film and television

2026 Global K-Culture Conference

updated: 
Friday, May 29, 2026 - 5:47am
Chungbuk National University, Korea
deadline for submissions: 
Sunday, May 31, 2026

2026 Global K-Culture Conference

August 20 (Thu.) ~ August 22 (Sat.), 2026 (3 days)

Chungbuk National University, Korea

Korean, English, or the presenter’s preferred language

 

Deadline for submissions: May 31, 2026

 

The Department of Global K-Culture at Chungbuk National University is pleased to invite submissions for the upcoming Global K-Culture Conference, aimed at fostering meaningful dialogue and the exchange of ideas among instructors and researchers working across diverse educational and cultural contexts.

Call for Papers: The Playful Monster

updated: 
Wednesday, May 27, 2026 - 4:32pm
Winchester School of Art
deadline for submissions: 
Friday, July 31, 2026

Call for Papers
The Playful Monster
24–25 September 2026

International Journal of James Bond Studies, Vol. 10

updated: 
Wednesday, May 27, 2026 - 8:02am
University of Roehampton
deadline for submissions: 
Tuesday, December 1, 2026

The International Journal of James Bond Studies is now accepting submissions for Volume 10.

Edited Volume — Call for Contributions: Theorizing Gender, Sex and Sexuality through Speculative Literatures

updated: 
Tuesday, May 26, 2026 - 2:55pm
Drs. Joshua Horton and Sandra Cox
deadline for submissions: 
Wednesday, September 30, 2026

Theorizing Gender, Sex and Sexuality through Speculative Literatures

Edited Volume — Call for Contributions

Editors: Drs. Joshua Horton (Arizona State University) and Sandra Cox (Southeast Missouri State University)

contact emails: jthorto2@asu.edu and scox@semo.edu

Deadlines:

Abstracts (200-300 words) due September 30, 2026

Completed drafts (5000-8000 words, including MLA style citations and minimal endnotes) of accepted chapters due February 28, 2027

Overview:

First Forum Conference / Delirium

updated: 
Tuesday, May 26, 2026 - 12:52am
Department of Cinema and Media Studies, University of Southern California
deadline for submissions: 
Monday, June 15, 2026

The annual graduate student conference organized by the Division of Cinema and Media Studies at the University of Southern California is now accepting applications. EXTENDED submission deadline is June 15, 2026.

This year’s conference invites proposals that engage broadly with the theme, Delirium. 

It will take place on October 23–24, 2026, at the University of Southern California in Los Angeles, with Professor Eugenie Brinkema joining for the Keynote. 

We welcome submissions from a wide range of disciplines and methodological approaches, including creative works.

Animal Studies: Our Ruling Classes: Culture, Power, Conflict

updated: 
Friday, May 22, 2026 - 12:21pm
Sutirtho Roy/ Pacific and Ancient Modern Language Association (PAMLA)
deadline for submissions: 
Monday, May 25, 2026

The Animal Studies standing session seeks papers broadly related to the intersection of literature or media and animal studies, across genres and national literatures, with a special—but not exclusive —interest in proposals that engage with the 2026 PAMLA conference theme, "Our Ruling Classes: Culture, Power, Conflict." As such, it aims to enliven the conversation surrounding the conference theme through animal studies and literature, while making cross-disciplinary pathways with science, conservation, and public policy.

How Scripted TV Series Portray Social Media’s Power to Shape Culture

updated: 
Friday, May 22, 2026 - 8:15am
Libbie Searcy
deadline for submissions: 
Wednesday, July 1, 2026

 

3rd Call for Chapter Proposals
for Essay Collection

How Scripted TV Series Portray Social Media’s Power to Shape Culture

 

This edited collection invites scholars to consider how an episode or series of scripted television (from 2000 to present) has portrayed social media’s power to shape culture—for better and/or for worse.

 

Call for additional chapter proposals – The Works of Elaine May

updated: 
Friday, May 22, 2026 - 8:14am
Jonathan Winchell, SCREEN STORYTELLERS
deadline for submissions: 
Tuesday, June 30, 2026

EXTENDED CALL FOR CHAPTER PROPOSALS

 

The Works of Elaine May
SCREEN STORYTELLERS book series
Bloomsbury Academic

 

Editor: Jonathan Winchell

New deadline for abstract submissions: June 30, 2026

 

The proposed edited volume, The Works of Elaine May, has received preliminary interest from the SCREEN STORYTELLERS series editor. Nine chapters have been reviewed and confirmed for inclusion (see below).

