all recent posts

Discourse on Protest and Reform in 19th-century Women's Writing, March 17-20, 2016

updated: 
Tuesday, September 15, 2015 - 3:45pm
full name / name of organization: 
Nilgun Anadolu-Okur Northeast Modern Language Association
contact email: 

15592.

Discourse on Protest and Reform in 19th-century Women's Writing
(Roundtable)

Women's and Gender Studies / Cultural Studies and Media Studies

Chair: Nilgun Anadolu-Okur (Temple University)

As stones and shattered glass landed on the platform in Pennsylvania Hall on May 17, 1838, a newly-wed Angelina Grimké Weld bravely exclaimed, "Women of Philadelphia! Allow me as a Southern woman, with much attachment to the land of my birth, to entreat you to come up to this work…let me urge you to petition." This roundtable contributes to our understanding of women's leadership

Papers on the following authors are also invited: Frances Ellen Watkins-Harper, Maria Stewart, Harriet Beecher Stowe and other authors.

Harriet Beecher Stowe's Iconic Uncle Tom's Cabin: A Revisit, March 17-20, 2016

updated: 
Tuesday, September 15, 2015 - 3:11pm
full name / name of organization: 
Northeast Modern Language Association

For NemLA's 2016 Conference in Hartford, Conn. March 17-20

Submit an Abstract (15690)

Harriet Beecher Stowe's Iconic Uncle Tom's Cabin: A Revisit

The aim of this roundtable is to engage the audience in a renewal of Stowe's place in the Abolition Movement by re-investigating the power of Uncle Tom's Cabin as a corrosive against slavery. Three roundtable participants will share cultural, literary, and value orientations about the importance of Stowe's best-selling novel and its iconic role in teaching its own generation and the following generations about the brutality of enslaving Africans in the United States.

"Hauntings" / NeMLA panel, March 17-20, Hartford, CT

updated: 
Tuesday, September 15, 2015 - 1:50pm
full name / name of organization: 
Alla Ivanchikova (Hobart and William Smith Colleges) Monika Giacoppe (Ramapo College)

Description: In recent years, haunting has been theorized as a temporal aberration, as a form of memory (involuntary memory), as spectrality, as an absence, and as a structure of feeling (affect). Haunting brings us in touch with a history that remains invisible, creating a channel of communication with an entity that remains foreclosed and inaccessible. The The structure of haunting thus is always paradoxical, and is similar to what Mckenzie Wark calls dark media—the "mediation of that which can't be mediated." Haunting can have different levels of intensity; and most texts, just like most places, can be seen as haunted in one way or another.

"World Literature Assignment Exchange" /NeMLA roundtable / March 17-20 Hartford, CT

updated: 
Tuesday, September 15, 2015 - 1:45pm
full name / name of organization: 
Monika Giacoppe and Alla Ivanchikova

NB: NeMLA guidelines allow participants to present both at a roundtable AND at a regular panel/ seminar. You can therefore apply to present at the roundtable even if you are already accepted into a NeMLA panel.

"World Literature Assignment Exchange" -- a NeMLA roundtable by the NeMLA World Literature Working Group
March 17-20 Hartford, CT

Monika Giacoppe (mgiacopp@ramapo.edu) and Alla Ivanchikova (ivanchikova@hws.edu)

The Multigenerational Latino Novel: Structure and Nuance in the Latino Experience

updated: 
Tuesday, September 15, 2015 - 1:42pm
full name / name of organization: 
Northeast Modern Language Association Conference, 2016 DUE 9/30

When we explore and critique Latin@ novels, it is a common practice to do so from the perspective of race, class, gender, and colonial identities. While we recognize that these thematic concerns are pressing, we sometimes gloss over the space where thematic and structural forms come together. Interestingly, some of the most important Latin@ writers utilize very similar structural forms, specifically the multi-generational novel—as a way to tackle these issues.

[REMINDER] Twice the Glory, Twice the Fear: Critical Approaches to Sheila Watson's The Double Hook

updated: 
Tuesday, September 15, 2015 - 1:33pm
full name / name of organization: 
Brady Harrison

Twice the Glory, Twice the Fear:
Critical Approaches to Sheila Watson's The Double Hook

Although Sheila Watson's The Double Hook has been widely celebrated as a masterpiece of Canadian modernism and as a source of inspiration for numerous Canadian writers, it has perhaps not received its critical due, particularly in recent years.

[UPDATE] In-Yer-Face Theatre: Two Decades On (Comparative Drama Conference Panel); abstract due November 16, 2015

updated: 
Tuesday, September 15, 2015 - 12:47pm
full name / name of organization: 
40th Comparative Drama Conference, Baltimore, MD, March 31-April 2, 2016
contact email: 

for the 40th Comparative Drama Conference to be held in Baltimore from March 31-April 2, 2016

In-Yer-Face Theatre: Two Decades On

By the time 1995 gave way to 1996, it was clear that something groundbreaking was afoot in the British theatre. 1995 had seen the premiere of Sarah Kane's first play Blasted, Jez Butterworth's Mojo, Joe Penhall's Pale Horse and Judy Upton's Bruises. 1996 would feature the London premiere of Trainspotting, Mark Ravenhill's Shopping and Fucking, Martin McDonagh's The Beauty Queen of Leenane and The Cripple of Inishmaan as well as Kane's Phaedra's Love and Nick Grosso's Sweetheart.

