Call for Papers for "It's Happening Again": 25 Years of Twin Peaks is a proposed edited collection on the television show Twin Peaks. Eric Hoffman and Dominick Grace solicit essays for a new collection celebrating one of television's greatest cult phenomena. Originally airing in 1990/91, Mark Frost and David Lynch's Twin Peaks will be returning, just over twenty-five years after it went off the air, and this collection will explore the show in the context of its time, and its legacy. We are interested in papers on all aspects of the television program as well as on tie-ins and connected materials (e.g. the film Fire Walk with Me, the new Log Lady material added for the show's run on Bravo, the book The Secret Diary of Laura Palmer, etc.).
Contemporary perspectives on Christianity's role in American Indian communities are diverse and often ambiguous, partly due to this religion's involvement in colonization. While some grassroots traditionalists and many in the activist and academic communities frequently reject Christianity for its role in dismantling American Indian traditions and identities, the past is complex, and the American Indian Christian community is strong and growing. The last two decades have seen its resurgence. Recent works such as Mona Susan Power's Sacred Wilderness Sterlin Harjo's This May Be the Last Time, and The Cherokee Hymnbook: New Edition for Everyone reflect ongoing practices of Christianity in Indian Country today.
Scholarship regarding the creation and transmission of ideas in colonial British America often falls under the methodology of one discipline or another. Literary scholars, historians, philosophers, musicologists, archaeologists, anthropologists, and others research and discuss the same areas of inquiry, but seldom work in close proximity and dialogue with one another. This panel is an opportunity for scholars across the disciplines to share their own ideas about the movement of knowledge and ideologies in seventeenth- and eighteenth-century colonial British America.
The siting of the 2016 SCMS conference in Atlanta (3/30-4/3/16), where the Audre Lorde papers are housed at Spelman College, provides an ideal opportunity to convene a panel that addresses Lorde's investment in the intersections of race, gender, class, ability, age, and power. This panel seeks scholars, media makers, activists, and educators who have made use of the Audre Lorde archive, both at Spelman and at large, to examine the impact of the Black lesbian feminist poet's ideas on the contemporary moment.
Dance was an important part of Restoration and eighteenth-century society and of Restoration and eighteenth- century theatre, and it figures prominently in a number of eighteenth-century novels as well. Yet it is a field of study that has been largely overlooked in Restoration and eighteenth-century scholarship that focuses on England. This panel invites papers on all aspects of eighteenth-century British dance culture, from attempts to reconstruct or analyze dances to explorations of eighteenth-century dance textbooks to inquiries into how dance informed the other arts like theater, opera, and the novel. What might the methodologies of dance scholarship contribute to our understanding of eighteenth-century books, performances, or cultures?
CFP: Theorizing the Provincial (NeMLA 3/17-20.2016, Hartford, CT)
Northeast Modern Language Association Conference, March 17-20, Hartford, CT
Deadline for Abstracts: September 30, 2015
This issue of New Formations will propose a rethinking of the legacy of revolutionary socialist Rosa Luxemburg in the twenty-first century. In particular, essays included in the issue will draw on Luxemburg's writings in order to address pressing issues of the contemporary world. At a time when neoliberal policies strengthen the smooth running of imperialist dispossession and continue to break the oppressed classes through new forms of precariat, debt, marginalisation, militarism and impoverishment, Luxemburg's inheritance seems to acquire an unexpected poignancy. Luxemburg's uncompromising commitment to socialism as only alternative to the violence of capitalism can inspire engaged movements fighting social justice in many contexts of the globe.
As we move past the centennial of the start of the Great War, how have fictional representations of World War I evolved? The past few years have witnessed a resurgence of interest in the war, from the WWI segments of Downton Abbey to Erik Larson's "narrative nonfiction" treatment of the sinking of the Lusitania, to a film version of Vera Brittain's Testament of Youth. Given British and American engagement in recent wars, how are authors looking afresh at "the war to end all wars"? How does the "new" literature of World War participate in the revisionary impulse that marks much contemporary historical fiction—for example, neo-Victorian novels?
Our focus is on the South, but for the 2015 Symposium, we are particularly interested in the intersection of art, particularly photography, and creative writing. How does the visual evoke the written word?
We are accepting proposals for readings in fiction, poetry, and creative nonfiction as well as panel discussions and workshops.
Writing Workshops: Propose a workshop that gives Symposium attendees practical writing advice that enhances their writing. All genres and geographic locations welcome.
Presentation/Panel Discussion Sessions: Pitch a panel or presentation that explores any aspect of creative writing from the idea to the marketplace.
Direct references and allusions to Christianity or the Bible are an integral part of much 19th-century literature. This panel takes seriously this oft-neglected aspect of women's writing. Papers will likely explore questions such as how did women use Biblical allusions to advance stories or causes, how did they make scriptures relevant to contemporary society, or how did they use literature to comment on and take part in shaping religious doctrines and practices. Please submit abstracts of 200-300 words through the NeMLA site https://www.cfplist.com/nemla/User/SessionManage/15609 by September 30, 2015.
Submit your abstract at the following web address: http://www.cfplist.com//nemla/Home/S/15766
Submissions are accepted from June 22 to Sept.30, 2015
Session Chair: Maryann Diedwardo (Lehigh University)
The 20th Culture and Power International Conference seeks to bring together scholars interested in issues of migration and mobility, with particular emphasis on the new patterns and typologies of (e/im)migration that have emerged in the 21st century and their representation in literature, the media, and the visual arts. More than ever before, migration is nowadays one of the factors that most powerfully contributes to the configuration of our current transnational and transcultural contemporaneity. Transnational forms of migration have served to destabilise cultural barriers and frontiers, putting to the test the ways in which nations and national imaginaries have traditionally been constructed or defined.
La sessione si propone di discutere il processo che dalla Filologia può portare alla Critica letteraria, con particolare attenzione alla metodologia e ai "nuovi" strumenti di lavoro (internet, archivi digitali, ecc.). Ci si interrogherà sulla relazione tra questi due campi di studio: il filologo può o deve essere anche un critico e viceversa? Si sollecitano contributi su studi e lavori conclusi o in corso di svolgimento concernenti il diciannovesimo, ventesimo e ventunesimo secolo. Si prega di inviare una proposta di 250 parole entro il 30 Settembre 2015 a https://www.cfplist.com/nemla/Home/cfp scegliendo la sessione 15888.
The illusory depth of moving images and their two-dimensionality on the silver screen is one of cinema's constitutive dialectical relationships. This panel invites papers that focus principally on the latter: flatness in film narrative, materials, methods of projection and modes of spectatorship. How might filmmakers, film protagonists and/or film spectators resist the extension of diegetic space? How might we analyze the experience of cinematic flatness in its many different guises and applications? What political, affectual, psychological or other impacts might this common formal characteristic have? Are films that have successfully insisted on their own flatness narrative or non-narrative? Self-reflexive or meditative?