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MSA 2016: "The Pool Film Group and Beyond: Modernism's Media" (Abstracts due 4/12/16)

updated: 
Saturday, March 26, 2016 - 11:11pm
The H.D. International Society

The H.D. International Society invites paper submissions for a proposed panel, "The POOL Film Group and Beyond: Modernism's Media," at the Modernist Studies Association conference, November 17-20, 2016, in Pasadena, CA. We are especially interested in papers that consider Bryher, H.D., or Kenneth Macpherson's involvement with the Pool film group or that in other ways focus on media technologies or media industries in relation to the orbit of these figures. Please send a brief bio and 250 word abstract to Rebecca Walsh (rawalsh@ncsu.edu) and Celena Kusch (ckusch@uscupstate.edu) by April 12, 2016.

Flow 2016 Conference on Television and New Media (Austin, 9/15-9/17)

updated: 
Saturday, March 26, 2016 - 8:00pm
Flow 2016

The 2016 Flow Conference will feature a series of roundtables, each organized around a discussion question on contemporary issues in television and new media culture and scholarship. Respondents are asked to submit a brief (150-word) abstract addressing one of the Flow 2016 roundtable questions.

Responses in the form of 150 word abstracts should be submitted using our online form. To ensure full consideration, please submit your proposal by Friday, May 20 at 5 PM (CST).

Deconstruction and the Politics of Matter

updated: 
Saturday, March 26, 2016 - 5:35pm
Oxford Literary Review

This issue of the OLR (39:2) invites contributors to forge unexpected encounters between deconstruction, matter, and new and older materialisms—be they mechanical, historical, dialectical, speculative, textual, neurological, corporeal, cosmo-physical, or indeed "of the encounter." Guiding questions might include: how does deconstruction address the philosophy and politics of matter, materiality, and materialism? How might deconstruction articulate alternative accounts of materialism? In what ways might an attention to matter be itself already deconstructive, and what would be at stake in such a claim? How might attention to matter and materialism animate the politics of deconstruction?

Journal of Humanities and Social Sciences

updated: 
Saturday, March 26, 2016 - 4:45pm
Journal of Humanities and Cultural Studies R&D

The journal's objectives are to publish papers of broad interest in the humanities and social sciences. The journal strives to enable a sound balance between theory and practice and will publish papers of research, conceptual, viewpoint, case study, literature review nature in broad topics in the field such as: Philosophy and Psychology, Religion and Theology, Social Sciences, Language, the Arts, Literature and Rhetoric, Geography and History, Management, Communication, Media and Information Sciences.

Submission via website:
http://jrsdjournal.wix.com/humanities-cultural

or email:

Call for papers Journal of Digital Humanities

updated: 
Saturday, March 26, 2016 - 4:39pm
Journal of Humanities and Cultural Studies R&D

submission via website

jrsdjournal.wix.com/humanities-cultural

or email:

jrsd.journal@gmail.com

The Journal of Digital Humanities is a comprehensive, peer-reviewed, open access journal that features scholarship, tools, and conversations produced, identified, and tracked by members of the digital humanities community through Digital Humanities Now.

Disrupting the Narrative Agency of Modernism (MSA 18 Pasadena)

updated: 
Saturday, March 26, 2016 - 2:58pm
Oleg Gelikman, Soka University of America

MSA 18 Pasadena Nov. 17-20, 2016

The Splendor of the Real: Disrupting The Narrative Agency of Modernism

What is the central narrative agency of Modernism? Is it mind or matter? Or is it neither? Should we anchor Modernism in the elaboration of inwardness (as we may find it in Henry James, Ford Madox Ford, James Joyce)? Or does it lean upon an implicit appeal to the sovereignty of "indifferent" Nature (for instance, in Flaubert, Conrad or Virginia Woolf)? What if modernism were seen to actualize an even more estranged notion of the Real, one that is best captured under the heading of the "Copernican" Real in Alexandre Koyré's definition, later taken over by Jacques Lacan and Jean-Claude Milner?

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