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Engendering Narrative: Transforming Image, Text, and Medium

updated: 
Wednesday, September 11, 2019 - 12:12pm
Pennsylvania College English Association
deadline for submissions: 
Monday, January 20, 2020

 

Pennsylvania College English Association 2020 Conference

Engendering Narrative:

Transforming Image, Text, and Medium

"Living substance conquers the frenzy of destruction

only in the ecstasy of procreation."—Walter Benjamin

The Pennsylvania College English Association (PCEA) invites proposals for its 2020 Annual Conference on the theme of engendering narratives, or begetting, producing, and procreating narrative. We are requesting pieces that focus on what engenders narrative creativity while highlighting the importance of reading and better understanding artistic purpose and intent.

Reminder [ACLA2020] Post-Magical Realist Worlds: Contemporary Postcolonial Story-Telling Modes, Critiques, and Perspectives

updated: 
Friday, September 13, 2019 - 2:55pm
Justyna Poray-Wybranowska/Ryerson University, Agata Mergler/York University
deadline for submissions: 
Monday, September 23, 2019

Born in the mid-twentieth century in Latin America, magical realism quickly became “the literary language of the emergent post-colonial world” (Bhabha 7). It developed as a means of capturing and representing the experience of living in worlds marked by both colonial conquest and anticolonial resistance, and in which “improbable juxtapositions and marvelous mixtures” (Zamora and Faris 76) exist side by side. Since then, magical realism has circulated widely, picked up by authors in formerly colonized nations around the world and adapted to their own, local, representational needs.

Edited Volume CFP: Reading Lovecraft in the 21st Century

updated: 
Tuesday, September 3, 2019 - 5:51pm
Edited Volume_Not Dead, But Dreaming: Reading Lovecraft in the 21st Century
deadline for submissions: 
Monday, September 30, 2019

Edited Volume CFP

 

Not Dead, But Dreaming: Reading Lovecraft in the 21st Century

 

Postsecularism in High and Popular Culture

updated: 
Thursday, September 12, 2019 - 11:11am
American Religion and Literature Society
deadline for submissions: 
Monday, September 23, 2019

American Comparative Literature Association 

Chicago, March 19-22, 2020

Rolling Thunder Revue

updated: 
Wednesday, September 4, 2019 - 3:40pm
Comparative Drama Conference (April 2-4, 2020, in Orlando)
deadline for submissions: 
Thursday, October 31, 2019

In summer of 2019 Netflix released the highly anticipated Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Scorsese takes footage shot before and during Dylan’s legendary concert tour, combines it with later interviews of principal figures (real and fake) involved with the 1975 shows, and adds in his own cinematic sleight-of-hand, producing a film which attempts to recapture the carnivalesque spirit of Dylan’s travelling revue.

I seek papers for a panel examining the dramatic dimensions of the Rolling Thunder Revue. Subjects might include, but are not limited to, the following:

CLOSING SOON: CFP: Cine-feminisms and the Academy Symposium

updated: 
Wednesday, September 4, 2019 - 3:41pm
University of Newcastle, Australia
deadline for submissions: 
Friday, September 13, 2019

CFP: Cine-feminisms and the Academy Symposium

UNSW Sydney, 12-13th December 2019

The contemporary media landscape is shaped by increasing precarity and awareness of gendered issues. The global screen industry is grappling with the cultural and industrial shifts precipitated by the #MeToo and Time’s Up movements. For some, the Harvey Weinstein revelations and subsequent scandal resulted in a re-evaluation of the gendered operation of Hollywood. The industry has responded on the red carpet, through the media and in film festival juries. What role do – and can – forms of film feminisms (or cine-feminism) play within this context?

Gender Equality and Sustainability: Agnès Varda’s Sustaining Legacy

updated: 
Friday, September 6, 2019 - 4:14am
Istanbul Bilgi University
deadline for submissions: 
Sunday, December 1, 2019

İstanbul Bilgi University is launching a series of annual events dedicated to the intersecting themes of gender equality and sustainability under various academic disciplines. This year’s event will consider the framework of film studies. The inspiration for this inaugural symposium comes from the tireless gleaner of images Agnès Varda, whose legacy of female subjectivity spans more than six decades, from her first film La Pointe Courte (1955) to her final documentary Varda par Agnès (2019). An opening event launching the series will be followed by a one-day symposium to mark the anniversary of Varda’s passing, taking place at İstanbul Bilgi University, March 27-28, 2020

ACLA-Snapshots of the Past: Memory and Photography in Literature and Film (Sheraton Grand Hotel, Chicago, 3/19-3/22, 2020)

updated: 
Thursday, September 5, 2019 - 4:14am
The American Comparative Literature Association
deadline for submissions: 
Monday, September 23, 2019

 

Following the success of previous ACLA seminars, “The Story of Memory: Remembering, Forgetting, and Unreliable Narrators” and “The Story of Remembrance: The Future of Memory and Memories of the Future” in 2018 & 2019, this seminar invites paper proposals to discuss the relationship between memory and photography and its representation in literature and film.

 

FINAL REMINDER: CINE EXCESS 13 CFP

updated: 
Tuesday, September 3, 2019 - 5:23pm
Frances Pheasant-Kelly/Birmingham City University
deadline for submissions: 
Friday, September 6, 2019

 

 Call for Papers Final Reminder
The 13th International Conference and Festival on Global Cult Film Traditions

Birmingham City University Presents:
Cine Excess 13
Independent Visions of Excess

7th-9th November 2019
Birmingham City University (and related screening venues)

Confirmed Guests of Honour:
Jen and Sylvia Soska (Rabid [2019], American Mary)-Recipients of a Cine-Excess Female Innovators of Horror Award for Rabid (2019), which screens at Cine-Excess on Saturday 9th NovemberNorman J. Warren (Terror, Inseminoid)
-Recipient of a Cine-Excess Lifetime Achievement Award

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