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No Place Like Home—In the Film Musical

updated: 
Thursday, March 16, 2017 - 10:43am
2017 Film & History Conference
deadline for submissions: 
Thursday, June 1, 2017

CALL FOR PAPERS

No Place Like Home—In the Film Musical

An area of multiple panels for the 2017 Film & History Conference – Representing “Home”: The Real and Imagined Spaces of Belonging
The Hilton—Milwaukee City Center, Milwaukee, WI (USA)
November 1-5, 2017

DEADLINE for abstracts: June 1, 2017 (early decision) July 1, 2017 (general decision) 

Melodrama: Home is Where the Heart Is

updated: 
Wednesday, March 15, 2017 - 2:11pm
2017 Film & History Conference
deadline for submissions: 
Thursday, June 1, 2017

CFP: Melodrama: Home is Where the Heart Is

An area of multiple panels for the 2017 Film & History Conference Representing “Home”: The Real and Imagined Spaces of Belonging November 1-November 5, 2017

The Hilton Milwaukee City Center

Milwaukee, WI (USA)

 

DEADLINE for abstracts: Early acceptance: June 1, 2017; General acceptance: July 1, 2017

 

ReFocus: A Series of Film Studies Anthologies: The International Director

updated: 
Wednesday, March 15, 2017 - 2:27pm
Edinburgh University Press
deadline for submissions: 
Friday, January 10, 2020

ReFocus: A Series of Film Studies Anthologies: The International Director

In 2015, the University of Edinburgh Press launched a multivolume series of scholarly, refereed anthologies entitled ReFocus: The American Directors Series. Each book focused on a critically overlooked American film director who worked in the studio system, independent cinema, experimental filmmaking, or documentary tradition.

 

The series editors, Dr. Gary D. Rhodes (Queens University, Belfast) and Dr. Robert Singer (CUNY Graduate Center, Liberal Studies), have already published volumes edited by leading film scholars on Preston Sturges, Delmer Daves, Budd Boetticher, and Amy Heckerling.

ReFocus: A Series of Film/American Studies Anthologies

updated: 
Wednesday, March 15, 2017 - 2:27pm
Edinburgh University Press
deadline for submissions: 
Wednesday, January 1, 2020

In 2015, the University of Edinburgh Press launched a multivolume series of scholarly, refereed anthologies entitled ReFocus. Edited by Robert Singer (CUNY Graduate Center, Liberal Studies) and Gary D. Rhodes (Queens University, Belfast), each book focuses on a critically overlooked American film director who worked in the studio system, independent cinema, experimental filmmaking, or documentary tradition. The volumes published so far include Preston Sturges, Amy Heckerling, Delmer Daves, and Budd Boetticher. Future volumes will include William Friedkin, Doris Wishman, Ida Lupino, and several more.

Writing About Contemporary Artists: Challenges, Practices, and Complexities

updated: 
Wednesday, March 15, 2017 - 2:28pm
University of Surrey, UK
deadline for submissions: 
Monday, May 29, 2017

‘WRITING ABOUT CONTEMPORARY ARTISTS: CHALLENGES, PRACTICES, AND COMPLEXITIES’: CALL FOR PAPERS

 

An international, multi-disciplinary three-day conference to be hosted at the University of Surrey, UK, Friday 20 – Sunday 22 October 2017.

 

Call for Articles in Communication, Media and Journalism Studies

updated: 
Monday, March 13, 2017 - 9:17am
KOME - An International Journal of Pure Communication Inquiry
deadline for submissions: 
Saturday, April 15, 2017

KOME, an international Open Access journal published by the Hungarian Communication Studies Association is currently seeking articles for its upcoming issues.

L’avventura. International Journal of Italian Film and Media Landscapes

updated: 
Monday, March 13, 2017 - 9:20am
L'avventura. International Journal of Italian and Media Lanscapes
deadline for submissions: 
Wednesday, March 15, 2017

L’avventura. International Journal of Italian Film and Media Landscapes aims at positioning itself at the heart of the contemporary debate on Italian visual and media culture, its history and its present characteristics. The journal’s main areas of interest include:

 

* Patterns, styles, figures: the evolution of styles and patterns, themes and narratives; the rela­tionship between film and other art and communication practices; modes of production and industrial forms.

* Archive: film and media archives, as much as oral sources.

* Differences: local, national, gender and generational identities as shaped and moulded in cinema and media discourse.

Theorising the Popular Conference

updated: 
Monday, March 13, 2017 - 9:20am
Liverpool Hope University
deadline for submissions: 
Friday, March 17, 2017

Theorising the Popular Conference 2017

Liverpool Hope University, June 21st-22nd 2017

The Popular Culture Research Group at Liverpool Hope University is delighted to announce its seventh annual international conference, ‘Theorising the Popular’. Building on the success of previous years, the 2017 conference aims to highlight the intellectual originality, depth and breadth of ‘popular’ disciplines, as well as their academic relationship with and within ‘traditional’ subjects. One of its chief goals will be to generate debate that challenges academic hierarchies and cuts across disciplinary barriers.

Indigenous Studies - Call for Papers

updated: 
Thursday, March 9, 2017 - 3:30pm
Midwest Popular Culture Association/American Culture Association
deadline for submissions: 
Sunday, April 30, 2017

Call for Abstracts - Indigenous Studies Area

Midwest Popular Culture Association/American Culture Association Conference, Hyatt Regency St. Louis at the Arch from Wednesday-Sunday, October 18-22. 

The Indigenous Studies Area of the Midwest Popular Culture Association seeks panels and paper abstracts for the annual Midwest Popular Culture Association/American Culture Association conference to be held at the Hyatt Regency St. Louis at the Arch from Wednesday-Sunday, October 18-22. 

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