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CFP: Turkish Cinema Anthology (5/1/06; collection)

updated: 
Monday, January 16, 2006 - 7:40pm
Bergen-Aurand, Brian K

Turkish Cinema: Aesthetics, Culture, History
Call For Papers

With the recent international success of such films as Head-On, Distant,
and The Waiting Room has come a renewed interest in Turkish Cinema.

CFP: Brokeback Mountain (grad) (2/1/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Monday, January 16, 2006 - 7:40pm
Patrick Randolph

(dis)junctions; Lost in Translation (April 7-8, 2006)

This call for papers is for a proposed panel to be held at "(dis)junctions:
Lost in Translation," the University of California Riverside's 13th Annual
Humanities Graduate Conference. It will take place April 7-8, 2005. For more
information, visit the website:
http://www.english.ucr.edu/gsea/disjunctions.

This call for papers is for a panel on Ang Lee's film "Brokeback Mountain,"
based on the short story by Annie Proulx. Some topics suggested, but not
limited to, include:

CFP: Scope Magazine: Film (ongoing; journal)

updated: 
Monday, January 16, 2006 - 7:39pm
Daniel Smith-Rowsey

(cross-posted to filmatpenn server) Hello, and I hope you had a restful hol=
iday season. My name is Daniel Smith-Rowsey and I'm the new Film Reviews E=
ditor for Scope Magazine. My experience includes a year as the Book Review=
s Editor for Film International (www.filmint.nu). I am replacing Anthony M=
cKenna at this position, so from now on please direct all film review corre=
spondence to me.

CFP: Film Genre and Criticism (3/31/06; MMLA, 11/9/06-11/12/06)

updated: 
Monday, January 16, 2006 - 7:39pm
Greg Wright

Film I Panel of the Midwest Modern Language Association:

Panel Title: Film Genre and Criticism

This panel will consider film's capacity to revisit and revise genre in =
a critical fashion. How do genre forms and conventions inhibit or =
enhance a film's critical potential? What does a film gain by combining =
and redefining genres and subgenres? Abstracts for this panel should =
explore the interconnections between film genre and criticism through =
analyses that perform critical redefinitions themselves.=20

Some possible topics to consider include:

-the connections between genre formations and questions of nationality, =
culture, class, race, and gender

CFP: Mid-Atlantic Popular Culture/American Culture Association (no deadline noted; 10/27/06-10/28/06)

updated: 
Monday, January 16, 2006 - 7:38pm
RCu8598882_at_aol.com

Proposals, abstracts and papers in Religion and Popular Culture are asked
for Mid-Atlantic Popular Culture/Ameerican Culture Association Oct. 27-28 2006.
Particularly interested in papers on Mel Gibson's The Passion, the Left Behind
Series by Tim LaHaye, and the conservative religious critique of modern
culture as well as responses to that critique. Contact Richard Currie at
RCu8598882_at_aol.com or currie @postbox. csi. cuny. edu.

CFP: Media and Culture Journal: 'collaborate' issue (3/6/06; journal issue)

updated: 
Saturday, January 14, 2006 - 4:24pm
M/C - Media and Culture

FOR IMMEDIATE RELEASE - 12 January 2006

                          M/C - Media and Culture
                     http://www.media-culture.org.au/
         is calling for contributors to the 'collaborate' issue of

                                M/C Journal
                   http://journal.media-culture.org.au/

M/C Journal is looking for new contributors. M/C is a crossover journal
between the popular and the academic, and a blind- and peer-reviewed
journal.

CFP: Creative Translation: Film Adaptation (grad) (2/10/06; 4/7/06-4/8/06)

updated: 
Saturday, January 14, 2006 - 2:47pm
Maggie Gover

  Creative Translation: Film Adaptation
   
  (dis)junctions: lost in translation
  April 7-8, 2006
  University of California, Riverside
   
  This panel will consist of papers discussing various concerns of film adaptations. What problems arise when adapting a work of literature to a screenplay? How do various adaptations of the same work use the primary text differently in their adaptations? What role does fidelity play in screenplay adaptation? What problems in auteur/authorship arise in screenplay adaptation? Etc.
   

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