The International Video Dance Festival of Burgundy is pleased to announce that it is now accepting abstracts for short papers to be presented during the festival's fourth annual Screendance Conference to be held April 28-30, 2016. This year the conference will be dedicated to the theme: Les Danses Macabres: Death and the Moving Image. The conference is an international place of meeting for artists, scholars, curators, students and others interested in exploring the movement and choreography of moving images. The conference is composed of screenings, round tables, and moderated panel presentations. Select papers will be considered for a future publication of screendance essays.
23rd METU British Novelists Conference: Agatha Christie and Her Work
5-6 April 2016
METU Culture and Convention Centre
Department of Foreign Language Education,
Middle East Technical University,
Contact person: Asst. Prof. Dr. Dürrin Alpakın Martinez-Caro
Contact email: email@example.com
"23rd METU British Novelists Conference: Agatha Christie and Her Work" is a two-day conference organized by the Department of Foreign Language Education, Middle East Technical University, 5-6 April 2016. We invite proposals for 20-minute presentations on any aspect of Agatha Christie's life and work.
Special issue: Spatialities and Colonial Legacies/Locations in Postcolonial Literature
Space has been a central concern of postcolonial studies since the 1978 publication of Said's Orientalism and its exposition of the 'imaginative geographies' of colonial conquest. As Said, citing Gaston Bachelard's The Poetics of Space, writes, 'space acquires emotional and even rational sense by a kind of poetic process, whereby the vacant or anonymous reaches of distance are converted into meaning for us here' (54), indicating the potency of the imperial imaginary in the constitution of a broader conception of space in all of its workings.
It is an undeniable fact that indeed literature has moved from the realm of mere entertainment to one of commitment. Any survey of contemporary literature proves more than ever before that there can be no talk of "arts for art's sake". Hardly any writer who wishes to be taken seriously writes for the sake of writing or to entertain his readers. Entertainment has rapidly given way to commitment and today writers are interested in appraising the world in which they live and write and thereby imagine a better world for humankind. This has infused a political dimension into literature such that it is mainly concerned with a critique of the society. Thus literature today has come to occupy an important position as political discourse.
Postcolonial theory has been engaged in uncovering and castigating the legacies of the colonial contact on the colonized. This has seen a lot of discussions on postcolonial theory which focus on the material effects of colonialism such as the identity crisis occasioned by the loss of culture, the new boundaries created by colonialism and which continue to have far-reaching effects decades after the formal demise of colonialism, and the gross exploitation and humiliation of the colonized which has resulted in the inferiority complex and a loss of self- esteem. Postcolonial theory in a general sense therefore often involves the response of the colonized to the cultural and human consequences of colonial control.
XXII Graduate Colloquium of Iberian and Latin American Languages and Cultures
Call For Papers-"Borders, Borderlands, and Border Crossings"
Texts, Contexts, and Subtexts: Charlotte Perkins Gilman in Her Time
Charlotte Perkins Gilman's articles, letters, papers, and library underscore a central quality of her diverse and prolific career: her works were deeply engaged with the social and scientific milieus of her time. An avid reader, enthusiastic learner, and active member within her own intellectual communities, Gilman often reached out to those whose work she admired – as well as to those whose work she found lacking. Through her lectures, publications, and correspondence, Gilman impacted a broad cross-section of scholarly and literary discourses.
We are presently seeking submissions of art, poetry, fiction, and creative non-fiction for our third issue! We will also consider reviews of non-mainstream books and music. Frankly, if it's well-written, we want to read it; if it's visually intriguing, we want to see it.
In the covering e-mail, please include the author or artist's name, contact information (address, phone number, e-mail address), and a brief (2-4 sentence) bio. Simultaneous submissions are permitted, but please notify us if your work has been accepted for publication elsewhere.
Deadline for submissions for the next issue is 15 December 2015. (Please feel free to keep sending us wondrous creations beyond that date!)
What: Panel on Print, Public Readership, and Alternative Literary Modernities
Where: CCLA @ Congress 2016 in Calgary, Canada
When: May 28 to 30, 2016
How: Submit an abstract to firstname.lastname@example.org by December 15, 2015.
What happens after the panel: Select papers will be considered for publication in a scholarly outlet subject to peer review.
More info: Check out the CFP below/attached or click here and here! Or just write to email@example.com
CFP for panel at CCLA
The Society for Contemporary Literature, a group dedicated to the study of literature of the last 25 years, invites 300-word abstracts for presentations at the 27th Annual Conference of the American Literature Assoc. We encourage scholars to think broadly about culture, experimentation, and their relationships to contemporary literature. In the past 25 years, experimentation in literature has seen a diverse and dramatic boom. Literature sees experiment by way of form, structure, context, theme, and modes of mediation.
The Society for Contemporary Literature, a group dedicated to the study of literature of the last 25 years, invites 300-word abstracts for presentations at the 27th Annual Conference of the American Literature Assoc. This panel seeks to explore the trends in literature of the past 25 years, including but not limited to
Culture, class, and/or citizenship
Eighth Annual Cultural Studies Graduate Student Conference and Workshop at the University of New Mexico, Albuquerque
April 1-2, 2016
Home (Alone): An Interrogation of the Familiar, Transitory space, and the Contours of the Self
Keynote lecture to be delivered by: (TBA)
It has been sixty years since Lolita first appeared in its green-clad double volume in 1955 in Paris, published by Maurice Girodias (Olympia Press). During those six decades, the nymphet that Nabokov carved out of American poshlust made her way through all the clichés of magazines and tabloids, but also through the history of literature and the history of language (one can now look up the noun "Lolita" in dictionaries). Lolita also shaped a very specific way of being a reader, mainly because of its intertextual layering which plays with the stereotypes of Romantic poetry and detective novels, and because of its very unique narrative stance and traps.
In the last couple of decades, comics and graphic novels have made their way into a wide variety of classrooms, from science to the humanities. As Robert G. Weiner and Carrye Kay Syma argue in 'Graphic Novels and Comics in the Classroom: Essays on the Educational Power of Sequential Art,' "It is no longer a question of whether sequential art should be used in educational settings, but rather how to use it and for what purpose" (1).
Emory University and Kennesaw State University
cordially invite you to submit your proposals for seminars, roundtables, and panels
African Literature Association 2016 Conference
Justice and Human Dignity in Africa
and the African Diaspora
Venues: Marriott Marquis and National Center for Civil and Human Rights in
Atlanta, Georgia. USA.
April 6-9, 2016
Conference website: http://ala2016.com