 

I am currently seeking additional chapters on:

 

  • Primary Colors
  • Such Good Friends
  • Nichols and May (comedy)

 

CfP Eastern European Genre Cinema

updated: 
Friday, May 22, 2026 - 8:13am
Anna Batori
deadline for submissions: 
Monday, June 15, 2026

 

Following confirmation of firm interest from Routledge, Anna Batori is seeking contributions for the forthcoming volume ‘Eastern European Genre Cinema: Forms, Histories, and Transnational Circulation’.

Covid Legacies: Long-Term Social and Cultural Effects

updated: 
Friday, May 22, 2026 - 8:12am
Dr Şima İmşir & Dr Ayşecan Terzioğlu (Koç University and Sabancı University)
deadline for submissions: 
Tuesday, June 30, 2026

Covid Legacies: Long-Term Social and Cultural Effects

International Conference // Koç University & Sabancı University, Istanbul, October 9–11, 2026

Deadline for abstracts: 30 June 2026 (via covidlegacies@gmail.com)

The Power of the No-West: Second Originals in the East and Mediterranean

updated: 
Friday, May 22, 2026 - 8:11am
Argia Coppola / PAMLA
deadline for submissions: 
Monday, May 25, 2026

This special session, taking its inspiration from the conference theme “Our Ruling Classes: Culture, Power, Conflict,” invites presentations that challenge the assumption that adaptation is primarily an industry-driven practice shaped by Anglo-American cultural and legal frameworks. In these systems, intellectual property laws define adaptation as a derivative process, regulating authorship, ownership, and revenue streams. What happens when we shift the focus to the Mediterranean, the Middle East, or South Asia? In these contexts, adaptation often emerges through more fluid practices of transmission, performance, and reinterpretation/inspiration, where the boundaries between original and adaptation are less rigid.

Visualising Criminality: Crime and Films in the Global South

updated: 
Friday, May 22, 2026 - 8:11am
Dr. Ridhima Tewari, IIT Dharwad; Tonmay Das, IIT Dharwad
deadline for submissions: 
Tuesday, June 30, 2026

Call for Papers for the Edited Volume: Visualising Criminality: Crime and Films in the Global South

DEADLINE EXTENDED- MeCCSA Postgraduate Network Conference 2026- Media & Sustainability

updated: 
Friday, May 22, 2026 - 4:15am
MeCCSA PGN & Film, Theatre & Television, University of Reading
deadline for submissions: 
Monday, May 25, 2026

Deadline Extended to 25th May

Call for Papers

MeCCSA Postgraduate Network Conference 2026

Media and Sustainability

University of Reading,

Minghella Studios, Whiteknights Campus

Reading RG6 6BT

9th September 2026

Organising committee: Babsie Keulemans, Emir Anday and Elizabeth Heaney

Any questions about the conference or the submission process can be directed to:

Babsie Keulemans – e.l.keulemans@pgr.reading.ac.uk 

EXTENDED DEADLINE: "Let Us Tell An "Old Story Anew": Revising / Reinventing / Reimagining Disney

updated: 
Friday, May 15, 2026 - 11:59am
Disney, Culture and Society Research Network
deadline for submissions: 
Monday, June 1, 2026

"Let Us Tell An Old Story Anew": Revising / Reinventing / Reimagining Disney

Disney’s Maleficent (2014), a live-action retelling of their animated classic, Sleeping Beauty (1957), begins with a narrator challenging us to re-see the stories we’ve been told before. The entire movie, in fact, revolves around correcting past perceptions, ones that Disney originally shaped and is now choosing to reshape. Maleficent is just one example of a spate of live-action remakes and other ways Disney has reimagined itself in the twenty-first century. Such reimaginings invite research into how and why Disney feels the need to make us see them anew.

CFP Silly Old Bear? A Companion to Adaptations, Appropriations, and Transformations of Winnie-the-Pooh (8/1/2026)

updated: 
Friday, May 15, 2026 - 11:49am
Michael A Torregrossa / Monsters & the Monstrous Area, Northeast Popular Culture Association
deadline for submissions: 
Saturday, August 1, 2026

Silly Old Bear? A Companion to Adaptations, Appropriations, and Transformations of Winnie-the-Pooh

Organized by the Monsters & the Monstrous Area of the Northeast Popular Culture Association (NEPCA)

Please submit proposals by 1 August 2026

 

The Politics of Light in Neo-Victorian Fictions

updated: 
Friday, May 15, 2026 - 11:48am
Call for book chapters contribution
deadline for submissions: 
Tuesday, September 15, 2026

The Politics of Light in Neo-Victorian Fictions - Call for Contributions

 

 The Victorian period saw the introduction of a multiplicity of overlapping technologies and cultural practices of lighting, which radically transformed labour and the medical sciences, reinvented the night and connected ideas of leisure and security, refashioned the domestic interior as well as the perception of public appearance, and greatly impacted architecture and urban planning, policing, warfare and, not least, philosophy and the arts.

