La vorágine (1924), novela cumbre del escritor colombiano José Eustasio Rivera (1888-1928) fue considerada una novela regionalista al ser subsumida a la imprecisa categoría de “novela de la tierra”. Este panel propone otras lecturas: aquellas que contemplen problemáticas ambientales (la violenta extracción de recursos naturales), éticas (las implicaciones necropolíticas del legado colonial), y estéticas (el lugar espectral de la literatura en un contexto posthumano). De esta manera, el panel busca releer La vorágine no sólo en el contexto de la literatura mundial sino también de los estudios culturales.
ecocriticism and environmental studies
CALL FOR PAPERS:
Northeast Modern Language Association (NeMLA) Annual Convention 2020
(Un)natural Selection: Adapting to Changing Environments in Literature, Media, Film
The fourth edition of the Series, entitled "Posthuman Agency" will be held at NYU, in New York City, from April 30 to May2nd 2020.
The Call for Papers is now open. Deadline: December 31st 2019
Nineteenth-Century Proseis publishing a special edition in the spring of 2020 to be titled “Marx in the American Grain.” Submissions should engage Karl Marx and/or Marxist theory as it applies to the American project writ large. Essays from across the disciplines that focus on the long nineteenth century (1840-1920) in nonfiction prose and cultural studies (including history, politics, economics, history of ideas, etc.) are welcome. Send 500 word abstracts and basic bio to firstname.lastname@example.org
The deadline for submissions is November 1 2019.
Organizer: Marion Thain
Co-Organizer: Atti Viragh
Note: Submission deadline is Monday morning, 9 am EST, September 23
Deadline: Sepember 23, 2019
The world is in crisis: socially, politically, environmentally. We are increasingly confronted with notions of otherness as the world is shrinking – we interact with diverse cultures, ideas, agendas as we never have before. Yet, at the same time, we are increasingly polarized in our thinking, with the rise of a global right-wing agenda challenging a progressive wave of policies the world over. Yet, these crises seem to pale in consideration of the increasingly urgent climate crisis.
The third issue of JAm It! (Journal of American Studies in Italy) will explore the relations between environmental transformations and migrations in the North American context from a multi-disciplinary perspective. While scholarship in American Studies has produced relevant contributions analyzing the historical and present contingencies of both endogenous and exogenous migratory flows, the complex relations between migrations and ecological change require further inquiry within the field.
We are seeking abstracts for an interdisciplinary collection of critical essays exploring insects in the long eighteenth century.
American Comparative Literature Association Annual Conference 2020, Chicago
Rabindranath Tagore was the first Nobel Laureate of Asia. He was a multi-talented genius. He experimented in several fields of creativity namely, song, dance, poetry, dramas, short stories, novels, novellas, essays, education, painting and social reformation to name a few. Even after 150 years of his birth, how or why do humankind across the globe still find Tagore universally relevant? This panel aims to explore these diverse facets of Rabindranath Tagore as perceived from a contemporary perspective. The panel welcomes papers which examines Tagore’s works in comparison to other practitioners, either his contemporaries or in the contemporary society.
It’s a commonplace to say that realism is having a moment again, or that realism has never left. This seminar recognizes both that realism is always important and that realist critical projects have proliferated in the past decade. The majority of these renew our interest in literary realism as an aesthetic tradition. Where realism was previously defined in contrast to modernism, naturalism, or more speculative genres, what distinguishes this recent revival in realism seems to be its increased interdependence with these other aesthetic categories and modes. Fredric Jameson’s The Antinomies of Realism, for instance, takes realism not as a static epistemological or narrative structure, but as an increasingly affective mode of estrangement.