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7th Biennial British Shakespeare Association Conference: Shakespearean Transformations, 8-11 September 2016

updated: 
Monday, July 20, 2015 - 5:41am
full name / name of organization: 
University of Hull
contact email: 

7th Biennial British Shakespeare Association Conference

Shakespearean Transformations: Death, Life, and Afterlives

University of Hull, 8-11 September 2016

www.hull.ac.uk/bsa2016

Keynote speakers:

Susan Bassnett (University of Warwick)
Andrew Hadfield (University of Sussex)
Michael Neill (University of Auckland)
Claudia Olk (Free University of Berlin)
Barrie Rutter (Northern Broadsides)
Tiffany Stern (University of Oxford)
Richard Wilson (Kingston University)

The Unsettling Politics of Nineteenth-Century Print, Abstract Deadline August 20

updated: 
Monday, July 20, 2015 - 5:01am
full name / name of organization: 
C19: The Society of Nineteenth-Century Americanists
contact email: 

While earlier centuries had witnessed the global spread of print, the nineteenth century contributed a new major chapter to the history of print in the Atlantic world, a chapter full of unsettling ironies. In this century, print became more accessible, since printing offices, owing to improved printing technologies, effective dissemination channels, and low-cost formats, were able to produce more efficiently. With print more accessible and affordable, printed material soon developed into a product of mass consumption that formed an integral part of everyday culture in the nineteenth century. Consequently, nineteenth-century print generated new audiences throughout the Atlantic world, such as working-class, black, and female readers.

'Facts and Fictions' - First Workshop of 'The Art of Identification' Network, University of Birmingham, Tuesday 13 October 2015

updated: 
Monday, July 20, 2015 - 2:36am
full name / name of organization: 
The Art of Identification

The Art of Identification network, funded by a networking grant from the Arts and Humanities Research Council (AHRC) intends to bring together a range of academics and practitioners in order to explore the interconnections between practical techniques of human identification and the artistic representation of personal identity. The methods by which people have proved, or been assigned, their identities have varied over time – from Early Modern insignia to the contemporary strobe light of a retinal scanner – and the term 'identification' can also be taken to mean a number of things, including the determination of individual personhood via paperwork, bodily examination, verbal testimony, and digital recording.

[UPDATE] "Daddy, What did you Do in the Culture Wars?": Academia and Public Life - NeMLA 2016

updated: 
Sunday, July 19, 2015 - 9:06pm
full name / name of organization: 
Northeastern Modern Language Association - Hartford CT, March 17-20, 1016

It's been almost thirty years since Allan Bloom made his clarion call to classicism within the American academy with the publication of The Closing of the American Mind. For as moribund as the humanities have supposedly been (according to positivist scientists, economics majors, and higher education administrators) the "Culture Wars" have surely blazed a bright path across the consciousness of any literature, history, philosophy, theology or cultural studies major. Columnists from William Safire to David Brooks have bemoaned the supposed death of the humanities (while conveniently ignoring how supply-side economics has had a hearty role in that) identifying a "post-modern bogeyman" as being responsible for the murder.

UPDATE: CFP: Virtual/Physical Fan Spaces for Special Edition of the Journal of Fandom Studies

updated: 
Sunday, July 19, 2015 - 7:17pm
full name / name of organization: 
Elizabeth Nielsen / Journal of Fandom Studies

As proven by the popularity of this year's San Diego Comic Con, fan spaces are increasingly important culturally and financially. Media creators and producers have come to acknowledge the significance of their fans and the need to communicate with them, particularly through social media. Fans, however, also insist upon their own self-contained spaces where they can share their opinions and observations, as well as their transformative works, metatexual analyses, and cosplay. These spaces exist both physically (as, for example, fan run or commercial conventions, fan meet ups, and pilgrimage sites) and virtually through social media platforms such as Tumblr, twitter, and Archive of our Own.

Science Fiction in the Middle Ages and the Middle Ages in Science Fiction -- NeMLA 2016 Panel (Hartford, CT)

updated: 
Sunday, July 19, 2015 - 4:13pm
full name / name of organization: 
Timothy S. Miller, Sarah Lawrence College (Northeast MLA)
contact email: 

Medieval European literature played a defining role in the development of modern fantasy fiction, and genre fantasy has already received a great deal of critical attention in the academic study of medievalism. By comparison, the complex relationship of genre science fiction to the Middle Ages has been sorely understudied, and this session will include papers that consider either or both of the topics in its title, that is, on the one hand, the appearance or influence of "the medieval," broadly conceived, in modern science fiction.

