film and television

A quarter century has elapsed since the terrorist attacks of September 11, 2001, both the successful ones targeting the World Trade Center and the Pentagon and the unsuccessful one targeting the Capitol.

Fusion or Fracture in the Hundred Acre Woods: Community in Adaptations of Winnie-the-Pooh (Virtual)

Co-organizers Michael A. Torregrossa and Carl B. Sell

Sponsored by Monsters & the Monstrous Area of the Northeast Popular Culture Association 

Call for Papers - Please Submit Proposals by 30 September 2026

58th Annual Convention of Northeast Modern Language Association (NeMLA)

Salve Regina University (Newport, RI)/Online.

Hybrid event: 6-9 March 2027

This session’s modality is Virtual Only, meaning all presentations will be delivered via Zoom regardless of whether the presenters are in-person.

Religion, Morality, and the American Presidency: The West Wing at 30
Edited by Ilaria W. Biano

Deadline: September 30, 2026

Premiering in 1999, The West Wing quickly became one of the most influential television portrayals of American political life. Through its depiction of the Bartlet administration, the series offered a powerful narrative of the presidency as a site of moral deliberation, civic responsibility, and public leadership. The show remains a significant reference point in discussions of political authority, democratic institutions, and the ethical responsibilities of governance.

The Text, an International Peer Reviewed Online Journal of Language, Literature and Critical Theory (ISSN: 2581-9526)invites original, unpublished research papers for January 2027 issue.

Indexed in:

1.     Google Scholar

2.     ERIH PLUS (European Reference Index for the Humanities and Social Sciences)

3.     IAMCR (International Association for Media and Communication Research)

4.     Citefactor (Directory Indexing of International Research Journals)

5.     DRJI (The Directory of Research Journal Indexing)

2026 marks multiple milestones for the legacy of legendary Afrofuturist author Octavia E. Butler: fifty years since the publication of her first novel, Patternmaster (1976), and the twentieth anniversary of her passing, on February 24, 2006. It also marks the announcement of a film version of one of her most famous and most prophetic works, Parable of the Sower (1993), as well as the surprise republishing of her disavowed novel, Survivor (1978), for the first time since the 1980s. These anniversaries arrive at a moment when Butler’s work continues to gain public attention for its prescience and political relevance, and as she continues to amass scholarly attention across scholarly disciplines.

Contemporary philosophy and modern aesthetics have long stressed the potential of cinema to engage itself in the act of thinking and philosophical reflections through the presentation and assembly of moving images and sound. This presumed capacity to think and philosophize is realized by its spectators, who engage with the visual, auditory, and textual elements interwoven in films, resulting in a fusion that sparks novel thoughts and philosophical insights.

International Conference

Vladimir Nabokov: Contemporary Reception and Creative Legacy

April 28-30, 2027

Bordeaux Montaigne University

On the occasion of the 50th anniversary of Vladimir Nabokov’s passing, the French Vladimir Nabokov Society, in collaboration with the University of Bordeaux-Montaigne and the International Vladimir Nabokov Society, organizes its 10th International Conference, to be held April 28-30, 2027 in Bordeaux, France.

This panel seeks to explore the precariousness of media, from its physical integrity and digital ephemerality to the complications of human-machine interaction and the elided histories of players, users, fans, and tech developers. With the current encroachment of generative AI in the workplace, media production, information circulation, fan reception, real estate, and the environment, it becomes urgent to question how precariousness underlies the development, deployment, and dissipation of past media.

I seek proposals for brief scholarly essays (3500-5000 words) that provide an overview of a chosen aspect of motherhood in the American imagination for a volume under contract with a new Bloomsbury series called Exploring the American Imagination: Ideals, Values, and Myths in Popular Culture. 

These overview essays should cite a number of popular culture texts to provide an overview of the tensions and contradictions as well as the foundational beliefs inherent in various aspects of American motherhood. Essays should cover multiple genres (film, fiction, television, graphic novels, music) and a broad time period. These are overviews or research starters rather than narrow analyses.

EBSN 14TH Annual Conference (Online)

The conference organizers invite proposals for papers, panels, roundtables, and creative performances for the14th Annual Conference of the European Beat Studies Network, which will take place via the online Google Meet platform, November 12-14, 2026.

CFP – “BLACK ESSAYSM: FORMAL EXPERIMENTATIONS IN BLACK CREATIVE/CRITICAL PRACTICES”

liquid blackness: journal of aesthetics and black studies 12, no. 1, Spring 2028

Guest editor: Walton Muyumba

Submissions due: January 30, 2027

The New Italians session explores contemporary Italian literature, culture, media, music, and film through the lens of migration, mobility, and evolving forms of Italian identity in a globalized world. In dialogue with PAMLA 2026’s theme, “Our Ruling Classes: Culture, Power, Conflict,” the session considers how cultural production engages structures of power shaping belonging, citizenship, linguistic authority, and cultural legitimacy in Italy and its diasporic contexts.

At its most ambitious, the New Hollywood was a movement intended to cut film free of its evil twin, commerce, enabling it to fly high through the thin air of art. The filmmakers of the '70s hoped to overthrow the studio system, or at least render it irrelevant, by democratizing filmmaking, putting it into the hands of anyone with talent and determination.

While tragedy and horror are often treated as distinct genres, both traditions ask audiences to look steadily at what ordinarily repels them. From unburied corpses and undead monsters to violated kinship and failed agency, these spectacles produce fear, pity, disgust, and sorrow alongside fascination. This session explores what might be understood as a tragedy–horror continuum, examining the aesthetic, affective, and ritual overlaps between tragic and horrific representation across historical periods and media.