Subscribe to RSS - film and television

film and television

CFP: Interactive Animation and Video Games (Anifest 2019) - Friday 8th March 2019

Monday, August 13, 2018 - 2:56pm
Canterbury Christ Church University
deadline for submissions: 
Friday, November 16, 2018

The following CFP is for the March 2019 symposium "Interactive Animation and Video Games", held as part of the annual Anifest festival ( at Canterbury Christ Church University.

CFP: Interactive Animation and Video Games - Friday 8th March 2019, Canterbury Christ Church University, Augustine House, Room AH3.31

**A one-day research symposium hosted by Canterbury Christ Church University that will take place as part of Canterbury Anifest 2019**

The Outlaw Corpus and the Fight for Justice: Medieval Outlaw Narratives in Modern Form

Monday, August 13, 2018 - 2:52pm
International Association for Robin Hood Studies
deadline for submissions: 
Tuesday, October 30, 2018

The Outlaw Corpus and the Fight for Justice: Medieval Outlaw Narratives in Modern Form

This cfp is for a round table for The Twelfth Biennial Conference of the International Association for Robin Hood Studies, to be held at the University of Montevallo (Montevallo, AL) from 14-17 May 2019. The theme of the conference is “Outlaw Bodies.”

Gender, Identity, and Belonging in Minority Women Artistic Production

Monday, August 13, 2018 - 2:32pm
Riham Ismail; Tulin Ece Tosun / Purdue University
deadline for submissions: 
Thursday, September 20, 2018

Within the current political discourse and political turmoil, representation of women’s races, identities, cultures, precisely of minority women, continue to be under discussion.  Women critics and writers have discussed and examined how current political discourse have changed the understanding of identity in connection with ethnicity, race, color, and language. Identity is formed and shaped by culture, beliefs, race, ethnicity, and space among several other factors.Stuart Hall argues “Identity is never complete, always in process, and always constituted within, not outside, representation.” With this in mind, howcomplex then this process of construction becomes when color, race, or religion emerges as defining factor of whether or not one belongs?

CFP: Communication and Society: A New Era

Monday, August 13, 2018 - 2:44pm
NAQD Journal
deadline for submissions: 
Saturday, December 1, 2018

The first “controlled openings” in the Algerian mediatic space occurred in the aftermath of the 1988 social movements. NAQD partially examined this phenomenon in its issue number 8/9 (1995). At this time, the unequal flows of North-South information had been reinforced by the launching of numerous satellites that covered most of the planet. Everywhere, from Tonga to Ahmedabad, trans-border television was deployed without any constraints other than the acquisition of parabolic antennas by the public. In that special issue of NAQD we sought to interrogate the position of television which, in the context of post-modernity, appeared both as a privileged object of mass communication and an instrument of democracy.

Temporality and Transportability in Contemporary Cinema – SCMS 2019 Panel

Monday, August 13, 2018 - 3:18pm
Ellen Chang / University of Washington
deadline for submissions: 
Wednesday, August 15, 2018

Moving images are an evocative site for inquiries into various modes of articulations; however, these inquiries have largely detailed its cinematic borders without further exploration of alternative expressions of the medium. This panel delves into the ephemeral space that emerges in moments where expressions and experiences of cinema make meaning while breaking and shifting boundaries of time, space, sound, and image. It speculates on how contemporary moving images have become portals for moving and fracturing the boundaries of cinematic temporalities. We invite contributions that pay specific attention to works that address:

- Notions of temporality and/or transportability through the lens of spectatorship and/or embodied experience

Mythology in Contemporary Culture

Monday, August 13, 2018 - 1:01pm
Popular Culture Association
deadline for submissions: 
Monday, October 1, 2018

2019 Popular Culture Association (PCA) & American Culture Association (ACA) Joint National Conference

April 17-20, 2019  

Washington Marriott Wardman Park                                                                   


Call for Papers

Bitter Critique, Emphatic Rebellion: The Politics of Writing While Black (NeMLA 2019)

Monday, August 13, 2018 - 12:03pm
Cynthia Cravens/University of Maryland Eastern Shore
deadline for submissions: 
Sunday, September 30, 2018

Northeast Modern Language Association Annual Conference: Washington, D.C., March 21-24, 2019

Riffing off Du Bois ("Criteria of Negro Art"), Wright ("Blueprint for Negro Writing"), Lorde ("Poetry is not a Luxury"), Baraka ("Black Art"), and many others, this panel seeks to situate, examine, interrogate, and align black writers in American literature and culture. Our objective is to define the many ways black/African American/Negro/Slave writers have characterized or fictionalized what it “means” to be a writer of color.

As Toni Morrison has written, a “black author…is at some level always conscious of representing one’s own race to, or in spite of, a race of reader that understands itself to be ‘universal’ or race free.”

Physical Media and Pedagogy in Archival Practices and Information Literacy

Monday, August 13, 2018 - 4:05pm
Roundtable proposal for the Society for Cinema and Media Studies
deadline for submissions: 
Saturday, August 25, 2018

Call for Roundtable Participants at the 2019 Society for Cinema and Media Studies Conference in Seattle, Washington:

Physical Media and Pedagogy in Archival Practices and Information Literacy

Chairs: Saul Kutnicki and Andy Uhrich, Indiana University

SCMS 2019: "Horror and Nostalgia" panel

Monday, August 13, 2018 - 3:59pm
Adam Ochonicky
deadline for submissions: 
Tuesday, August 21, 2018

SCMS 2019 – Call for Papers: “Horror and Nostalgia” Panel


The twenty-first century has seen a renewed attentiveness to nostalgia within a variety of scholarly contexts and disciplines. Such work has been especially prevalent in the fields of film, television, and media studies. The purpose of this panel is to bring critical engagement with nostalgia into closer contact with horror studies.