Papers are welcome that approach lexical and syntactic experimentation in Postmodernist Literature from a linguistic perspective. Please send a 300-word abstract by 6 March 2015; to Don Hardy (email@example.com).
CFP (MLA 2016) Syntax and Poetry
How do poets employ and challenge the conventions of syntax for poetic effect? Papers are invited providing a stylistic exploration of the syntax of poetry. Please send a 300-word abstract by 6 March 2015; to Don Hardy (firstname.lastname@example.org).
New Submission Deadline: 1st March 2015
Keynote Presenters will include Will Brooker, Kingston University London
Coming to Australia in 2015, ACMI presents David Bowie Is, the acclaimed global exhibition from the Victoria and Albert Museum. As part of this ground-breaking multi-media experience will be the conference, The Stardom and Celebrity of David Bowie 1965—2015, reflecting upon his cultural and artistic significance through the most important frames.
The conference will be held at the ACMI in Melbourne on the 16th, 17th and 18th July 2015 and will include talks and presentations in the exhibition space.
3rd Annual Black Doctoral Network Conference
Theme: Paying It Forward: Transforming Research into Practice
October 8 - 10, 2015
Verge: Studies in Global Asias is a new journal that includes scholarship from scholars in both Asian and Asian American Studies. These two fields have traditionally defined themselves in opposition to one another, with the former focused on an area-studies, nationally and politically oriented approach, and the latter emphasizing epistemological categories, including ethnicity and citizenship, that drew mainly on the history of the United States. The past decade however has seen a series of rapprochements in which, for instance, categories "belonging" to Asian American Studies (ethnicity, race, diaspora) have been applied with increasing success to studies of Asia.
Invitation for paper proposals for a possible special session panel at the 2016 MLA Conference in Austin, TX, Jan. 7 - Jan. 10
Following up on the themes introduced in our previous conferences dedicated to "film in the post-media age", the "cinema of sensations", "rethinking intermediality in the digital age", and "figurations of intermediality in film", we invite you to address one of the most puzzling phenomena of contemporary media and film: the intertwining of the illusion of reality with effects of intermediality, connecting the experience of a palpable, everyday world with artificiality, abstraction and the awareness of multiple mediations.
Seeking submissions for a special session for the 2016 Austin MLA convention. Tentative title "Jewish/Islamic Relations in Literature and Culture." Papers may consider any aspect of Judeo-Islamic relations in literature, culture, rhetoric, film, new media, etc. I would like to put together a panel that considers a range of perspectives, texts, and/or historical periods.
300 word proposals and CVs should be sent to Lindsay Dearinger. Deadline is March 15, 2015. Questions welcome.
The official CFP can be viewed here:
http://www.mla.org/cfp_detail_7791 (requires MLA login)
While digital humanities is often committed to the realism and rationality of big data when its practitioners build critical machines, recent work has placed the necessity of this association under question.
Award-winning Nigerian author Chimamanda Ngozi Adichie has just been nominated for a Grammy. Yes, a music award. A sample from her Ted Talk "We Should All Be Feminists" is featured in Beyoncé's hit song "Flawless." Adichie's nomination, a first for a Nigerian writer, is an exciting demonstration of contemporary intersections of the literature of the African Diaspora and other arts. Adichie first gave her talk to a live audience, it later "went viral" on the video sharing platform Youtube (where Beyoncé accessed the work so inspirational to her developing feminist identification), it was initially published via Kindle, and is forthcoming as a paperback.
It is assumed that in today's mass media, "free speech" is everywhere. We have access to an endless stream of images, words, thoughts and ideas on a daily basis. However, these opinions and pieces of news are filtered through official media outlets (trained journalists, career academics) or independently available through social media, without the benefit—or the detriment, perhaps—of professional vetting, thus raising questions about how "free" our access to information actually is. This means that the framing of news stories is all too often problematic, as a single event may be portrayed in irreconcilable ways by ideologically-motivated purveyors of information.
Originating from old Latin se- ("apart") and cernere ("sift"), "secret" means "hidden, concealed, and private," thereby signifying the distinction between the true and the false, the light and the dark, the self and the other, and the private and the public. This definition has its history and origin, and yet it is questioned and challenged nowadays by post-modernism and post-structuralism, as when Derrida considers in "Literature in Secret," "Pardon for keeping the secret, and the secret of a secret . . . of not meaning at all." If the secret one keeps is a secret "of not meaning at all," unveiling the secret simply reveals its nothingness. And yet, without the endeavor to unveil the secret, how can one know that there is nothing behind it?
This conference aims to investigate ways in which comics explore the idea of "future." Its goal is to gather scholars from the field of comic studies and related fields, such as linguistics, philosophy, literary studies, cultural studies, sociology, anthropology, film studies as well as others that can discover a conceptual connection to the rigorous study of comics. Given our broad and yet specific purpose, we aim to discuss work on comics originating from all major traditions: French bande desineé, American and British comics, Italian fumetti, Japanese manga, and so on.
The conference has two (not necessarily related) topics: sermon studies and names (onomastics), both as features of literary tradition. Details are on the website of the Christian Literary Studies Group, http://www.clsg.org/html/conference.html
Papers should have a reading time of 25 minutes and be of a standard suitable for publication subsequently in The Glass. Preference is given to contributions exploring Christian and Biblical themes in literature.
Young Adult Literature
Session Coordinator: Dr. Amberyl Malkovich
Dept. of English, Concord University
"Through Opposition and Commonality: The Role and Depiction of the Arts and Sciences in Young Adult Literature"