Carlos Reygadas is a twenty-first century Mexican auteur of international acclaim. His opera prima, Japón (2002), was awarded the Caméra d’Or Special Mention at Cannes. After his second and third features were nominated for the Palme d’Or, his latest feature, Post Tenebras Lux (2012), again nominated for the Palme d’Or, won the award for best director. Reygadas’s poetic and experimental use of images, along with his subversive approach to traditional cinematic representations of Mexican life, has opened up an array of possibilities of interpretation for audiences and critics alike.
film and television
Present your research on queer television in the 21st century at the 2018 Finnish Gender Studies Conference, which will occur in Turku, Finland, from November 22-24, 2018. The language of these presentations will be English.
This workshop call for papers invites presentation proposals pertaining to any aspect(s) of queerness in contemporary television during the period from 2000 to the present. Topics pertaining to cultural and/or television studies at the intersection of gender/sexuality studies and/or queer theory are invited from scholars, educators, and students of various levels and disciplines. Contributors are encouraged to interpret and explore this topic broadly and innovatively.
Abstracts are sought for a collection of philosophical essays related to the book and television series The Good Place. This volume will be published by Open Court Publishing (the publisher of The Simpsons and Philosophy, Pink Floyd and Philosophy, Buffy the Vampire Slayer and Philosophy, Bullshit and Philosophy, Mr. Robot and Philosophy, and The Americans and Philosophy, etc.) as part of their successful Popular Culture and Philosophy series. Chapters of the book are meant to be accessible and entertaining to a lay audience. Potential contributors may want to examine other volumes in the Open Court series.
Daphne Du Maurier: A Critical Reassessment – An Interdisciplinary International Conference
28-29 June 2019
Venue : Le Mans Université, Department of Anglophone Studies, Avenue Olivier Messiaen, 72085 Le Mans cedex 09, France
Key Words: Daphne du Maurier – Short fiction – Novels – Film adaptations – Didactics --Biography – Psychoanalysis – Local history
NeMLA 2019 CFP
The Aesthetics of Frechheit: Cynicism and Resistance in German Speaking Culture
To participate in a preconstituted panel sponsored by the Film and Media Festivals SIG, please submit a summary no longer than 500 words, 3-5 bibliographic sources, and an author bio no longer than 150 words.
Please copy and paste your proposal into the body of the email message (avoid sending attachments!) and include in the subject heading “Film Festival SCMS paper (or workshop) submission.”
The suggested panel/workshop titles/themes are for your consideration. If you wish, feel free to suggest another! We are providing this service to help coordinate the papers of the SIG members so that a maximum number have the best chance of being selected to participate in the conference; this has proven to be a very successful tactic.
In today’s mass media landscape, reports of domestic tragedies, inexplicable violence, and familial collapse have become staples of the 24-hour news cycle. Meanwhile, television series like Game of Thrones (Il Trono di Spade) and soap operas like The Bold and the Beautiful (Beautiful) sensationalize transgressions like parricide, incest, and tyrannical impulses to massive global success.
CALL FOR PAPERS
Popular Culture Association (PCA) National Conference
April 17-20, 2019
Washington Marriott Wardman Park Hotel
50 NeMLA Convention, March 21-24, 2019 in Washington D.C.
Call for Abstracts for Proposed Panel (Society for Cinema and Media Studies, Seattle 2019)
Proposed Panel: Women Filmmakers Around the Globe
Of late, there is a decided increase in the attention toward women’s contributions to culture and media, both in the popular press and academic literature. Numerous writers have documented historical achievements, contemporary struggles, everyday lived experiences, and cultural and societal triumphs of women’s experiences, particularly in screen media.