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film and television

Urban Space and Cityscapes: Italian perspectives in fiction, photography, and film.

updated: 
Monday, August 13, 2018 - 2:56pm
Letizia Modena, Vanderbilt University
deadline for submissions: 
Sunday, September 30, 2018

Dear Colleagues,

Please consider submitting a proposal to the following session for the NeMLA 2019 Convention in Washington, DC (March 21-24).

 Urban Space and Cityscapes: Italian perspectives in fiction, photography, and film.

NEMLA 2019: Decolonial Approaches to Literature, Film and Visual Arts

updated: 
Monday, August 13, 2018 - 12:39pm
Badreddine Ben Othman and Danielle Schwartz (Binghamton University SUNY)
deadline for submissions: 
Sunday, September 30, 2018

According to Walter Mignolo (2013, 2007), the triumphal narrative of modernity is inseparable from coloniality, or the logic of domination, exploitation, and oppression. While modernity builds itself on a triumphal narrative of civilization, progress, and development, modernity hides its darker side, “coloniality.” “Modernity/coloniality” shows that while modernity materializes in the rhetoric of salvation, modernity, capitalism, and coloniality are inseparable aspects yoked to authority and the control of economy. The first conceptualizations of modernity/coloniality/decoloniality, launched by Quijano (2007), focus on economic-political dimensions and the question of knowledge and racism.

Call for Papers: Alfred Hitchcock

updated: 
Monday, August 13, 2018 - 3:49pm
Southwest Popular / American Culture Association (SWPACA)
deadline for submissions: 
Thursday, November 1, 2018

Call for Papers

Alfred Hitchcock

Southwest Popular / American Culture Association (SWPACA)

 

40th Annual Conference, February 20-23, 2019

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: November 1, 2018

 

Call for book proposals in digital humanities, media and society, and environmental humanities

updated: 
Monday, August 13, 2018 - 2:51pm
MacBain & Boyd Publishers
deadline for submissions: 
Monday, December 31, 2018

The academic press, MacBain & Boyd Publishers, is currently seeking book proposals and book-length manuscripts. Proposals may be for monographs, in-depth scholarly works, or anthologized collections in the below three fields of study or beyond. (Other areas of interest include political science, cultural studies, the broader arts and humanities, social sciences, and STEM fields.)

Digital Humanities

Topics might include, but are not limited to, the following:

CFP: Interactive Animation and Video Games (Anifest 2019) - Friday 8th March 2019

updated: 
Monday, August 13, 2018 - 2:56pm
Canterbury Christ Church University
deadline for submissions: 
Friday, November 16, 2018

The following CFP is for the March 2019 symposium "Interactive Animation and Video Games", held as part of the annual Anifest festival (https://www.canterburyanifest.com/) at Canterbury Christ Church University.

CFP: Interactive Animation and Video Games - Friday 8th March 2019, Canterbury Christ Church University, Augustine House, Room AH3.31

**A one-day research symposium hosted by Canterbury Christ Church University that will take place as part of Canterbury Anifest 2019**

The Outlaw Corpus and the Fight for Justice: Medieval Outlaw Narratives in Modern Form

updated: 
Monday, August 13, 2018 - 2:52pm
International Association for Robin Hood Studies
deadline for submissions: 
Tuesday, October 30, 2018

The Outlaw Corpus and the Fight for Justice: Medieval Outlaw Narratives in Modern Form

This cfp is for a round table for The Twelfth Biennial Conference of the International Association for Robin Hood Studies, to be held at the University of Montevallo (Montevallo, AL) from 14-17 May 2019. The theme of the conference is “Outlaw Bodies.”

Gender, Identity, and Belonging in Minority Women Artistic Production

updated: 
Monday, August 13, 2018 - 2:32pm
Riham Ismail; Tulin Ece Tosun / Purdue University
deadline for submissions: 
Thursday, September 20, 2018

Within the current political discourse and political turmoil, representation of women’s races, identities, cultures, precisely of minority women, continue to be under discussion.  Women critics and writers have discussed and examined how current political discourse have changed the understanding of identity in connection with ethnicity, race, color, and language. Identity is formed and shaped by culture, beliefs, race, ethnicity, and space among several other factors.Stuart Hall argues “Identity is never complete, always in process, and always constituted within, not outside, representation.” With this in mind, howcomplex then this process of construction becomes when color, race, or religion emerges as defining factor of whether or not one belongs?

CFP: Communication and Society: A New Era

updated: 
Monday, August 13, 2018 - 2:44pm
NAQD Journal
deadline for submissions: 
Saturday, December 1, 2018

The first “controlled openings” in the Algerian mediatic space occurred in the aftermath of the 1988 social movements. NAQD partially examined this phenomenon in its issue number 8/9 (1995). At this time, the unequal flows of North-South information had been reinforced by the launching of numerous satellites that covered most of the planet. Everywhere, from Tonga to Ahmedabad, trans-border television was deployed without any constraints other than the acquisition of parabolic antennas by the public. In that special issue of NAQD we sought to interrogate the position of television which, in the context of post-modernity, appeared both as a privileged object of mass communication and an instrument of democracy.

Temporality and Transportability in Contemporary Cinema – SCMS 2019 Panel

updated: 
Monday, August 13, 2018 - 3:18pm
Ellen Chang / University of Washington
deadline for submissions: 
Wednesday, August 15, 2018

Moving images are an evocative site for inquiries into various modes of articulations; however, these inquiries have largely detailed its cinematic borders without further exploration of alternative expressions of the medium. This panel delves into the ephemeral space that emerges in moments where expressions and experiences of cinema make meaning while breaking and shifting boundaries of time, space, sound, and image. It speculates on how contemporary moving images have become portals for moving and fracturing the boundaries of cinematic temporalities. We invite contributions that pay specific attention to works that address:

- Notions of temporality and/or transportability through the lens of spectatorship and/or embodied experience

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