in America, 6‐8 Nov. 2015, Graz, Austria
Conference of the Austrian Association for American Studies
Organizers: Nassim W. Balestrini and Klaus Rieser, University of Graz
Hawthorne and Influence: Spenser, Shakespeare, Milton, and the Romantics
The Mexican Revolution and U.S. Modernism
Panel Title: Dystopia and Race in Contemporary American Literature.
This panel is sponsored by College English Association (CEA).
Topics may include English Catholic writers, anti-Catholic or pro-Catholic poetry or literary prose, or representations of English Catholics or Catholicism in literary texts. Proposals for papers that focus on these topics in later early modernity (the late seventeenth and eighteenth centuries) are particularly encouraged. 250-300 word abstracts by 15 March 2015.
Chapter proposals are invited for an edited volume on ecofeminist literary criticism titled Literature and Ecofeminism. Contributions covering a range of literary forms from diverse cultures and national traditions are welcome. Interested authors should send a 300-word abstract, 200-word biography, and sample of a previously published chapter or article to email@example.com by April 1, 2015. Proposers will be notified about whether their submissions are accepted for the book by April 15, 2015. For accepted proposals first drafts of full chapters (8,000 – 9,000 words) are due by September 1, 2015, and final versions are due November 1, 2015.
A Trans-Disciplinary Conference at The University of Utah
September 3-5, 2015 at the Tanner Humanities Center
For more information or to be added to the conference mailing list, contact: Joshua Trey Barnett // firstname.lastname@example.org
Non-guaranteed Special Session proposed for the 131 annual MLA Conference
In the preface to his Collected Poems, 1945, Robert Graves states: "I write poems for poets, and satires or grotesques for wits. For people in general I write prose, and am content that they should be unaware that I do anything else. To write poems for other than poets is wasteful."
These views reflect Graves's lifelong preoccupation with the complex question of a reading public—for whom should a writer write, and how does the notion of a reading public (even if only an idealized meta-public) inform an author's creative vision, the sense of his or her vocation and relationship to history.
This panel invites consideration of how medieval literary works theorize the communication between nature and the senses and illuminate central human and artistic questions—for instance, how we come to know our world and how sensory experience of the natural world influences the poetic process. Panelists may explore how late medieval poets generate an implicit theory of the senses through a range of topics, including the music of the spheres, the relationship between the elements and the senses, the way sense perception promotes interconnection between humankind and nature, the tension between nature and artifice, and sensing nature in dream visions.
Submissions are made through the NCS website at
"Mess With Texas"
Modern Language Association Conference
January 7-10, 2016
Grasping at Screens—MLA panel for 2016 convention
Call for Papers
Roots and Routes: The Twenty-First-Century Southern Novel
Guest Editor: Christopher Lloyd