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The Legacy of Watership Down: Animals, Adaptation, Animation
An interdisciplinary symposium
University of Warwick
Saturday 10th November 2018
Organised by: Dr Catherine Lester
Keynote speaker: Dr Chris Pallant (Canterbury Christ Church University)
ReFocus: The Films of Paul Schrader
THE CIRCULATION OF SHAKESPEARE’S PLAYS IN EUROPE’S BORDERLAND
University of Bucharest, Romania
November 8th-9th, 2018
KEYNOTE SPEAKERS:
Prof. RUI CARVALHO HOMEM, University of Porto
Prof. ALEXANDER SHURBANOV, University of Sofia
The CW’s show Crazy Ex-Girlfriend has attracted considerable critical acclaim, including creator and star Rachel Bloom’s Golden Globe for Best Actress and Emmy awards for choreography and editing. Because of its female creator, screenwriter, and directors, its hybrid form as a television musical comedy, and its blatant engagement with “sexist term[s]” and mental illness, the show is ripe for feminist media analysis. I seek proposals for papers for an edited collection on Crazy Ex-Girlfriend.
CFP: Opioid Aesthetics: Expressive Culture in an Age of Addiction
Post Script: Essays in Film and the Humanities solicits submissions for a special issue on Performing Identities in Jewish Latin American Film, guest edited by Luca Barattoni (Clemson University) and Patricia Nuriel (Wofford College).
From Amy Heckerling’s 1995 film Clueless to Seth Graham-Smith’s 2016 novel, Pride and Prejudice and Zombies (and its many adaptations),and from Sherri Browning Erwin’s 2011 novel Grave Expectations to Thomas Vinterberg’s 2015 film Far from the Madding Crowd, the proliferation of adaptations of nineteenth century texts does not look to abate soon, and scholars have been taking notice. Adaptation offers a new way to consume both nineteenth century culture and canonical texts. We are seeking submissions of papers exploring adaptations of Nineteenth Century literature in new genres and/or mediums. Abstracts should be no more than 300 words.
The Adaptation Essay Prize 2018Entries now open
About the Adaptation Essay Prize
The Adaptation Essay Prize is a new innovation from the journal, launched in 2011 to encourage the best new scholarship in the field. While the journal publishes many articles which focus on the relationship between literature and film, the Editors are particularly keen to publish work which challenges the primacy of that relationship: this might include essays on computer games, opera, popular music, animation, genre fiction or work with a wider theoretical sweep.
The Prize
The winner’s prize will consist of:
Call for Papers: SLSA 2018 (Toronto) PANEL: “Vanishing Ladies”: The Disembodied Woman in Digital Art and Culture
Contemporaneity: Historical Presence in Visual CultureCFP, Edition 8: “Yesterday’s Contemporaneity: Finding Temporality In The Past” In recent decades art historians across the discipline have offered new insights into how communities in the global past understood their own positions in time. For example, Marvin Trachtenberg has made the case that twelfth- and thirteenth-century European architecture articulated a form of medieval modernism. Conversely Paul Binski has argued for how the same material could be understood as not only innovative, but also firmly historicist in nature.