This panel investigates the contemporary meaning of gender and class in film and literature in the United States. While authors such as Sheryl Sandberg and Hannah Rosin focus on women in the professional ranks to argue for women's prominence in U.S. culture and stories of professional women dominate the media, few stories of working-class women have emerged to challenge the symbolic dominance of the white male worker and breadwinner. As work, families, and genders have changed, how has this symbolism been reinforced or challenged in literature and film?
Session ID: 15817
Session Format: Roundtable
Title: Moving Forward: New Perspectives on Italian Literature and Culture Courses
Panelists are invited to present a paper and any relevant materials that highlight innovative courses they have created and/or contributed to (including new methods of evaluation) that take Italian Studies in new directions. Panelists are also welcome to share their students' anecdotal accounts of their experience.
Other topics will include suggestions (recommendations) for further areas of study, how to increase student enrollment, bridging Italian Studies to other programs, fostering transferable skills (beyond the classroom).
"Foodies consider food to be an art, on a level with painting or drama" (The Official Foodie Handbook, Paul Levy, Ann Barr, 1984).
From the kitchen to the classroom, the preeminence of food has brought gastronomy to the forefront of mainstream culture as well as academic conversation. Devoid of the irony that may have once infused the Handbook statement, food is, and has always been, indeed 'an art, on a level with painting or drama.'
We invite abstracts from all academic disciplines that address the following themes or other related areas:
In 2015, Studio Ghibli turned 30 and ceased feature film production. With the retirements of Studio Ghibli's most famous director, Hayao Miyazaki, and it main producer, Toshio Suzuki, the future of Studio Ghibli is in turmoil, provoking rallying cries from fans and critics alike and offering an opportunity to reflect on the Studio's output. Miyazaki's films have defined popular Japanese cinema for nearly two decades, both at home and abroad. Miyazaki has captured a local and global pop culture imagination, and in doing so his Studio has been transformed from a comparatively small company into one of the biggest global animation brands.
The Dickens Society is pleased to be able to offer
The Robert B. Partlow, Jr. Prize
Applications are invited for the Partlow Prize, named in honor of the original Secretary-Treasurer of the Dickens Society and one of its founding members. The prize may be in the form of EITHER one stipend of $500 OR two of $300 (if two recipients are chosen), and is intended to defray costs of attending the Dickens Symposium, in order to deliver a paper on any aspect of Dickens's life or work. The registration fee and cost of the Dickens Dinner will also be waived.
Dickens Society 21st Annual Symposium:
Iceland University, Reykjavik
11–13 July, 2016
Call for Papers
In 2015, the University of Edinburgh Press launched a multivolume series of scholarly, refereed anthologies entitled ReFocus. Edited by Robert Singer (CUNY Graduate Center, Liberal Studies) and Gary D. Rhodes (Queens University, Belfast), each book focuses on a critically overlooked American film director who worked in the studio system, independent cinema, experimental filmmaking, or documentary tradition. The volumes to be published this year focus on Preston Sturges, Amy Heckerling, Delmer Daves, Ida Lupino, and Budd Boetticher.
47th Annual Northeast MLA Convention; Hartford, Connecticut; March 17-20, 2016
Panel Title: Global Dickens (panel sponsored by the Dickens Society)
Chair: Diana Archibald (University of Massachusetts Lowell)
World-wide interest in Charles Dickens experienced a resurgence during the bicentennial in 2012 when scholars and enthusiasts across the globe engaged in celebrations, interrogations, and encounters with the Inimitable. Throughout the last two decades a few works of interest have been published on global Dickens, and this appears to be a growing topic of interest both for Dickensians and other scholars, especially those researching and writing in postcolonial and cultural studies.
AMSN3: Modernist Work
The Third Biennial Conference of the Australasian Modernist Studies Network
Date: 29-31 March 2016
Venue: University of New South Wales, Sydney
Abstracts due: 1 October 2015
Notification of acceptance: 1 November 2015
Pay Attention: Poems for Oral Interpretation is seeking poems that make for dynamic reading performances. The journal's mission, in particular, is to collect and promote high quality poetry that may be performed on the high school and college forensics circuits and taught in classrooms that feature the oral interpretation of poetry.
Encyclopedia of Spanish Literature Film Adaptations
Call for Papers: Pedagogy and Popular Culture
Southwest Popular and American Culture Association Conference
February 10-13, 2016
Proposal submission deadline: November 1, 2015
Hyatt Regency Albuquerque
330 Tijeras Avenue NW
Albuquerque, NM 87102
We are happy to announce the 37th annual Southwest Popular & American Culture conference in beautiful downtown Albuquerque, New Mexico!
This American Association for Italian Studies panel engages recent theories of materiality, such as Thing Theory and Posthumanism, to reflect on the stuff of Italian literature and visual culture.
In "Genius loci" Alberto Arbasino characterizes the literary landscape from which Gadda emerged as an accumulation of objects that seem to have escaped from Gozzano's decaying villas to testify to a connection with the human, beyond the practice of use:
23rd METU British Novelists Conference: Agatha Christie and Her Work
5-6 April 2016
METU Culture and Convention Centre
Department of Foreign Language Education,
Middle East Technical University,
Contact person: Asst. Prof. Dr. Dürrin Alpakın Martinez-Caro
Contact email: email@example.com
"23rd METU British Novelists Conference: Agatha Christie and Her Work" is a two-day conference organized by the Department of Foreign Language Education, Middle East Technical University, 5-6 April 2016. We invite proposals for 20-minute presentations on any aspect of Agatha Christie's life and work.
This panel seeks to explore representations of futuristic cities from all periods in American literature, film, and other cultural mediums. In particular, it seeks papers responding to one or more of the following questions: In what ways have American writers and filmmakers envisioned future urban landscapes? In what ways have these visions changed over the course of American history and why? How have urban theorists, critics, and reformers as well as particular ideologies (Christian, technocratic, socialist, libertarian, environmentalist, etc.) shaped them? In what ways do the past and present (or the erasure of the past and/or present) affect their depictions?