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film and television

Deadline Extended -- April 15 -- MMLA 2018 Film I: Film and Television in the Binge Era

updated: 
Monday, April 9, 2018 - 1:30pm
Midwest Modern Language Association
deadline for submissions: 
Sunday, April 15, 2018

With the rise of peak TV two decades into the 21st century, television has disrupted the film industry, and it has produced – and been affected by – dramatic changes in the popular consumption of visual media. While movie attendance continued its steep decline in 2017 (reaching a 25-year low), network, cable, and internet-streaming platforms combined to air nearly 500 scripted television shows in 2017, an increase from around 200 shows in 2002.

CFP: L'avventura 2/2018

updated: 
Wednesday, March 14, 2018 - 8:58am
L’avventura. International Journal of Italian Film and Media Landscapes
deadline for submissions: 
Saturday, March 31, 2018

L’avventura. International Journal of Italian Film and Media Landscapes aims at positioning itself at the heart of the contemporary debate on Italian visual and media culture, its history and its present characteristics. The journal’s main areas of interest include:

Patterns, styles, figures: the evolution of styles and patterns, themes and narratives; the relationship between film and other art and communication practices; modes of production and industrial forms

Archive: film and media archives, as much as oral sources

Consuming Cultures- MMLA Popular Culture Panel(s)

updated: 
Tuesday, March 13, 2018 - 4:57pm
Midwest Modern Language Association, Consuming Cultures Convention at Kansas City Marriott, November 15-18, 2018
deadline for submissions: 
Sunday, April 15, 2018

Since the emergence of Capitalism in Western society, humanity’s role as consumers of culture has become internalized as an inalienable component of modernity. From Marx’s metaphor of vampire labor in Capital to George Romero’s metaphorical representation of zombies as consumers in Dawn of the Dead to the ravenous hunger of online fandoms eagerly seeking for new content, the relationship between popular culture and its human consumers draws upon a rich, expansive history that recontextualizes interpolated human relationships by emphasizing (and sometimes questioning) the cultural narratives that dominate modern societies.

Nonfiction Prose CFP MLA January 2019 Chicago–Writing Sex & Power: Liberations & Constraints (March 31-deadline extended)

updated: 
Wednesday, March 14, 2018 - 6:41pm
David Bahr / BMCC-City University of New York
deadline for submissions: 
Saturday, March 31, 2018

Teaching Hemingway and Film

updated: 
Wednesday, March 14, 2018 - 8:40pm
Cam Cobb (University of Windsor) / Marc Dudley (NC State University)
deadline for submissions: 
Sunday, September 30, 2018

 

Teaching Hemingway and Film

 

Essay collection for Kent State University Press

Deadline for Submission of Proposals: September 30, 2018

Deadline for Accepted Papers: January 31, 2019

 

Film as Film Today: On the Criticism and Theory of V. F. Perkins - EXTENDED DEADLINE

updated: 
Monday, March 12, 2018 - 9:29am
University of Warwick
deadline for submissions: 
Monday, April 9, 2018

 

 

Due to the ungoing strike action in the UK higher education sector, the deadline for proposals has been extended to 9 April, 2018.

 

Confirmed keynotes: Adrian Martin, Laura Mulvey, George Toles

 

Symposium dates: 4-5 September 2018

 

CFP: Children, Youth, and International Television

updated: 
Monday, March 12, 2018 - 9:25am
debbie olson
deadline for submissions: 
Monday, April 30, 2018

Call for submissions to a collection which critically examines programs that prominently feature children in international (i.e. non-American) television. Programs may include those targeted to children, or those programs targeted to adults but contain child characters. We invite submissions on programs from Canada, the UK, Continental Europe, Australasia, Africa, Asia, Central and South America, and the Middle East. These essays will explore how international television has been a significant conduit for the public consumption of changing ideas about children and childhood, and will connect relevant events, attitudes, or anxieties within their respective countries of origin to an analysis of children or childhood in international programs.

Digital Stories: Narratives and Aesthetics in Post-network Media

updated: 
Monday, March 12, 2018 - 9:23am
University of York, UK
deadline for submissions: 
Friday, April 6, 2018

Digital Stories: Narratives and Aesthetics in Post-network Media

 

Department of Theatre, Film and Television, TFTV

University of York

Symposium, 21st June, 2018

 

 

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