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film and television

Essays on Resistance in Popular Culture

updated: 
Wednesday, February 28, 2018 - 12:54pm
Clark Firestone Pharr
deadline for submissions: 
Friday, April 20, 2018

The 21st century has become inculcated with a sense of perpetual crisis, reflecting a world seemingly on the verge of catastrophe. This new age of anxiety is evident not only in the breakdown of traditional hegemonies, but also in an increasingly personal sense of fear, futility, and frustration for marginalized communities. Within this context, we invite essays for a collection that explores the topic/themes/ideas of resistance in works of myriad types of contemporary (~2005-2018) popular culture.

The Mondo Film and its Legacy

updated: 
Thursday, February 22, 2018 - 9:11am
University of Bradford (UK)
deadline for submissions: 
Friday, June 1, 2018

Film International

http://filmint.nu/

 

Contributions are invited for a special edition of Film International devoted to the ‘mondo’ shock documentary film. The mondo genre was created in the 1960s by Gualtiero Jacopetti, Franco Prosperi and Paolo Cavara with their first feature Mondo Cane (Italy, 1962). The genre quickly became an international sensation, hated by most critics but admired by large audiences and the likes of John Waters, Sergio Leone, Boyd Rice and J.G. Ballard.

 

Contributions can explore any aspect of the mondo film including the pre-history of the genre and its legacy.

 

Reminder CFP - Film as Film Today: On the Criticism and Theory of V. F. Perkins

updated: 
Thursday, February 22, 2018 - 9:22am
University of Warwick
deadline for submissions: 
Friday, March 16, 2018

V. F. Perkins (1936-2016) was a foundational figure in the history of British film education, a pioneering theorist of the medium, and among the most insightful and eloquent writers on the art of film. His historical significance for the fields of film criticism and film study is uncontested. However, while Perkins’ work – particularly the seminal Film as Film (1972) – still influences certain strands of scholarship, its contemporary relevance for critics, theorists, and students is presently underappreciated. This symposium is dedicated to revaluating Perkins’ critical methods and arguments by exploring their continued utility for those studying film, television, audiovisual media, and aesthetics today.

CFP: Film & History - all areas (6/1/18; 11/7-11/18)

updated: 
Wednesday, February 21, 2018 - 9:17am
Film & History
deadline for submissions: 
Friday, June 1, 2018

CALL FOR PAPERS

Citizenship and Sociopathy in Film, Television, and New Media

2018 Film & History Conference

November 7-11

Madison Concourse Hotel and Governor’s Club

Madison, WI (USA)

INTERMEDIALITY NOW: REMAPPING IN-BETWEENNESS, International film and media studies conference, 19-20 October 2018

updated: 
Wednesday, February 21, 2018 - 9:15am
Sapientia University, Cluj-Napoca (Romania)
deadline for submissions: 
Saturday, June 30, 2018

Connected to our new exploratory research project “Rethinking Intermediality in Contemporary Cinema: Changing Forms of In-Betweenness” funded by the UEFISCDI, and following up on the topics of our previous conferences, we would like to bring into focus the idea of “in-betweenness” set in a wider context of contemporary visual culture, and to re-evaluate its relevance regarding the state of the art in researches on intermediality.

Neoliberalism in Literature and Media Studies (CFP for SAMLA 2018)

updated: 
Tuesday, February 20, 2018 - 9:13am
Michael J. Blouin / Milligan College
deadline for submissions: 
Friday, June 1, 2018

Once considered a fringe movement, neoliberalism has steadily become a central tenet of American life. Neoliberal thought subsequently spread across the globe in a variety of forms (via channels including Hollywood and regulatory bodies such as the International Monetary Fund). Promises of privatization today trump collective action in virtually every aspect of life. This epistemic shift can be felt far and wide, from politicians to postmodern theorists. This panel will investigate symptoms of – and responses to – this shift in the areas of literature and media studies. Given this year’s South Atlantic Modern Language Association conference theme (Nov.

Do You Believe in Magic?: The Narrative Construction of Magical Worlds, Creatures, and Characters

updated: 
Saturday, February 24, 2018 - 8:17pm
Museum of Science Fiction/Escape Velocity Conference
deadline for submissions: 
Saturday, March 31, 2018

The Museum of Science Fiction is accepting 250 word proposals for 15-20 minute papers to be presented at this year’s Escape Velocity Conference in National Harbor Maryland, May 25th – 27th, 2018.

As is often the case in the examination of the mainstream literary cannon, works incorporating “traditional” magic, Afro-diasporic voodoo and Santeria, and other mystical cosmologies are frequently dismissed as non-literature in an increasingly secular and data-driven world. But by violating the laws of empirical reality, magical narratives challenge the preferred Western emphasis on science to make room for cultural, religious, and social practices inexplicable in scientific terms.

Science Fiction and Fantasy Characters as Dramatis Personae

updated: 
Tuesday, February 20, 2018 - 9:10am
Museum of Science Fiction/Escape Velocity Conference
deadline for submissions: 
Saturday, March 31, 2018

The Museum of Science Fiction's literary programming track is accepting 250 word proposals for 15-20 minute papers to be presented at this year’s Escape Velocity Conference in National Harbor Maryland, May 25th – 27th, 2018.

Re-verb: The First International Academic Conference on Skateboarding

updated: 
Monday, February 19, 2018 - 9:35am
The Bartlett School of Architecture, UCL
deadline for submissions: 
Monday, March 12, 2018

Re-verb: The First International Academic Conference on Skateboarding

1–3 June 2018 | The Bartlett School of Architecture and House of Vans London

The first international conference on skateboarding aims to gauge, sense and approximate the vibration of urethane on asphalt, the lived experience of the travelling skater, the affectivities of an increasingly diverse community.

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