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fan studies and fandom

Only Wanna Be With You: Essays on Hootie & the Blowfish

updated: 
Monday, August 5, 2019 - 12:06pm
Suzanne Kamata/Naruto University of Education
deadline for submissions: 
Tuesday, October 1, 2019

Seeking 250-word proposals of essays for an edited collection aimed at a general-interest audience.

 

CFP--Mystery & Detective Fiction, Popular Culture Association 2020 Conference

updated: 
Monday, August 5, 2019 - 12:06pm
Mystery & Detective Fiction Area, PCA
deadline for submissions: 
Friday, November 1, 2019

 CALL FOR PAPERS:

2020 POPULAR CULTURE ASSOCIATION NATIONAL CONFERENCE IN PHILADELPHIA, PA.

Philadelphia Marriott Downtown, Wednesday, April 15 – Saturday, April 18, 2020

For information on PCA/ACA, please go to http://www.pcaaca.org

For conference information, please go to http://www.pcaaca.org/national-conference/

 

CFP: MYSTERY & DETECTIVE FICTION AREA DEADLINE: NOVEMBER 1, 2019

Edited Volume: Bloody Women! Women Directors of Horror

updated: 
Thursday, August 1, 2019 - 10:56am
Dr Victoria McCollum (Ulster University, Derry) & Aislinn Clarke (Queen's University, Belfast)
deadline for submissions: 
Monday, September 9, 2019

Bloody Women! Women Directors of Horror

Collection Editors: Victoria McCollum (Ulster University, Derry) and Aislinn Clarke (Queen’s University, Belfast)

Deadline for Abstracts: 9th of September 2019

Deadline for Chapters: 1st of April 2020 (6,000 words)

Contact: v.mccollum@ulster.ac.uk and a.clarke@qub.ac.uk

Collections, Curation, and Collectors: An Exploration of Gathering

updated: 
Wednesday, July 31, 2019 - 9:41am
Bowling Green State University/Popular Culture Scholars Association
deadline for submissions: 
Sunday, December 1, 2019

The Ray Browne Conference for Popular Culture Studies

Collections, Curation, and Collectors: An Exploration of Gathering

March 6th and 7th 2020

Pallister Conference Room, Jerome Library

Call for Papers

 

It might be observed that scholars who investigate popular culture often explore collections, curation, and collectors. In such explorations, popular culture scholars make visible the stories bound to material objects, the common interpretant of communities, and the negotiations of individuals.

 

The Status of Medievalist Film Studies (A Roundtable) at ICMS Kalamazoo 2020

updated: 
Monday, July 29, 2019 - 2:48pm
International Society for the Study of Medievalism
deadline for submissions: 
Saturday, September 7, 2019

As medievalism has made its way into mainstream medieval studies, and the teaching of medievalist film alongside medieval texts has become commonplace, what new opportunities and challenges do scholars of medievalist film studies face? These shifts have prompted heated debates in recent years on the values and dangers of teaching Game of Thrones in medieval studies classes, the inadequate framing of medievalist films as adaptations in literature classes and as fiction in history classes, and the formal differences between cinematic and written texts. This roundtable seeks short presentations that address some aspect of this development in scholarship and teaching.

Video games and adaptation

updated: 
Monday, July 29, 2019 - 2:53pm
NeMLA
deadline for submissions: 
Monday, September 30, 2019

This panel of the 2020 NeMLA convention (Boston, March 5-8) welcomes reflections on the process of adapting texts / films / graphic novels into video games, being open to theoretical analyses as well as to case studies (for example, of the narrative ecosystem of franchises). It seeks to bring together the most popular approaches to studying the medium -- narratological and ludological perspectives, as well as reflections on the translation of cinematic adaptation theory to the medium of video games – in order to ensure a rich conversation.

Vampire Studies (2020 PCA/ACA national conference)

updated: 
Monday, July 29, 2019 - 2:52pm
Lisa Nevarez and U. Melissa Anyiwo/Popular Culture Association
deadline for submissions: 
Friday, November 1, 2019

The co-chairs of the PCA/ACA Vampire Studies area are soliciting papers, presentations, panels and roundtable discussions that cover any aspect of the Vampire for the Annual National Popular Culture Association Conference to be held in Philadelphia, PA from April 15-18, 2020. 

As this year’s conference takes place in Philadelphia, home of the Rosenbach Library and the working notes of Bram Stoker, this year’s central theme is the legacy of Dracula. As well, we are particularly interested in papers, presentations, and panels that cover:

  • Bram Stoker’s Dracula in popular cultures

Historical Perspectives on Fan Culture (panel)

updated: 
Monday, July 29, 2019 - 2:41pm
Society for Cinema and Media Studies (SCMS), April 2020
deadline for submissions: 
Thursday, August 15, 2019

CFP: Historical Perspectives on Fan Culture

(SCMS: April 1-5 2020, Denver)

Call for chapters on The Fast and the Furious films

updated: 
Monday, July 29, 2019 - 2:39pm
Dr Joshua Gulam, Liverpool Hope University
deadline for submissions: 
Tuesday, October 15, 2019

Editors - Dr Joshua Gulam (Liverpool Hope University), Dr Sarah Feinstein (University of Leeds), and Dr Fraser Elliott (University of Salford)

We are seeking chapter proposals for an edited collection on the culture, commerce, and ideology of The Fast and the Furious films.

Call for Journal Articles—Queerness in the Digital Age

updated: 
Monday, July 29, 2019 - 2:37pm
Tom Welch, The Velvet Light Trap (University of Wisconsin—Madison)
deadline for submissions: 
Saturday, August 31, 2019

Queer Media and the Digital

Digital technology has altered all aspects of media cultures, including questions of identity that can affect everything from the production of texts, their content, their distribution, their reception, and more. At the same time, popular and academic understandings of queerness have evolved to incorporate expanding ideas of gender, sexuality, race, disability, ethnicity, and other identity categories. Not only has digital technology altered the ways in which queerness can be articulated, but queer media has also shaped the form and reception of digital texts. Understanding queerness in the digital age requires us to account for the changes in both queer studies and digital studies.

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