ReFocus: The Films of Albert Brooks
The new Editorial Board of ES. Revista de Filología Inglesa is pleased to announce its Call for Submissions for Issue 38 (2017).
ES. Revista de Filología Inglesa, a refereed scientific journal published yearly by the Department of Filología Inglesa at the University of Valladolid, cordially invites submission of original manuscripts, in the form of research articles and book reviews, dealing with all major areas of English Studies, these including Language and Linguistics, Literature and Criticism, History and Culture, Translation Studies, and Philology and Textual Studies.
call for papers
“Glocalism”, a peer-reviewed, open-access and cross-disciplinary journal, is currently accepting manuscripts for publication. We welcome studies in any field, with or without comparative approach, that address both practical effects and theoretical import.
Articles can be in any language and length chosen by the author, while abstracts and keywords have to be in English.
Noire is the new noir: the Série Noire and the Franco-American detective traditions
Saturday, November 5th, 2016, The American University of Paris.
Plenary speaker: Aurélien Masson, director, Gallimard Série Noire
November 2016 marks the 75th anniversary of Richard Wright's 12 Million Black Voices: A Folk History of the Negro in the United States (1941), a documentary text that juxtaposes Wright's historical analysis of slavery in America with Edwin Rosskam's photographs. This panel seeks to revisit the text from the perspective of recent trends in literary and cultural studies, as well as the conference theme of utopia/dystopia.
TRANSITIONS – New Directions in Comics Studies
at Birkbeck College, London, on Saturday November 19th 2016.
Organised in collaboration with Comica- London International Comics Festival, Transitions at Birkbeck College is unique in offering a regular comics studies symposium and meeting point in London, a platform for emerging research at an event that is free of charge and open to all. Originally convened by PhD students in 2009, Transitions has become an annual fixture in the UK comics scholars’ calendar.
Apologies for cross-posting. Please find below a CFP for next-year's NeMLA conference in Baltimore, MD, March 23-26, 2017. If interested, please submit a 300-word abstract through the following link: https://www.cfplist.com/nemla/Home/S/16284. The submission opens June 15 and ends Septemer 30. Feel free to forward this CFP to anyone who might be interested.
To mark the centenary of the first edition of Gerard Manley Hopkins’s Poems (1918), there will be a special issue of Victorian Poetry in summer 2018. The guest editors of the issue are asking for completed essays that focus on a specific poem, or a pair of poems. (Submissions should not focus on “The Wreck of the Deutschland.”) Contributions should account for the shifting critical receptions of the texts since their publication and suggest new directions for Hopkins scholarship. Contributors might consider issues such as the politicization of Hopkins, Hopkins’s changing audience, appropriations of Hopkins, or Hopkins inside and outside of the academy.
Issue 4.1: Black Lives Matter
albeit, an innovative, MLA-indexed online journal of scholarship and pedagogy, invites scholarly articles, detailed lesson plans, book reviews, creative pieces, and nonfiction essays exploring the theme of “Black Lives Matter.”
Topics for this issue can include, but are not limited to:
GEORGIA AND CAROLINAS CEA AT SAMLA
In “Ode on a Grecian Urn,” Keats declared that beauty and truth are as one. But are they? T. S. Eliot called Keats’s pronouncement “meaningless” and “a serious blemish on a beautiful poem.” Scientists and mathematicians debate beauty in terms of symmetry. Aestheticians ponder what is beautiful and try to determine whether it is true. Ethicists and theologians explore the moral nexus between beauty and truth. For its 2016 GACCEA at SAMLA session, the GACCEA seeks proposals that discuss beauty and/or truth. Potential topics include:
CFP for NeMLA 2017, Baltimore March 23rd-26th: The first-year writing seminar is a course that fulfills many goals of transitioning students to college-level writing, reading, and discussion. It is one of the first places that students grapple with those “structures of feeling” that gather around social identity and difference. This panel seeks papers that explore pedagogical approaches to affect and social identity in the writing classroom. What approaches help students struggle to write across the gap between feelings, social identity, and analysis? What pedagogies help create spaces of diversity for both feelings and minority identities in the first-year classroom?
I invite proposals for a collection of essays that examines the theme of revenge in American fiction, film, and television. Vengeance – that quest for violent reciprocity – is one of storytelling’s oldest and most enduring plots. But in the modern American imaginary the familiar shape of retribution assumes a new form. Over and over, avengers on page and screen desire not only blood but also symbolic victories. In Sherman Alexie’s Indian Killer (1996) a troubled protagonist named John Smith yearns to kill the one “white man [who] was responsible for everything that had gone wrong” for Native Americans.
The William Faulkner Society welcomes presentations that approach Faulkner’s life and work in relation to this year’s SAMLA conference theme, "Utopia/Dystopia: Whose Paradise Is It?” By June 5, 2016, please submit an abstract of 250-350 words, A/V requirements, and a brief bio, to Harper Strom, Georgia State University, at firstname.lastname@example.org, and Ulf Kirchdorfer, Darton State College, at email@example.com.
From the enduring popularity of narratives such as Strange Case of Dr Jekyll and Mr Hyde (1886) to television series such as the anthology American Horror Story, world cultures appear to be obsessed with bodies and psyches deemed “monstrous.” Jeffrey Jerome Cohen, editor of the collection of essays Monster Theory: Reading Culture, proposes that monster’s body is a cultural body, a body that cannot be categorically confined, but exists to problematize and to escape any categories we may create. In their 2012 text Speaking of Monsters: A Teratological Anthology, editors Caroline Joan (Kay) S.