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film and television

Archives in ‘Lusophone’ Film

updated: 
Wednesday, June 19, 2019 - 10:12am
‘Cinema and the World - Studies on Space and Cinema’, Centre for Comparative Studies, University of Lisbon,
deadline for submissions: 
Tuesday, October 15, 2019

Archival practices in the 20th and early-21st century have been understood in a variety of ways. For some, “artists started to rely on the topos of the archive to express their unease about canonic systems for the production of knowledge” (Giannachi, 2016: 131). For others, a reviewing of the archive as a power structure and the blind spots, or silences, it produced was in order (Michel-Rolph Trouillot, 1995: 53). For others still, this ‘archival turn’ grew out of a fascination with historiography and with memory (Spieker, 2008: 26), characteristic of postmodern societies. Two main theoretical frameworks have been consistently called forth in contemporary studies of the archive.

Theorizing Transmediality in its Transnational Contexts

updated: 
Wednesday, June 19, 2019 - 10:14am
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Monday, September 30, 2019

Theorizing Transmediality in its Transnational Contexts

Panel Co-Directors: Leonardo Nole’ and Joseph Boisvere (Graduate Center, CUNY)

Call for Chapters - Screening Loss: An Exploration of Grief in Contemporary Horror Cinema

updated: 
Wednesday, June 19, 2019 - 10:18am
Associate Professor Jan Selving / East Stroudsburg University; Assistant Professor Erica J. Dymond / East Stroudsburg University
deadline for submissions: 
Monday, September 30, 2019

Horror films have long held a place in cinematic history as an expression of the monstrous, the un-nameable, and the unknown. They are a powerful point of catharsis in which viewers see their deepest fears played out onscreen, whether the threat is fully embodied or less concretely defined. As a result, grief and loss have always figured heavily in this genre.

 

Edited volume: “Trans Identities in the French media” - Call for abstracts

updated: 
Monday, June 17, 2019 - 12:08pm
Dr Romain Chareyron
deadline for submissions: 
Monday, September 30, 2019

“Transsexualité, transidentité: un tabou français?” (“Transsexuality, transidentity: a French taboo?[1]): such was the title chosen by the online French news magazine France Info for an article published in 2015[2]that discussed the lack of visibility trans(gender/sexual) people still experience in French society. Indeed, there has been an increasing visibility of trans individuals in film and TV in recent years.

ReFocus: The Films of David Fincher (final update)

updated: 
Sunday, August 18, 2019 - 1:32pm
University of Edinburgh Press
deadline for submissions: 
Thursday, September 5, 2019

We are currently soliciting 250-word abstracts for essays to be included in an edited collection on David Fincher to be published as part of the University of Edinburgh ReFocus series, which examines overlooked American directors (series editors Robert Singer, Frances Smith, and Gary D. Rhodes). The collection aims to broaden and deepen the understanding of Fincher as a filmmaker with distinct aesthetic and cultural significance. 

Genre in Asian Cinema

updated: 
Wednesday, June 19, 2019 - 10:34am
Concentric Literary and Cultural Studies NTNU Taiwan
deadline for submissions: 
Wednesday, July 31, 2019

 Genre in Asian Cinema, with guest editors Patrick Noonan (Northwestern University, USA) & Earl Jackson (National Chiao Tung University, Taiwan)
Concentric: Literary and Cultural Studies

Vol. 46 No. 1 | March 2020

Call for Papers: Genre in Asian Cinema

Guest editors:

Patrick Noonan (Northwestern University, USA) & Earl Jackson (National Chiao Tung University, Taiwan)

Deadline for Submissions EXTENDED: July 31, 2019

The Future of Film: Will Television Kill the Cinema Star?

updated: 
Monday, July 29, 2019 - 8:12pm
Rebecca Romanow/ Northeast Modern Language Association
deadline for submissions: 
Monday, September 30, 2019

This roundtable explores the collapsing of the separate media concepts of film and television as "TV" becomes more filmic than film, more cinematic than movies themselves.  We are witnessing the confluence of production values, means of production, narrative form and style, and the ways in which content is consumed, reviewed, funded, and awarded. The two media have seemingly become synchronous, simultaneous and potentially interchangeable.  This Roundtable will focus on film, television, and streaming content, and the places that they will inhabit and occupy in the future of visual media and the cultural imagination.

Northeast Modern Language Association Conference, Boston, MA  March 5th-8th, 2020

Call for Chapters: New Critical Approaches to the Giallo Film (specific chapters).

updated: 
Wednesday, June 12, 2019 - 1:11pm
Fernando Gabriel Pagnoni Berns. Universidad de Buenos Aires. Facultad de Filosofía y Letras
deadline for submissions: 
Friday, July 19, 2019

Call for Chapters: New Critical Approaches to the Giallo Film (specific chapters).

 

This is a call for proposals for a book on giallo film and its transformations. We have received so far many fascinating abstracts but we still need to cover some unexplored areas. In this sense, we ask for 3/4 abstracts on:

-Non-Italian gialli: we have chapters on French and Argentinean gialli. We expect to cover Spain/America.

-Chapters on masters, specifically, Mario Bava and Darío Argento.

We are open to other suggestions.

Our new deadline is July 19, 2019. Below is our original cfp (with the new deadline).

deadline for submissions: 

July 19, 2019

 

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