fan studies and fandom

Bloomsbury Publishing

Call for Book Chapters

Chapters from scholars of Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, Maldives  will be given preferences

Trees and Environment in Literature and Cinema

The Lives and Legacies of Medieval Comics: A Commemoration of Ninety Years of Hal Foster's Prince Valiant (Hybrid)

62nd International Congress on Medieval Studies, Western Michigan University (Kalamazoo, MI), Thursday, 13 May, through Saturday, 15 May, 2026

Co-sponsored by Medieval Comics Project, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Co-organized by Michael A. Torregrossa, Bristol Community College, and Carl B Sell, University of Pittsburgh

Rationale 

The II International Congress of Videogames, Virtual Environments and Interactive Creation is an event of scientific and academic dissemination whose objective is the diffusion of studies related to the field of videogames, digital art and online and virtual environments, in its wide range of topics and media: development of ludic and interactive platforms; video game studies (Game Studies); initiatives around eSports; expressions of Digital Art, Virtual and Augmented Reality, and Artificial Intelligence applied to ludic or plastic creation; projects in networked communities and mobile devices; e-learning platforms; games and digital artistic works and their imbrications with cinema, animation, music, comics, etc. 

The rise of the superhero is one of the most significant cultural developments of the twentieth and twenty-first centuries. Since the debut of Superman in Action Comics #1 (April 18, 1938), superheroes have evolved from colorful comic-book figures into powerful global symbols that shape conversations about politics, morality, identity, technology, gender, race, mythology, trauma, and resistance. What began with the imaginative vision of Jerry Siegel (writer) and Joe Shuster (artist) has expanded into a worldwide phenomenon spanning comics, film, television, literature, gaming, digital media, and academic discourse.

Fusion or Fracture in the Hundred Acre Woods: Community in Adaptations of Winnie-the-Pooh (Virtual)

Co-organizers Michael A. Torregrossa and Carl B. Sell

Sponsored by Monsters & the Monstrous Area of the Northeast Popular Culture Association 

Call for Papers - Please Submit Proposals by 30 September 2026

58th Annual Convention of Northeast Modern Language Association (NeMLA)

Salve Regina University (Newport, RI)/Online.

Hybrid event: 6-9 March 2027

This session’s modality is Virtual Only, meaning all presentations will be delivered via Zoom regardless of whether the presenters are in-person.

The IX edition of the Congress will take place on 17, 18, 19 and 20 November 2026. Sessions on 17 and 18 November will be held online, while sessions on 19 and 20 November will take place in person at the Auditorium of the Congress Centre "Ciutat d'Elx" (Elche, Spain). There are 3 participation options:

> Option 1: In this modality, the proposals submitted will follow the main thematic line of the new edition of the Congress: The origins of the fantastic genre in audiovisual culture.

This panel seeks to explore the precariousness of media, from its physical integrity and digital ephemerality to the complications of human-machine interaction and the elided histories of players, users, fans, and tech developers. With the current encroachment of generative AI in the workplace, media production, information circulation, fan reception, real estate, and the environment, it becomes urgent to question how precariousness underlies the development, deployment, and dissipation of past media.

Still Screaming: An Online Conference Celebrating 30 Years of Scream

2026 marks the 30th anniversary of Wes Craven’s Scream (1996), which has had a profound impact on horror films and the slasher subgenre specifically. In the past three decades, Scream has become a franchise of seven films and a television series (2015-16, 2019). Scream has also expanded beyond the screen, reverberating throughout the popular culture landscape and serving as the foundation for a game, collectible figures, multiple Ghostface mask variations, and an entire collection of merchandise at Spirit Halloween (and elsewhere). 

CFP NEPCA Monsters & the Montrous Area 2026 - UPDATED DEADLINE

The Monsters & the Monstrous Area of the Northeast Popular Culture Association (a.k.a. NEPCA) seeks proposals for inclusion in NEPCA’s 2026 annual conference.

The event will run as a virtual conference from Thursday, October 15th, through Saturday, October 17th. Virtual sessions will take place via Zoom throughout the day on Thursday, Friday, and Saturday. Registration will open up in mid-July. The registration fee is expected to be around 50 USD.

Green Day has often been treated as a problem in the “longview” of punk: too popular, too melodic, too commercial, too successful. Green Day and the Politics of Pop-Punk starts from the opposite assumption. Green Day matters precisely because the band’s career makes it impossible to separate punk from the mass-cultural conditions it has so often claimed to resist.

CALL FOR CONTRIBUTORS

Superheroes of the Squared Circle:

The Intersection of Comics and Professional Wrestling

An Edited Academic Collection for McFarland & Co. Publishing

Editor: Forrest C. Helvie, Ph.D.

Connecticut State Community College

About the Project

“Sex is more exciting on the screen and between the pages than between the sheets”
- ANDY WARHOL

Join a panel at the 14th annual CSULA Eagle Con!  Eagle Con is an annual event devoted the power and potential of speculative and fantastic media to critique social formations, interrogate subjectivities, and constitute alternative worlds. 

Cunterbury is a scholarly arts & comedy podcast hosted by three Gen Z academics — A.J. Scott, Alice Fulmer-Zelinka and Shannen Escote — exploring the major works of Geoffrey Chaucer and friends, starting with The Canterbury Tales. In our first season, we are providing witty commentary and voices to discuss the Tales and their pilgrims like you’ve never heard them before.