Women Picturing Revolution is pleased to announce a call for papers on the topic of Representations of Black Motherhood and Photography.
film and television
The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in cooperation with the SUU Center for Shakespeare Studies and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.
In our modern world, which some have argued to be disjointed while immersing itself ever deeper in crisis, the turning back towards “the olden days” and the ensuing nostalgia constitute a noticeable phenomenon, both individually (the memory of biography) and collectively (the memory of History). Another important – and seemingly also quite noticeable – phenomenon is the longing for something vague, indefinite or never existent.
The International Congress of Fantastic Genre, Audiovisuals and New Technologies is an activity of scientific and academic divulgation that is part of Elche International Fantastic Film Festival – FANTAELX, and which has the collaboration of the Miguel Hernández University (Spain).
Its mission is to transmit research studies in all the different thematic lines of the Fantastic Genre, covering all its possible variants and platforms: cinema, television, theater, literature, comics, videogames, virtual reality, etc.
WAYS OF PARTICIPATION:
The Projector is developing a special issue for research articles that examine industrial and institutional developments in film, television, streaming, and/or gaming. The research, which will illuminate production and/or reception factors, could consider changes or events in the US market, national/regional sectors, or the global domain.
The political economy and/or reception studies research will not focus on interpretation or ideological assessment of an individual text. However, the research projects could effectively incorporate critical race theory, postcolonial studies, research on Hollywood hegemony, or other scholarship concerning social realities and identity politics.
In today’s neo- and illiberal nations affects of hate and indignation become a potent force in creating an axiological us and them. Such exclusionary structures of feeling are instrumental in forming nationalist ideologies and sustaining hegemonic discourses on immigration, homeland security and geopolitical conflict. Because nation states often rely on the construction and sustainment of antagonistic affects to naturalize existing power relationships, emotions should be considered an important manifestation of current illiberal crisis. Many of today’s intolerances seem to be embedded in a populist sentiment that feeling is a force more immediate and “pure” than reason.
Cinematic, televisual, and cross-media cultural production has passed through the end of history (Fukuyama) only to be cornered by “the end of temporality” (Jameson). Today’s illiberal turn is occasioned by the global crises of neoliberal capitalism and the deregulation of state welfare. Consequently, our present is marked by a global epidemic of nostalgia, one that forces Walter Benjamin’s angel of history to reverse flight. In this redirection to what Zygmunt Bauman calls “retropia,” a backward-looking Utopia, our experience of history is rendered ahistorical.
This roundtable endeavors to assess the influence of Donald Trump’s presidency on literature in the US and around the world. Three avenues of inquiry will be featured. First, how has the Trump presidency influenced literature in the US since 2016? Second, are there commonalities between writing in the US and writing internationally owing to the Trump presidency? Finally, focusing on non-US writing, are there perspectives or themes in global literature that are not at all present in US writing that have occurred in the wake of Trump’s presidency?
One of the strengths of comparative literature is that by definition it offers a pluralistic perspective on concrete world events.
Editors: Erin M. Giannini and Amanda Taylor
Written as a collaboration between Terry Pratchett and Neil Gaiman, Good Omens(1990) had an active and long-term fanbase before the debut of the Amazon Prime miniseries. Its adaptation, brought to fruition by Gaiman as a promise to Pratchett before Pratchett’s 2015 death, however, has not only brought new fans into the fold, but increased the visibility of the original text.
Please send an email with interest to firstname.lastname@example.org. The volume is almost complete but I am looking for several chapters as shared at the end of this call. Please see if there are any you may be interested in and we can discuss more about the requirements. I am looking for a QUICK turnaround, but I am flexible. I can send a full CFP when you inquire.
Call for Papers:
Working Title: Representations of African American Professionals on TV Series Since the 1990s
Publication by McFarland Press
Edited by LaToya T. Brackett
Extended Call for Papers: