Anaphora Literary Press plans to start its second journal, dedicated to film and television studies, "Cinematic Codes Review." Its "Pennsylvania Literary Journal" (PLJ) has been in print since 2009, and it is starting to be too thick for its standard $10 cover price. By splitting it into two journals, one for literature and the second for film, both should become more focused. The first couple of issues are particularly important, and hopefully writers will submit essays, film reviews, or any other film related content to fill the pages with content that will be beneficial to film scholars, practitioners and knowledgeable fans. Essays can be about absurdist independent films or about the latest blockbuster.
William James Studies, the on-line, peer-reviewed publication of the William James Society, seeks reviewers for books dealing with the broad range of James's interests: philosophy, pragmatism, pluralism, religion, psychical research, and morality. Please send a brief c.v. along with a statement about your interests. ABDs considered.
Translation Theory Today: An Interdisciplinary Conference on Critical Theory
Homi K. Bhabha (Harvard University)
Edwin Frank (The New York Review of Books Classics)
Keynote Roundtable on Practice:
Sara Bershtel (Metropolitan Books), Barbara Epler (New Directions), Jonathan Galassi (Farrar, Straus, & Giroux), & Jill Schoolman (Archipelago Books)
The Conference will focus on Space and Cinema in order to examine the ways through which cinema deals with spatiality, in its bodily and geographical materiality, as well as in its symbolic and theoretical frameworks.
Heterotopic as it is, screen space juxtaposes several different spaces pertaining to different dimensions (Michael Chanan, The Documentary Chronotope, 2000): both mise en scène and cinematic dispositifs spatialize the gaze, the vanishing point where the filmic and the pro-filmic intersect. Space is therefore represented, conveyed and appropriated by the cinematic apparatus, calling into question the historical, political and philosophical aspects of an aesthetics of spatiality in a broad sense.
Raymond Williams, in his Sociology of Culture, articulates a model of cultural production that operates outside the culture industry as monolithic institutional force. Distinguishing between institutions and what he calls formations, Williams argues, "is a working distinction, to make possible some variety of approach to the question of the effective social relations of culture" ("Institutions" 35). This quote proves suggestive for exploring and theorizing possible alternative cultural industries, outside the authoring institutions of the publishing firm and the university, which played a central role in the early construction of modernism.
This proposed special session will explore how the transnational turn in literary studies has impacted the ways we research and write about the New Negro Renaissance. Publications like Escape From New York: The New Negro Renaissance Beyond Harlem and the 2013 special edition of Modernism/modernity "The Harlem Renaissance and the New Modernist Studies" (20.3) have pushed us to expand the boundaries of the New Negro Renaissance. As a result of works like these, scholars have begun to accept that what we call the "Harlem Renaissance" was not limited to Harlem's urban locale; the term signifies a global uptick in black cultural production encompassing the Europe, Africa, the Americas, and the Caribbean.
The 8th Annual Louisiana Studies Conference will be held September 16-17, 2016 at Northwestern State University in Natchitoches, Louisiana. The Conference Committee is now accepting presentation proposals for the upcoming conference. The theme of this year's conference is "Sacred Louisiana."
TENTH GLOBAL STUDIES CONFERENCE
National University of Singapore, Singapore
8-9 June 2017
CALL FOR PAPERS
The Tenth Global Studies Conference will be held at the - National University of Singapore in Singapore, Singapore, 8-9 June 2017. We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, virtual lightning talks, virtual posters, or colloquia addressing one of the following themes:
November 4-6, 2016
Hyatt Regency Jacksonville Riverfront
As queer theory continues to evolve and utopian studies dusts itself off from its relative dormancy until the late twentieth century, the two strands of thought have grabbed ahold of one another in hopes to uncover just what "The Future" might mean to those identifying as queer. This panel seeks papers wishing to join the vibrant conversation of the relationship between queerness and utopianism. Is queerness inherently utopic? Is the future inherently queer? How might queer individuals enact utopic desires? Can we find moments of the queerly utopic and utopicly queer in canonical and non-canonical literature?
Though neither Mr. Thornton nor Mr. Bell evoke "Utopia" flatteringly in Elizabeth Gaskell's North & South, each mention of the term situates the concept of utopianism at the center of the novel's labour dispute and makes the reader wonder if Margaret Hale might not be a utopian heroine. Not considered a utopic text, North & South nevertheless engages itself in a conversation about utopianism (and dystopianism). This panel seeks papers re-reading non-utopic texts (or authors) from the nineteenth century as utopic. By June 1st, please submit a 200-word abstract, brief bio, and A/V requirements to Dan Abitz, Georgia State University, firstname.lastname@example.org.
The theme for the 2016 SCMLA conference is "The Spectacular City: Glamour, Decadence, and Celebrity in Literature and Culture," but the topic for this particular panel is open. Proposals for both formal papers and experience-based presentations on the use of technology in the classroom are welcome.
To be considered for this panel, please submit a 350-word abstract to Rochelle Bradley at email@example.com by March 31, 2016.
The conference will be held in Dallas, TX, Nov. 3-5, 2016. Presenters are required to be members of SCMLA but can join the organization after abstracts are accepted.
The Department of Drama and the Trinity Long Room Hub welcome the International Society for Humor Studies (ISHS) to Ireland for its 35th annual conference in June 2016. ISHS is the world's leading organization for the study of comedy, humor and laughter. Established in 1976, it boasts over three hundred members worldwide across disciplines ranging from the Arts and Humanities to the Social and Natural Sciences – from stand-up comedians, clowns and laughter therapists to researchers in media studies, linguistics and neuroscience. Bringing together a variety of scholars and creative practitioners, ISHS Dublin 2016 focuses on the broad notion of Humor as Embodied Practice.
A Roundtable Session for MLA 2017 in Philadelphia, organized for the Law and Humanities Forum.
Proposals are welcome for 10-minute papers that focus on a single "thing." The aim of the session is to consider key theoretical issues surrounding legal personhood—questions of consent, responsibility, rights, and freedom—as they manifest themselves at the level of substance, form, and lived environment. Taken together, these papers will establish a material archive for personhood and model new ways of putting legal studies into conversation with other thriving subfields in the humanities, such as material culture studies, animal studies, science studies, ecotheory, disability studies, and critical theory.
Feasting, Fasting, Famine: Representations of Hunger in South Asian Literatures and Culture
The South Asian and South Asian Diasporic Forum of the MLA invites proposals on theorizing the politics, aesthetics, ethics, affect, of figurations of hunger in South Asian literatures and cultures. Presentations may focus on hunger in a range of contexts including food insecurity and globalization; class, gender, imperial, postcolonial contexts; on memory, and memorialization, and the historiography of hunger. Among other contexts/aspects, papers may focus on hunger and the state; hunger and violence; hunger and migration; philanthropy/famine relief: a fundamental right or charity? Visual representations of hunger.