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The Phenomenology of the Stand-up Comic: Toward a Sociology of Gendered Humour
Mike Flanagan has emerged over the past fifteen years as one of the most prolific and recognizable horror creators in film and television, working across low-budget independent cinema, studio-backed films, and prestige limited series. Yet despite his prominence, versatility, and authorial trademarks, especially his collaborations with recurring actors and other artistic partners, he has received little sustained scholarly attention.
2027 marks the 50th anniversary of the film now generally known as Episode IV: A New Hope, the first instalment in the hugely successful Star Wars franchise created by George Lucas. As beloved as it is divisive, Star Wars now straddles multiple decades and generations while proliferating across narrative media (novels, comics, games, animation, TV). It provides a series of compelling case studies in the relationship between creativity and commerce, from the foundation of Lucasfilm during the New Hollywood period to the 21st century Disney-era, and it has developed via a complex interplay between cutting-edge technological innovation, nostalgia, and mythmaking.
SPECTATOR 47.1 — SPEED - CALL FOR PAPERS/BOOK REVIEWS
DIVISION OF CINEMA AND MEDIA STUDIES
UNIVERSITY OF SOUTHERN CALIFORNIA
Spectator is seeking papers and reviews for issue 47.1, Speed, themed around USC’s 2025 First Forum Conference on the same topic organized by Minji Kim and Tanushree Sharma. Their call for submissions on this theme is copied below:
The contemporary moment is often thought of synonymously with the idea of speed. The 20th
and 21st centuries were marked by rapidly ascending rates of movement: the movement of
We invite proposals for a small number of additional chapters for an edited volume on animal adaptations, edited by Justyna Włodarczyk (University of Warsaw) and Michael Fuchs (University of Innsbruck).
2026 Pacific Ancient Modern Langauges Association (November 12-15) in person in Seattle
"I Think I'm Gonna Die in this House": Spatiality and Class in Film & Literature
submission link:
https://pamla.ballastacademic.com/Home/S/20015
Abstract:
Uncharismatic Aliens: Weird Life on Earth and Beyond in Science Fiction and Bio Art
International Conference – Porto, Portugal
(June 5th 2026)
Spring 2026 'Theory Today' Workshop w. Prof. Eugenie Brinkema.
Eugenie Brinkema’s research in film and critical theory focuses on violence, affect, sexuality, aesthetics, and ethics in texts ranging from the horror film to gonzo pornography, from the body of films dubbed “New European Extremism” to works of literature and continental philosophy. She is the author of The Forms of Affect (2014) and Life-Destroying Diagrams (2022), among many other essays and articles.
...
In our current postdigital condition, digital technology is so deeply embedded in everyday life that the distinction between technical and natural is becoming increasingly blurred and images have become mere byproducts of our embodied co-existence with digital media. At the same time, we see that visual forms are continuously rendered obsolete by the rapidly evolving algorithmic processes. In new media, we are no longer even looking at “the image” any more, but rather always only at a version of an image that can be infinitely modified. Cameras are regularly used to connect the eye and the machine in a way that serves no aesthetic goal, creating purely “operational images” (Harun Farocki).
We’re delighted to announce a new online event to mark Dickens’s passing. On this occasion, our theme does not dwell on the Inimitable’s death, but focuses instead on his ever-expanding life on the big and small screen. Dickens was first adapted for silent cinema in 1901, and since then his work has appeared countless times on film and television. Since Dickens’s Bicentenary in 2012, a number of significant screen adaptations have appeared, including Armando Iannucci’s Personal History of David Copperfield (2019), Steven Knight’s Great Expectations (2023), two Artful Dodger character adaptations, and multiple versions of A Christmas Carol.
Die Erstausstrahlung von Buffy the Vampire Slayer 1997 auf The WB Television Network jährt sich im kommenden Jahr zum dreißigsten Mal. Die Serie hat die Populär- und Medienkultur der Jahrtausend-wende maßgeblich mitgeprägt und ist zugleich als Referenztext weit über diesen historischen Moment hinaus wirksam geblieben. Ihre anhaltende Relevanz beruht nicht zuletzt auf der ästhetischen und narrativen Verfasstheit: Genre-Hybridität, Intertextualität, ironisch-selbstreflexive Erzählverfahren sowie eine ausgeprägte figurale und narrative Komplexität machen sie noch heute zu einem beliebten Gegenstand kultur- und medienwissenschaftlicher Auseinandersetzung.
An international workshop at Utrecht University (The Netherlands), 14 September 2026
Organized by Karin van Es (Utrecht University), Ramon Lobato (Swinburne University), and Mike Wayne (Erasmus University).
Powered by Special Interest Group Streaming Video.
The year 2025 marked the 250th anniversary of Jane Austen’s birth, yet Austen seems to be only increasing in cultural relevance on a global scale. This edited collection explores new Jane Austen-related texts – including films, streaming series, prequel/ sequel novels, graphic adaptations etc. - of the twenty-first century, including…
Call for Chapters!
Using Popular Culture in the Classroom: Teaching Traditional Skill Sets with Popular Culture Artifacts
Editors: Laura Getty, University of North Georgia (lgetty@ung.edu) and Josef Vice, Purdue University Global (jvice@purdueglobal.edu)
Deadline for submitting chapter proposals (400 words): August 1, 2026
Notification of acceptance: ongoing, no later than September 1, 2026
Provisional deadline for essay draft submission (approximately 5,000-8,000 words, including teaching resources): December 31, 2026
CFP: Special Issue of The Australasian Journal of Popular Culture (15.2 2026) on K-Pop, deadline 15th June 2026.
