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gender studies and sexuality

Bodies of Power / Theory in the Flesh - A Graduate Student Confernce

updated: 
Thursday, April 12, 2018 - 4:42pm
Women's and Gender Studies - Rutgers University
deadline for submissions: 
Thursday, June 7, 2018

Bodies of Power / Theory in the Flesh

Graduate Student Conference
Women’s and Gender Studies
Rutgers University – New Brunswick
Alexander Library
5 October 2018

Confirmed Speakers:
C. Riley Snorton, Cornell University
Nicole Fleetwood, Rutgers University
Kyla Schuller, Rutgers University

Dissensus in the Postcolonial Anglophone World: History, Politics, and Aesthetics

updated: 
Thursday, April 12, 2018 - 9:24am
Université de Lille, France
deadline for submissions: 
Saturday, June 30, 2018

 

The first international conference under the aegis of the French Society for Commonwealth and Postcolonial Studies (the SEPC), and supported by the Institut Universitaire de France and the laboratory CECILLE (EA 4074), will take place at the Université de Lille SHS on January 31st and February 1st 2019.

 

Unmasking Masculinity: Superheroes and Defeating the Power of Patriarchy

updated: 
Thursday, April 12, 2018 - 9:19am
Sean Parson
deadline for submissions: 
Monday, May 7, 2018

We are seeking 300-500 word abstracts by May 7th, 2018 for possible inclusion into an edited collection seeking to explore the complex relationship between masculinity, toxic masculinity, gender, queerness, and superhero narratives. Over the last few years there have been books that that explore issues of feminism, gender, and sexuality within comic books but rarely have they engaged with the way the genre shapes and is shaped by contemporary conceptions of masculinity. This project is meant to fill that absence focusing on the construction of the masculinity in comics, as well as engage with critical works that deconstruct toxic version of masculinity or offer queerer, trans, and feminist counter-narratives of the concept.

 

“Language of the Unheard”: Riot on the American Cultural Stage

updated: 
Tuesday, April 10, 2018 - 9:08am
Susan Gilmore, Central Connecticut State University
deadline for submissions: 
Monday, October 1, 2018

Articles sought for a proposed edited volume of essays,  “Language of the Unheard”: Riot on the American Cultural Stage, addressing the following questions:

  

How does a riot speak?  How do we articulate and explore the riot as news, art, event, and mechanism for social change?  How do riots redefine urban landscapes and the ways in which we inhabit and express them?  How and why have American literary and cultural works illuminated cities and communities rocked by injustice and riot as a mode of protest or giving voice to what Martin Luther King, Jr., called “the language of the unheard.” 

 

Twenty-First Century True Crime

updated: 
Tuesday, April 10, 2018 - 9:04am
albeit
deadline for submissions: 
Sunday, July 1, 2018

albeit, an innovative, MLA-indexed online journal of scholarship and pedagogy, invites scholarly articles, detailed lesson plans, book reviews, creative pieces, and nonfiction essays exploring the evolving genre of true crime.

Topics for this issue can include, but are not limited to:

Emergence and Emergencies

updated: 
Monday, April 9, 2018 - 9:19am
NYMASA + NYU
deadline for submissions: 
Sunday, April 15, 2018

New York Metro American Studies Association (NYMASA)
2018 Call for Proposals: Emergence and Emergencies
When: October 13th 2018
Where: New York University (Manhattan)
Submission Deadline: April 15, 2018

Submit herehttps://www.nymasa.com/conference

***Women of color, queer, trans, and other underrepresented folx are especially encouraged to submit abstracts***

The Fifties and Pop/Visual Culture: Film, Television and Beyond Conference

updated: 
Monday, April 9, 2018 - 9:12am
Kylo-Patrick R. Hart, Film/TV/Digital Media, TCU
deadline for submissions: 
Friday, August 3, 2018

We invite presentation proposals for The Fifties and Pop/Visual Culture: Film, Television and Beyond Conference, to be held at Texas Christian University (Fort Worth, Texas) November 9-10, 2018.

The conference organizers are seeking historically and theoretically intriguing contributions that explore any noteworthy aspect(s) of popular and/or visual culture during the 1950s, whether in the United States or elsewhere, in relation to cinematic, televisual, and other types of media offerings.

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