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fan studies and fandom

Journal Messengers from the Stars: On Science Fiction and Fantasy No. 3, 2018 (New deadline)

Thursday, June 15, 2017 - 10:36am
Messengers from the Stars Journal
deadline for submissions: 
Friday, June 30, 2017

Journal Messengers from the Stars: On Science Fiction and Fantasy No. 3, 2018 (new deadline - June 30)! Edited by: Martin Simonson & Raúl Montero Gilete Co-edited by: Angélica Varandas, Ana Daniela Coelho & José Duarte

Messengers from the Stars is an international, peer-reviewed journal, offering academic articles, reviews, and providing an outlet for a wide range of creative work inspired by science fiction and fantasy. It aims at promoting science fiction and fantasy in the humanities while, at the same time, providing a forum for discussion on all aspects of science fiction and fantasy by welcoming innovative approaches and critical methodologies to the critical and creative landscape.

The Handmaid's Tale: Gender, Genre, Adaptation (symposium)

Wednesday, June 14, 2017 - 10:52am
Mikel J. Koven, University of Worcester
deadline for submissions: 
Saturday, July 15, 2017

The Handmaid’s Tale: Gender, Genre Adaptation – a one-day symposium
Saturday, 30 September, 2017
Film Studies @ Worcester
Jenny Lind Building, University of Worcester

Despite being written over 35 years ago, Margaret Atwood’s The Handmaid’s Tale (1985), set in a totalitarian New England where fertile women are kept prisoner in reproductive servitude, has been making headlines in 2017 due to the remarkable Hulu produced television series (screened in the UK on Channel Four). This symposium seeks to bring together diverse scholars for a day of discussion and debate.

Rereading Stephen King: Navigating the Intertextual Labyrinth

Wednesday, June 14, 2017 - 10:50am
Lancaster University/Kingston University
deadline for submissions: 
Friday, June 30, 2017

Keynote Speaker: Simon Brown (Kingston University)

Special Guest: Robin Furth (Author, The Dark Tower: A Complete Concordance, Co-Author, Marvel’s Dark Tower Comics)

Seeking Essays on Pokémon Go

Thursday, June 8, 2017 - 6:06pm
Kristopher Purzycki
deadline for submissions: 
Sunday, August 13, 2017

In July of 2016, Niantic Inc. released Pokémon Go in the United States to unanticipated public interest. In one of the hottest summers on record, millions took to the streets to search for charmanders and dragonites, overwhelming both servers and public spaces. While interest in the mobile application has subsided, Pokémon Go remains a cultural artifact that demands further analysis. Opening conversations on public and civic rhetorics through play, the phenomenon of this simple game exposes critical intersections of race, gender, ability, and class as technological concerns over access, privacy, and privilege.

"Quand l'industrie du cinéma enquête sur ses publics"

Tuesday, June 6, 2017 - 9:19pm
deadline for submissions: 
Friday, June 30, 2017

Appel à communications

« Quand l’industrie du cinéma enquête sur ses publics »

(2ème journée d’étude du GREPs)

Jeudi 16 novembre 2017, Université Paris Diderot-Paris 7


Portal Fantasy at NeMLA 2018

Friday, September 8, 2017 - 1:03pm
Political Implications of Portal Fantasy at NeMLA 2018
deadline for submissions: 
Saturday, September 30, 2017

Portal Fantasies offer a unique way to comment on the current political situation, in their capacity as invented worlds with a permeable gateway to our own. The portal can act as a funhouse mirror, reflecting our own world back to us in grotesque and illuminating ways, or it can offer stark contrasts to our own world which often take the form of escapist, superior alternatives. This session, a direct thematic response to the NeMLA 2018 conference theme of "Global Spaces, Local Landscapes and Imagined Worlds," invites papers that explore how authors have used the portal fantasy to comment on the politics of our world in various ways.

Extended Deadline: Seeking chapters for an edited volume on The Leftovers

Monday, August 7, 2017 - 3:10pm
Claire Daigle
deadline for submissions: 
Friday, September 1, 2017

The editor seeks scholarly essays that address some aspect of HBO’s television series The Leftovers (2014-2017) and/or its source text, Tom Perrotta’s novel of the same title (2011)Perrotta co-produced the series with show runner David Lindelof (Lost). Both novel and series are set three years after the “Sudden Departure” of 2% of the world’s population. In ways distinct to each form, The Leftovers serves as a study of the psychological, social, and cultural impact of a large-scale traumatic event. Perrotta’s spare, satirical, character-driven fiction lies in the lineage of modern novels set in the American suburbs.

Wentworth is the New Prisoner

Tuesday, May 30, 2017 - 4:38pm
Tessa Dwyer/Monash University
deadline for submissions: 
Monday, October 30, 2017

Wentworth is the New PrisonerA two-day international conference Thursday 5th and Friday 6th April 2018, RMIT University, Melbourne, Australia

Confirmed keynote speakers and panellists: Professor Sue Turnbull (University of Wollongong, Australia); Kim Akass (University of Hertfordshire, UK); Kate Hood (actress, writer and director, aka Prisoner’s Kath Maxwell); Jan Russ (casting director, PrisonerNeighbours, etc.)

CFP: Disney and Its World for PAMLA Conference 2017 Honolulu, Hawaii (11/10-12/2017)

Tuesday, May 30, 2017 - 4:44pm
Jeremiah Axelrod, Institute for the Study of Los Angeles, Occidental College
deadline for submissions: 
Monday, June 26, 2017

From the Frankfurt School to contemporary cultural studies, the social ramifications of Disney movies and theme parks, and their cultural penumbra, have long provided rich terrain for critical scholarly analysis. This panel explores the discursive, literary, filmic, and historical dimensions of the Disney phenomenon in both the twentieth and twenty-first centuries. Papers that draw upon the rich canon of scholarship on Disney and engage with its cultural effects through critical theory, spatial or historical analysis, feminist methodologies, or close reading strategies are particularly encouraged.