THE SOUTHERN GOTHIC AT PCAS/ACAS 2026

updated: 
Wednesday, May 13, 2026 - 3:35pm
Popular Culture / American Culture Association in the South
deadline for submissions: 
Monday, June 15, 2026

 

REMINDER: Submission deadline June 15th!

 

CALL FOR PROPOSALS: THE SOUTHERN GOTHIC AT PCAS/ACAS 2026

The Southern Gothic is not merely a regional offshoot of the Gothic tradition—it is a dynamic cultural mode shaped by the histories, violences, mythologies, and contradictions of the American South. Rooted in hauntings both literal and structural, the Southern Gothic interrogates race, class, gender, sexuality, religion, ecology, labor, memory, and the ongoing afterlives of history. Its borders—like its landscapes and bodies—are unstable, porous, and contested.

Melville Revivals (PAMLA 2026): Extended Deadline

updated: 
Tuesday, May 12, 2026 - 1:43pm
Andrew Lyndon Knighton
deadline for submissions: 
Monday, May 25, 2026

"Melville Revivals"

PAMLA 2026

November 12-15, 2026

Seattle, Washington (Hyatt Regency Seattle, 808 Howell Street)

Small Screens, Big Stories: Storytelling, Seriality and Mobile Screen Culture

updated: 
Monday, May 11, 2026 - 11:54am
Dr Roy Hanney, University of Nottingham Ningbo China
deadline for submissions: 
Monday, June 1, 2026

Small Screens, Big Stories: Storytelling, Seriality and Mobile Screen Culture

Evolution of Story IV

Deadline for chapter-track abstracts: 1 June 2026
Online symposium-only track open until March 2027

CFP NEPCA Monsters & the Monstrous Area (6/15/2026; Online 10/15-17/2026)

updated: 
Monday, May 11, 2026 - 11:32am
Michael Torregrossa / Monsters & the Monstrous Area of the Northeast Popular Culture Association
deadline for submissions: 
Monday, June 15, 2026

CFP NEPCA Monsters & the Montrous Area 2026

 

The Monsters & the Monstrous Area of the Northeast Popular Culture Association (a.k.a. NEPCA) seeks proposals for inclusion in NEPCA’s 2026 annual conference.

 

The event will run as a virtual conference from Thursday, October 15th, through Saturday, October 17th. Virtual sessions will take place via Zoom throughout the day on Thursday, Friday, and Saturday. Registration will open up in mid-July. The registration fee is expected to be around 50 USD.

 

**Gothic Nature, Issue VI: Call for Papers**

updated: 
Thursday, May 7, 2026 - 1:33pm
Gothic Nature
deadline for submissions: 
Saturday, July 25, 2026

**Call for Papers, Reviews, and Creative Pieces**

Gothic Nature: New Directions in Ecohorror and the EcoGothic

Issue VI: Unthemed Issue

Deadline for abstracts and pitches: 25th July 2026

‘You cannot adapt to extinction’. —Vanessa Nakate

‘The development of ecocriticism itself can been read as a type of Gothic story. If imagined figuratively as if it were a horror film, the field of ecocriticism is at a point where it is confronting the monster that has been hidden in the basement’. —Tom J. Hillard

iterature/Film Quarterly: General Call for Manuscripts

updated: 
Thursday, May 7, 2026 - 1:28pm
Literature Film/Quarterly
deadline for submissions: 
Saturday, May 1, 2027

Literature/Film Quarterly (LFQ) is an internationally recognized, open-access journal specializing in adaptation studies. Published entirely online, LFQ makes all content freely available to readers worldwide. We publish quarterly and manuscripts often progress from initial submission through peer review to publication in less than one year. 2023 marked our 50th year of continuous publication. Visit our website for current issues, online archives (dating to 2017), and complete submission guidelines: https://lfq.salisbury.edu/

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