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film and television

CFP: Peter Greenaway's Tulse Luper Suitcases (12/15/04; journal)

updated: 
Thursday, January 29, 2004 - 4:02am
GKochhar_at_aol.com

Image [&] Narrative (www.imageandnarrative.be), a peer reviewed e-journal on=
=20
visual narratology in the broadest sense, invites essays that respond to Pet=
er=20
Greenaway=E2=80=99s recent Tulse Luper Suitcases: A Personal History of Uran=
ium, a=20
project that manifests itself in the forms of television, film, CDs, an inte=
rnet=20
site (www.tulselupernetwork.com), and as art objects. Submissions can be in=20
either French or English. (They will not be translated but the accompanying=20

CFP: Gilmore Girls (5/7/04; collection)

updated: 
Tuesday, January 27, 2004 - 5:23am
Ritch Calvin

CALL FOR PAPERS (Collection)
Entries are invited for a proposed anthology on the subject of the =
television series, Gilmore Girls. Now in its fourth season, the series =
has achieved popular success on a fledgling network. It is also the =
first TV series "to make it to air supported by the Family Friendly =
Forum's script development fund. An initiative between some of the =
nation's top advertisers and The WB, the program is intended to offer a =
greater array of compelling family programming on network television" =
(www2.warnerbrothers.com). However, to date, little critical attention =
has been paid to the series.

CFP: My So-Called Life (3/20/04; collection)

updated: 
Wednesday, January 21, 2004 - 6:46am
Michele Byers

CALL FOR PAPERS: "Dear Angela:" Remembering My So-Called Life

Edited by Michele Byers, Saint Mary's University, and David Lavery, Middle
Tennessee State University.

The editors are currently seeking proposals and contributions for an edited
collection of essays focused on the television series My So-Called Life
(1994 – 95).

UPDATE: Globalization and Media across the Curriculum (11/1/04; collection)

updated: 
Tuesday, January 20, 2004 - 1:42am
Donna Dunbar-Odom

<html>
Call for Papers - Extended Deadline<br><br>
Citizens of the World: <br>
Using Media to Introduce Globalization across the Curriculum<br><br>
Across the humanities curriculum, from general education to upper <br>
division courses, students are being asked to grapple with issues of
<br>
globalization and its repercussions. Out of these global changes, common
<br>
metaphors are emergingmetaphors such as borderlands and border crossings,
<br>
empire and transnationalism, to name a few. Such complex metaphors can be
<br>
intimidating to many undergraduates. This proposed collection explores
<br>

UPDATE: Queer TV (5/1/04; collection)

updated: 
Tuesday, January 20, 2004 - 1:42am
Razedupsky_at_aol.com

Update:
The Queer TV collection first announced in early December now has a
publisher---McFarland. There is still plenty of time to submit abstracts and essays
for the volume. See information below.

Queer TV
An Edited Collection

CFP: The Cinema of Tod Browning (no deadline noted; collection)

updated: 
Tuesday, January 20, 2004 - 1:42am
Bernd Herzogenrath

I am currently looking for high-quality contributions to a volume on =
THE
CINEMA OF TOD BROWNING =96 a major press (Wallflower Press) has alrea=
dy
expressed interest in this project.
Tod Browning has up to this day remained a somewhat un(der)-theorized=
 movie
maker. Also having produced successes such as Dracula (with Bela Lugo=
si) and
fulminant financial disasters such as Freaks, the impact of his obses=
sion
with the (representation of the) body, its fragmentation and dismembe=
rment,
on the development on Modern Cinema remains to be analysed. In partic=
ular
with reference to much of today=92s discussion about corporeality and

CFP: Bollywood Audiences (7/1/04; journal issue)

updated: 
Sunday, December 21, 2003 - 12:14am
Sam Jay

Call for Papers

Special Issue of "South Asian Popular Culture"

Bollywood Audiences (Fall/October 2005)

Special Issue Co-editors: Jigna Desai (University of
Minnesota), Rajinder Dudrah (University of
Manchester), and Amit Rai (Florida State University). 

“The sense of belonging that Bollywood films foster -
the sheer sense of security and shared joy, … the
commonality of experience despite the geographical
separation of so many thousands of miles - is second
to none. It works more because Bollywood is one of the
things that bind us together as Indians, never mind
where we live.”

Soumya Bhattacharya (Hindustan Times 1/25/03) 

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