*EXTENDED CALL FOR CHAPTER SUBMISSIONS*
Call for Papers (proposals)
CONTRIBUTION TO EDITED VOLUME (Please read the full CfP before sending a proposal)
Mediated Masculinities in European networks: Discourse and performativity in the Information Age
NEW Deadline for abstract submissions: April 10, 2026
Notifications of acceptance: March 10, 2026
Deadline for first draft after notification of acceptance: April 30, 2026
The 123rd annual conference of the Pacific Ancient & Modern Languages Association (PAMLA) will be held in Seattle at the Hyatt Regency Seattle, from Thursday, November 12, to Sunday, November 15, 2026.
Cultural History:
CFP: Media, Press Freedom, and Cultural Production in an Authoritarian Age
Co-sponsored by the Union for Democratic Communications, Project Censored and the Park Center for Independent Media
Oct. 23-24, 2026
Ithaca College, Ithaca, NY
Pacific Ancient and Modern Languages Association 123rd Annual Conference 2026
November 12-15, 2026--Seattle, WA USA
"The Intersection of France and Iran/Persia in Literature and Film"
The socio-political and cultural relationship between France and Iran has long been shaped in various ways, including literary, cinematic, and linguistic representation. This panel explores the intertextual and visual intersections between these two cultures in literature and film, spanning from the ancient period to the present.
The 123rd Annual PAMLA Conference will be held in person November 12–15, 2026, in Seattle, Washington.
The standing Gothic Studies panel welcomes papers on any aspect of Gothic studies across a wide range of periods, media, and cultural contexts. The Gothic has long served as a flexible and transgressive mode through which writers and creators explore fear, desire, memory, identity, and social conflict. From classic literary texts to contemporary film, television, gaming, and digital media, Gothic forms continue to evolve and adapt across cultures and historical moments.
JLIC: CALL FOR ARTICLES FOR OPEN ISSUE 2028
CALL FOR PAPERS
Send your abstracts to: congress@iasa-world.org by 31st May, 2026.
Call for SubmissionsComparative Media Panel (In-Person)
PAMLA Conference 2026Primary Area - Secondary Area:
Film and Media Studies - Our Ruling Classes: Culture, Power, ConflictSession Chair:
Violet Luxton (Claremont Graduate University)
violet.luxton2@cgu.edu PAPER PROPOSAL DEADLINE: MAY 25, 2026
Call for Additional Chapters
Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation (Routledge)
Editor: Dr. Tanima Kumari
The proposed edited volume Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation has received a preliminary expression of interest from Routledge.
A number of submissions have already been received, and several chapters have been reviewed and confirmed for inclusion.
Table of Contents
Part I: Cultural Appropriation and Hybridity
We invite chapter proposals for an edited collection titled Metafictional Horror Cinema: The Screen as Mirror, to be submitted to the UWP Horror Studies series. The volume explores how horror cinema reflects on its own formal strategies, lays bare its narrative and technological mechanisms, and confronts viewers with unsettling modes of self-awareness.
The volume will explore the role of metafiction within horror cinema, from postmodern genre revisions and reflexive found-footage films to avant-garde and hybrid works that fracture narrative logic, collapse diegetic boundaries, break the fourth wall, or explicitly implicate the viewer in acts of spectatorship and violence.
The American Humor Studies Association (AHSA) is putting together a pre-constituted panel for submission to the 2026 Pacific Ancient and Modern Language Association (PAMLA) conference, held November 12-15, 2026 at the Hyatt Regency in Seattle, Washington. PAMLA ‘s 2026 theme is “Our Ruling Classes: Culture, Power, Conflict.” Following this, AHSA is accepting a range of papers on “Comic Leadership.” We invite submissions that consider the role of comedy in politics. Often, comedy is used to “takedown” and “critique” those in power through satire and parody, but what can comedy offer for enacting new political paths forward?
Mid-Atlantic Popular & American Culture Association (MAPACA) 2026 Virtual Summer Symposium, July 26, 2026
This one-day virtual event on July 26, 2026 is in addition to our 3-day conference in November to accommodate scholars outside the Mid-Atlantic region and those for whom an in-person event is otherwise inaccessible. We greatly encourage international scholars to submit for this dynamic, one-day event!
The Journal of Dracula Studies is open for submissions for its upcoming 2026 issue. We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in literature including folklore, fiction, film, popular culture, and related topics. Submissions should be sent electronically (as an e-mail attachment in .docx). Please indicate the title of your submission in the subject line of your e-mail.
Call for Papers
American Television and the Rise of Post-Truth America
Submission Deadline, May 15, 2026.
This issue aims to restore much-needed scholarly attention to analog effects and other hands-on approaches to filmmaking in analog and contemporary digital cinema. Special effects have become a growing area in film studies with the rise of digital cinema since the turn of the century, sparking renewed interest across academic writing, popular culture, journalism, and fandom. Scholars such as Warren Buckland, Stephen Prince, Charlie Keil, Kristen Whissel, and Julie A. Turnock have primarily focused on the cinematic realism of CGI and its ubiquitous use in Hollywood mainstream cinema. Furthermore, as Dan North, Bob Rehak, and Michael S.