Critical Insights: Harlem Renaissance
under contract with Salem Press
Critical Insights: Harlem Renaissance
I am seeking fellow panelists to present on at the ALA on trauma--from psychological perspectives to literary trauma theory. The work that I aim to present is focused on vicarious trauma--a trauma transmitted but not experienced directly.
Submissions need not be more than 300-500 words and may be emailed to me directly, titled "ALA Boston Trauma Theory Panel."
I also have an excellent chair for the panel; a professor who has done a great deal of trauma theory in her dissertation.
Please feel free to contact me with further queries.
Some would argue that performance has always been social. The origins of Western performance are often charted through rituals, liturgy, mysteries, and morality plays, and Eastern performance through folklore, poetry, music, and dance. The popularity of plays by Kalidasa, Gao Ming, Shakespeare, Moliere, and others, in their times and beyond it, has depended in part on their ability to represent the social in ways that resonate for audiences today.
CONFIRMED KEYNOTE SPEAKERS:
Eric Schaefer (Emerson College, US)
author of Bold! Daring! Shocking! True! A History of Exploitation Films, 1919-1959 (Duke University Press, 1999) and editor of Sex Scene: Media and the Sexual Revolution (Duke University Press, 2014)
I. Q. Hunter (De Montfort University, UK)
author of British Trash Cinema (BFI, 2012) and Cult Film as a Guide to Life (Bloomsbury, 2015).
Hosted by the Institute of English Studies, University of London
Proposals are invited for papers, comprised panels, and roundtable sessions, which consider any period or genre of literature about, set in, inspired by, or alluding to central and suburban London and its environs, from the city's roots in pre-Roman times to its imagined futures. While the main focus of the conference will be on literary texts, we actively encourage interdisciplinary contributions relating film, architecture, geography, theories of urban space, etc., to literary representations of London. Papers from postgraduate students are particularly welcome for consideration.
First International Symposium on the work of debbie tucker green
Confirmed Keynote Speakers
Dr Lynette Goddard, Royal Holloway, University of London
Dr Deirdre Osborne, Goldsmiths, University of London
Lincoln School of Fine and Performing Arts and Lincoln's 21st Century Research Group are delighted to announce the 2015 Contemporary Playwriting Symposium, dedicated this year to debbie tucker green.
On 21 November 2015, there will be a one-day symposium bringing together scholars, theatre practitioners and students to discuss tucker green's demanding, innovative, urgent theatre.
ChLA 2015 Conference, June 18-20, 2015: Depictions of Race in Young Adult Dystopian and Science Fiction
full name / name of organization:
Meghan Gilbert-Hickey & Miranda Green-Barteet/Children's Literature Association
Panel Proposal for 2015 Children's Literature Association Conference: Ambivalent Ambiguities: Depictions of Race in Young Adult
Dystopian and Science Fiction
Volume 3 (2015): Thinking and Writing Beyond Two Cultures: STEM, WAC/WID, and the Changing Academy
International Journal of Economics, Commerce and Management (IJECM ISSN 2348-0386) is a refereed monthly e-journal from Rochester, with a strong Editorial Board and a tested rapid review system.
IJECM intends to contribute to the development & dissemination of knowledge on management, commerce & economics.
Submission: Inviting quality research papers/ review papers/ conceptual papers/ didactic articles for its Vol 2, issue 12. Submission due date is 31st JAN 2015. Release date is 15th FEB 2015.
Authors' guidelines: http://ijecm.co.uk/for-authors/
Lord Byron was a passionate and life-long defender of people's rights. In the House of Lords he argued for the right of Catholics to be represented in parliament; in his personal correspondence he supported writers' claims to copyright over their own works; and in a decision that led to his death, he travelled to Greece to help the Greeks realize their right to become an independent nation. His preoccupation with rights extended to his poetic works, too. For example, in Sardanapalus, the misguided but well-meaning titular leader laments "To me war is no glory—conquest no / Renown. To be forced thus to uphold my right / Sits heavier on my heart than all the wrongs / These men would bow me down with" (126.96.36.1995-8).
The E. E. Cummings Society will co-sponsor one collaborative panel with the John Dos Passos Society at the American Literature Association conference in Boston on May 21-24, 2015. In addition, the Cummings Society will sponsor one to two sessions on E. E. Cummings.
Intersections of E.E. Cummings and John Dos Passos
The 12th Annual Miami University
Miami English Graduate and Adjunct Association (MEGAA) Symposium
Friday, March 13th, 2015
CALL FOR PAPERS
"Places are fragmentary and inward-turning histories, pasts that others are not allowed to read, accumulated times that can be unfolded but like stories held in reserve, remaining in an enigmatic state, symbolizations encysted in the pain or pleasure of he body. 'I feel good here': the well-being under-expressed in the language it appears in like a fleeting glimmer is a spatial practice." --Michel de Certeau, The Practice of Everyday Life
This CFP is for the American Studies Association 2015 meeting (October 8-11) in Toronto, Canada.
Call for papers for a special session - EUGEO 2015 - Budapest, Hungary on 30 August – 2 September 2015.
Session "Rural writing / Ecritures du rural" organised by Mauricette Fournier (Université de Clermont-Ferrand, France) and Marina Marengo (Université de Sienne, Italy)
Proposals are accepted in English or in French.
Additional Information :
NANO: New American Notes Online
Special Issue: Corporations and Culture
Power, in Case's world, meant corporate power. The zaibatsus, the multinationals that shape the course of human history, had transcended old barriers. Viewed as organisms, they had attained a kind of immortality. You couldn't kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder, assume the vacated position, access the vast banks of corporate memory. —William Gibson, Neuromancer (1984)