Wharton and the Culture of the Monthly Magazine
The deadline for Special Sessions has been extended to November 1st for the Second International Conference on Medieval and Renaissance Thought. Send all proposals for a special session to the conference director, Dr. Darci Hill at
We invite 250-word proposals on all aspects of medieval and renaissance culture and thought from all disciplines. Equally welcome are proposals/abstracts on music, art, architecture, literature, linguistics, history, religion, philosophy, theater, and dance.
Dr. Darci Hill
Mapping Fields of Study: Renegotiations of Disciplinary Spaces in the English-Speaking World
9-11 June 2016
Call for Papers
Wharton and Religion
We invite papers exploring any aspect of religion, spirituality, and the sacred in Wharton's writing, including the afterlives of religion in gothic, aestheticism, satire, and scientific discourse. How does religion figure within the Wharton imaginary? How is her fiction shaped by the legacy of Biblical poetics, religious fiction, or other religious genres? How does religion inflect her response to modernism? In addition to the Christianity most familiar to Wharton, we also welcome studies of Wharton in relation to Islam, Judaism, and other religions addressed in her work. Abstract and short bio to Sharon Kim, firstname.lastname@example.org.
Abstracts are invited for creative writing related to the medieval period. Please submit your 250- to 300-word proposal for your short story, poem, or novel excerpt set during the Middle Ages or addressing topics unique to the medieval period, including contemporary works inspired in some way by medieval ideas. Attach to your abstract a 100-word excerpt of your proposed creative work.
Deadline for proposals: Nov. 1, 2015.
Send proposals and excerpts for this special session on creative writing to the Conference Director, Dr. Darci Hill, or to the Special Session Coordinator, Reina Shay Broussard. Notifications of acceptance will be delivered by December 15, 2015.
"The visionary starts with a clean sheet of paper, and reimagines the world." — Malcolm Gladwell
"It's a very salutary thing to realize that the rather dull universe in which most of us spend most of our time is not the only universe there is." — Aldous Huxley
Philosophers, poets, and artists in every era have revisioned and reimagined the world in ways that have inspired historical transformations. Visionary texts – whether they reach proleptically into an imagined future, analeptically reconsider the past, or urgently re-envision the present – have offered us alternative possibilities of understanding who and where we are.
Papers on Language and Literature is seeking proposals for special issues on subjects including but not limited to
PLL is a generalist publication that is committed to publishing work on a variety of literatures, languages, and chronological periods. We accept proposals year-round. We are a quarterly and expect to publish a special issue once a year, every year. The specific volume and issue will be determined later, depending on the editors' schedule.
BAD Trips CFP
SATW ALA 2016
In travel writing, what is there to tell if everything goes according to plan? Shouldn't we grant that travel writing is to some extent dependent upon the frustrated expectations of the writing traveller, because they simultaneously reveal the distinctiveness of the visited place as well as the writer's preconceptions and as often misconceptions? That is, don't the worst trips, or the worst experiences of good trips, make for the best travel writing?
Ethical Travel Writing
I am looking for papers for multiple panels for the PCA/ACA Motherhood/Fatherhood Area on any aspect of motherhood and or fatherhood in popular culture.
February 24, 2016 will mark the tenth anniversary of the passing of Octavia E. Butler. To commemorate her contributions to the world of letters, the Octavia E. Butler Society solicits papers for a special conference to be hosted by Spelman College February 26-28, 2016. The Society welcomes proposals of 250 words focused on any aspect of Butler's life, work, and influence. Because a major goal of the Society is to encourage the teaching of her works in the academy and beyond, we also invite submissions addressing approaches to teaching Butler in any pedagogical environment. Panel proposals are also encouraged.
Today more than ever fairy tales permeate pop culture, literature,
music, fine arts, opera, ballet and cinema. Speaking of the history of
stories and especially fairy-tales, we may say that the Pot of Soup, the
Cauldron of Story, has always been boiling for centuries. Dwarves have
always been a recurring image and a character from the fairy tales to
Mythology itself presents dwarves not only as treasurekeepers and
remarkable workers, but calling them gnome, kobold, bogey, brownie or
leprechaun. Zealous, sharp and small in statue they are often shown as
counterparts to the inane giant. The possible dualistic arrangement
Join us for the 37th Annual Southwest Popular Culture and American Culture Association Conference, February 10 – 13, 2016 at the beautiful Hyatt Regency in Albuquerque, New Mexico. The Area Chair for Stardom and Fandom invites paper or panel proposals on any aspect of stardom or fandom.
Proposal submission deadline: November 1, 2015.
The list of ideas below is limited, so if you have an idea that is not listed, please suggest the new topic. We are an interdisciplinary area and encourage submissions from multiple perspectives and disciplines. Topics might include:
This seminar uses the concept of reflexivity to explore interdisciplinary questions about the relationship of a self to the world by investigating various points along the reflexive route. The reflexive act, following a path similar to a boomerang's, moves away from a subject only to return as it traces a recoiling -- a turning, deflecting, or bending back. We ask: what is revealed when different points along this trajectory are represented in language or image? We are interested in reflexivity not only as a completed loop but in its disruptions, fragmentations, blockages, and failed journeys. How does marking the reflexive act at a particular point in its path dictate a set of terms for the relationship of a self to the world?
NOTE: Must submit via the ACLA submission website by September 23. http://www.acla.org/seminar/cinemas-extraction-life-itself
What can film express that is not at some distance-- extracted-- from its object? What is the obect, and what is possession in this figure of expressive extraction?