The popular HBO TV series, The Wire (2002-2008), created and mainly written by former Baltimore police reporter David Simons, comprehends over 60 episodes broadcast in 5 seasons. The TV series has been addressed by main newspapers such as The New York Times, and The Guardian (UK). Pop culture media have rated it as “the best show ever broadcast on American television” (Slate), “the greatest TV drama of the past 25 years” (Vulture), “the greatest TV show of all time” (Complex, Pop Culture).
The editors of a new book on cinema from the suburbs seek a chapter relating to film and architecture in the suburbs, or cinema and the industry of cinema in the suburbs, or a related topic.
This book is already contracted and due for completion in the next few months, so a chapter that is already written or draws from research already undertaken would be most likely, but all ideas are welcome
The Editors can be contacted at firstname.lastname@example.org
This year marks 10 years since the untimely death of Octavia Butler. It is also the 40th anniversary of the publication of her first novel, Patternmaster. Butler was a pioneer in science fiction writing with her groundbreaking integration of race, sexual politics, and religion with traditional elements of the genre. This panel aims to celebrate Butler’s life and works by presenting on a variety of topics, particularly the conference’s theme of Utopia/Dystopia. Other possible paper topics include a pedagogical study of Butler’s work, a theological approach to Butler’s most celebrated works (Kindred and the Parable series), and an analysis of Butler’s treatment of space and migration throughout her oeuvre.
CFP: Subversive Masculinity
An area of multiple panels for the 2016 Film & History Conference:
Gods and Heretics: Figures of Power and Subversion in Film and Television
October 26-October 30, 2016
The Milwaukee Hilton
Milwaukee, WI (USA)
DEADLINE for abstracts: June 1, 2016
AREA: Subversive Masculinity
Cinematic Codes Review and Pennsylvania Literary Journal are both accepting general submissions for their three annual issues, with deadlines in April, July, and November.
George IV fined Leigh Hunt, the Editor, £100 for publishing Lord Byron’s anonymous satire, “The Vision of Judgment,” in their new independent journal, “The Liberal,” about George III not exactly having gone to heaven in 1823. Earlier, on September 3, 1811, Byron wrote in a letter to Hodgson, a friend, “I will have nothing to do with your immortality; we are miserable enough in this life, without the absurdity of speculating upon another. If men are to live, why die at all? And if they die, why disturb the sweet and sound sleep that ‘knows no waking’?...
Mid-Atlantic Popular & American Culture Association (MAPACA)
26th Annual Conference
November 3-5, 2016
Atlantic City, NJ – Tropicana Hotel
Call for papers:
Proposals are welcome on all aspects of popular and American culture for inclusion in the 2016 Mid-Atlantic Popular & American Culture Association conference in Atlantic City, NJ. Single papers, panels, roundtables, and alternative formats are welcome.
Proposals should take the form of 300-word abstracts, and may only be submitted to one appropriate area. The deadline for submission is Thursday, June 30, 2016.
I am seeking contributions for a collection of essays on James Boswell that focuses on those writings in his literary career that have attracted little critical attention, work he published in newspapers, magazines, and pamphlets. Potential contributors could focus on, but are certainly not limited to: his magazine columns, the miscellaneous poetry that appeared in the periodical press; and writing he intended to publish in the periodical press but didn’t. Proposals on his books that address topical subjects (which would include his books on Corsica and the Douglas Cause) would be of interest, as would his relations with the press and/or its editors.
Are there really no Sundays west of St. Louis and is there no god west of Fort Smith? Representing a set of assumptions about the American Character, progress, law, order, and the conquest of nature, conflicts concerning the ideal and themes of redemption figure prominently in Westerns. On the Western’s frontier, figures of power and subversion abound—lawmen and outlaws, gamblers and gunmen, cavalry wives and soiled doves, the Indian chiefs and buffalo scouts.
12016 Pacific Ancient and Modern Language Association (PAMLA) Annual Conference
Asian Literature Session
Nov. 11-13, 2016
We invite papers (15-20 minutes) for the Asian Literature session of the 114th Pacific Ancient and Modern Language Association (PAMLA) annual conference that will take place over the November 11-13, 2016 weekend at Westin Pasadena in Pasadena, CA.
Marxist critics from Adorno to Fredric Jameson have emphasized the revolutionary potential of modernism in its effort to project viable alternatives to capitalism. Indeed, one of the central goals of avant-garde artistic production is the radical break from existing norms, with experimentation serving as a means of liberation from artistic values and institutions deemed both oppressive and outmoded. But it is also, to varying degrees, a rhetoric of reform.
In The Tropics Bite Back, literary scholar Valérie Loichot highlights Maryse Condé’s urging of Caribbean writers to “bite back” (mordre en retour) at their respective colonial powers. One method, which Condé calls ‘literary cannibalism,’ has been employed by authors throughout the African diaspora. Examples include Zora Neale Hurston’s revisiting of Shakespeare’s Hamlet in her short story “Spunk”, Condé’s own Windward Heights, a revision of Charlotte Brönte’s Victorian classic, and Alice Randall’s The Wind Done Gone.
PAMLA Conference 2016
“The History of the Book”
"The History of the Book" is an approved session focusing on the way in which books and other written texts (material, virtual) developed through the ages and also, on the cultural, economic and political role of books, libraries, archives and book collections in society.
Paper proposals are welcome on topics including but not limited to:
In a recent film, 45 Years (dir. Andrew Haigh, 2015), a couple about to celebrate forty-five years of marriage hear of the recovery of the body of the husband’s erstwhile girlfriend – whose name resembles that of the wife – found perfectly preserved in Alpine ice. This discovery implicitly affects the two differently: it appears that the husband is shocked at reminders of lost youth, while the wife is affected by the vivid idea (supplemented by slides she views) of a rival who pre-existed her and thus has a permanent kind of precedence. The same effect is experienced by the unnamed narrator-protagonist of Rebecca (Daphne du Maurier, 1938), who enters a haunted marriage dominated by her predecessor and the violent enigma surrounding her.