The Novel and Digital Humanities: Seeking Teaching Tools (July 25)

updated: 
Sunday, July 19, 2015 - 2:33pm
full name / name of organization: 
Studies in the Novel Affiliate Website
contact email: 

The editorial team at Studies in the Novel is seeking content for its online archive of indexed teaching tools on the journal's affiliate website. I am seeking pedagogical content that addresses teaching novels using digital humanities tools/perspective. Please consider submitting sample course syllabi, specific assignments, short narrative descriptions of your own experiences, or other appropriate content. The next deadline for submission is July 25.

[UPDATE] [SCMS 2016 CFP] Spaces of Spectatorship: Architectures of the Projected Image

updated: 
Sunday, July 19, 2015 - 2:00pm
full name / name of organization: 
Swagato Chakravorty / Yale University

The dispositif of the moving and projected image, defying its ossification under the weight of seventies-era apparatus theory, has returned to prominence. Screen architectures and moving-image installations have characterized a large-scale reconfiguration and reimagination of the dispositifs of cinema in the decades leading from the late twentieth into the early twenty-first century. The architecture of the moving and projected image has been at the center of this renewed focus on the dispositif.

[SCMS 2016 CFP]: Gay Porn and Barebacking **Due August 5th, 2015**

updated: 
Saturday, July 18, 2015 - 3:54pm
full name / name of organization: 
Kenneth T. Pinion

To what degree can we position historically the ongoing resurgence of barebacking or "breeding" in the gay porn industry? This panel seeks papers that historiographically and unabashedly interrogate the act of barebacking or "breeding" between queer men. Potential areas of excavation include: the visual depiction of barebacking in pre-1981 gay porn; alternatively, barebacking at the height of the AIDS crisis; current literary or filmic representations of barebacking; the relationship between barebacking and viral transmission in an industry-related context; the fetishization of barebacking in terms of "breeding"; the circulation of "breeding" videos over social media spaces; and so forth.

Proposed Edited Collection on American Women Writers and Liminality 10 Dec 2015

updated: 
Saturday, July 18, 2015 - 3:03pm
full name / name of organization: 
Society for the Study of American Women Writers

CALL FOR PAPERS FOR A PROPOSED SSAWW EDITED COLLECTION
CALL FOR SENIOR SCHOLAR TO WRITE PREFACE

The Society for the Study of American Women Writers (SSAWW) is seeking abstracts (250 words) for essays (7500-8500 words, excluding notes) on American women writers and liminality for a proposed edited collection. We also seek a senior scholar in the field of American women writers to write the preface to the collection and, if interested, join the team as a co-editor.

The Weird & the Southern Imaginary - Edited Collection

updated: 
Saturday, July 18, 2015 - 2:06pm
full name / name of organization: 
Travis Rozier / Johannes Gutenberg University of Mainz; Bob Hodges / University of Washington

Keynote: The Weird & the Southern Imaginary will introduce the aesthetics and generic conventions of the Weird to cultural studies of the U.S. South and the region's local, hemispheric, and (inter)national connections. Contributions from literary critics, film and popular culture scholars, philosophers, and critical theorists will consider forms of the Weird in a range of texts (literature, art, film & television, comics, music) from, about, or resonant with conceptions of different South(s).

CFP Anthology on Girl Labor (non-western and new media)

updated: 
Saturday, July 18, 2015 - 1:45pm
full name / name of organization: 
Diana Anselmo-Sequeira
contact email: 

We are looking for original contributions for an anthology on the history of girl labor to be published by an American university press. We are seeking specifically for chapters that examine girl sex work and new media labor in non-western contexts.

Preferred topics include:

Girls and internet labor: blogging, gaming, lifestyle videos, micro-celebrities in non-western contexts

Girls and self-marketing in the web: seeking sponsorships, broadcasting one's image for profit

DIY cultures: Hello Kitty, "cute cultures," fashion, girls as producers of new consumer products

Gift cultures/ alternative markets/ hunter and gathering communities

Lacunae: Noticing What Is Not There - Kalamazoo 2016

updated: 
Saturday, July 18, 2015 - 1:43pm
full name / name of organization: 
Canadian Society of Medievalists
contact email: 

The Canadian Society of Medievalists invites abstracts for 20-minute papers for its session, "Lacunae: Noticing What Is Not There", to be held at the International Congress on Medieval Studies in Kalamazoo, MI in May 2016. In doing so, we hope to delve into the productive possibilities for medievalists of paying attention to what is missing. Textual scholars may be particularly familiar with the physical problem of absent sections of text, missing leaves or illegible scripts obscured by damage or decay to the manuscript but these kinds of lacunae are not the only ones that scholars encounter.

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