Emily Dickinson International Society at ALA 2016--1/1/2016 deadline for proposals

updated: 
Tuesday, September 15, 2015 - 12:29pm
full name / name of organization: 
Michelle Kohler / Emily Dickinson International Society
contact email: 

The Emily Dickinson International Society will sponsor two sessions at the 2016 American Literature Association Annual Conference. ALA conference will be held in San Francisco, May 26-29, 2016. Please send a 300-word abstract and a brief CV to Michelle Kohler (mkohler@tulane.edu) and Renee Bergland (renee.bergland@simmons.edu) by January 1, 2016.

[REMINDER] American Literature Association Symposium: Frontiers and Borders in American Literature, February 25-27, 2016

updated: 
Tuesday, September 15, 2015 - 12:23pm
full name / name of organization: 
Steven Frye/American Literature Association
contact email: 

Proposals are welcome on a range of topics related to varied conceptions of the frontier and American borderlands, including but not limited to nineteenth and twentieth-century narratives of the frontier, Western literature, the literature of nature and the environment, the literature of cultural contact, and science fiction. We welcome proposals for individual papers, complete panels, and roundtable discussions on any aspect of this important subject.

Due date for proposals is October 1, 2015.

The symposium will be held at the Sheraton Gunter Hotel is downtown San Antonio, TX.

ACLA Seminar: "Forms of Passivity", March 17-20 2016, Harvard U; Abstracts due Sept 23

updated: 
Tuesday, September 15, 2015 - 12:06pm
full name / name of organization: 
American Comparative Literature Association

In a context where the active (voice, body, citizen) remains the privileged mode of life, the possibility of imagining passivity as a political alternative has been a major lure for critical and political thinkers. Some have also tried to break down the clear-cut division between activity and passivity. In one such instance Lisa Robinson asks, "what is the relation between passivity and will, within cognition?

In-Yer-Face Theatre: Two Decades On (Panel); abstract due November 16, 2015

updated: 
Tuesday, September 15, 2015 - 11:26am
full name / name of organization: 
Comparative Drama Conference, Baltimore, MD, March 31-April 2, 2016
contact email: 

By the time 1995 gave way to 1996, it was clear that something groundbreaking was afoot in the British theatre. 1995 had seen the premiere of Sarah Kane's first play Blasted, Jez Butterworth's Mojo, Joe Penhall's Pale Horse and Judy Upton's Bruises. 1996 would feature the London premiere of Trainspotting, Mark Ravenhill's Shopping and Fucking, Martin McDonagh's The Beauty Queen of Leenane and The Cripple of Inishmaan as well as Kane's Phaedra's Love and Nick Grosso's Sweetheart.

[REMINDER] CFP: Neo-Victorian? Pop Culture, Lowbrow, and Genre Victoriana (Panel) | NeMLA 3/17-20/2016 | Submit by 9/30/15

updated: 
Tuesday, September 15, 2015 - 10:37am
full name / name of organization: 
Annual Convention of the Northeast Modern Language Association

In the rapidly expanding field of neo-Victorian studies, the million-dollar question remains: what qualifies as neo-Victorian? For guidance, many scholars have relied on Ann Heilmann and Mark Llewellyn's definition, which specifies that to be called neo-Victorian, a text "must in some respect be self-consciously engaged with the act of (re)interpretation, (re)discovery and revision concerning Victorians." The implication is that this is a subgenre for respectable texts, of clear intellectual pedigree.

[UPDATE] SPM 18th Annual International Conference : EXTENDED DEADLINE January 15, 2016

updated: 
Tuesday, September 15, 2015 - 9:52am
full name / name of organization: 
Society for Phenomenology and Media
contact email: 

The Society for Phenomenology and Media (SPM) invites proposals for individual conference papers and three-person panels for its 18th Annual International Conference in Puebla, Mexico.
Send submissions (200-word abstract) by using the EasyChair system at:
https://easychair.org/conferences/?conf=spm2016

CEA 2016 Annual Conference -- "Creation" in Law & Literature and True Crime

updated: 
Tuesday, September 15, 2015 - 8:43am
full name / name of organization: 
College English Association
contact email: 

For its 2016 meeting, the College English Association invites papers and panels that explore the literary, the rhetorical, the pedagogical, and the professional "creations" of our fields.

To create, to study the creation of others and thus re-create in various manifestations of potential meaning, to be a creator of a text or meaning or environment, to stimulate creativity or creation in others -- creation is at the heart of what we do.

We encourage presentations in the related areas of True Crime and Law & Literature, focusing on the role or act of creation in these fields.

Pages